Pub Date : 1900-01-01DOI: 10.1080/13575341.1995.10806910
Steve Dixon
{"title":"The Actor As Chameleon: experiments in style, genre and multi-media","authors":"Steve Dixon","doi":"10.1080/13575341.1995.10806910","DOIUrl":"https://doi.org/10.1080/13575341.1995.10806910","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130522066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1996.10806936
Gavin P. Carver
AbstractComputers offer tremendous advantages to the process of design development, both in their ability to speed up technical drafting and their aid to visual experimentation. Various programs allow the user to explore three dimensional space, light and movement in ways not previously available to the designer, and encourage a collaborative and holistic approach to design. The use of digital technology is central to the development of design in the context of new movements in scenography.
{"title":"Computer Aided Scenography: some observations on procedures and concepts","authors":"Gavin P. Carver","doi":"10.1080/13575341.1996.10806936","DOIUrl":"https://doi.org/10.1080/13575341.1996.10806936","url":null,"abstract":"AbstractComputers offer tremendous advantages to the process of design development, both in their ability to speed up technical drafting and their aid to visual experimentation. Various programs allow the user to explore three dimensional space, light and movement in ways not previously available to the designer, and encourage a collaborative and holistic approach to design. The use of digital technology is central to the development of design in the context of new movements in scenography.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124512457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1990.10806822
Richard Boon, M. Mangan
{"title":"Howard Brenton's Hitler Dances in Production","authors":"Richard Boon, M. Mangan","doi":"10.1080/13575341.1990.10806822","DOIUrl":"https://doi.org/10.1080/13575341.1990.10806822","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125571325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1995.10806920
G. Berghaus
In 1997, the University of Bristol Drama Department will be fifty years old. It was the first department of its kind in the United Kingdom and has played a leading role in establishing Theatre, Film and Television Studies at British universities. Since then, geographic horizons have widened with Theatre Studies becoming a university subject in Mrica, Asia, the Pacific Rim and Latin-America. Over the last fifty years, many new departments of Drama or Theatre Studies have been founded, all of them contributing towards developing a methodology of the discipline.
{"title":"Colston Research Society: Conference on New Approaches to Theatre Studies and Performance Analysis","authors":"G. Berghaus","doi":"10.1080/13575341.1995.10806920","DOIUrl":"https://doi.org/10.1080/13575341.1995.10806920","url":null,"abstract":"In 1997, the University of Bristol Drama Department will be fifty years old. It was the first department of its kind in the United Kingdom and has played a leading role in establishing Theatre, Film and Television Studies at British universities. Since then, geographic horizons have widened with Theatre Studies becoming a university subject in Mrica, Asia, the Pacific Rim and Latin-America. Over the last fifty years, many new departments of Drama or Theatre Studies have been founded, all of them contributing towards developing a methodology of the discipline.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126587655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1997.10806946
Alison Oddey
{"title":"Show and tell: the delights of devising theatre","authors":"Alison Oddey","doi":"10.1080/13575341.1997.10806946","DOIUrl":"https://doi.org/10.1080/13575341.1997.10806946","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132938113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1997.10806961
Chris Banfield
{"title":"Memory play: role-play or leucotome? The case of Rose Williams and Suddenly Last Summer","authors":"Chris Banfield","doi":"10.1080/13575341.1997.10806961","DOIUrl":"https://doi.org/10.1080/13575341.1997.10806961","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115236904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1999.10807010
Jonathan Pitches, A. Shrubsall
(1999). Atmosphere, Space, Stasis: Staging Pinter's Mountain Language and A Kind of Alaska using the techniques of Michael Chekhov. Studies in Theatre Production: Vol. 19, No. 1, pp. 36-66.
{"title":"Atmosphere, Space, Stasis: Staging Pinter's Mountain Language and A Kind of Alaska using the techniques of Michael Chekhov","authors":"Jonathan Pitches, A. Shrubsall","doi":"10.1080/13575341.1999.10807010","DOIUrl":"https://doi.org/10.1080/13575341.1999.10807010","url":null,"abstract":"(1999). Atmosphere, Space, Stasis: Staging Pinter's Mountain Language and A Kind of Alaska using the techniques of Michael Chekhov. Studies in Theatre Production: Vol. 19, No. 1, pp. 36-66.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115734653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1995.10806909
L. Tomlin
{"title":"Building a Barker Character: a methodology from The Last Supper","authors":"L. Tomlin","doi":"10.1080/13575341.1995.10806909","DOIUrl":"https://doi.org/10.1080/13575341.1995.10806909","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130855782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1996.10806935
G. Berghaus, B. Slater
From Video Art to Video Performance The medium of electro-magnetic video recordings became first available in the early 1960s in an enormously expensive and cumbersome TV broadcast format. Artists began to avail themselves of the new technology when Sony released its first ponapak in 1965. Although not cheap, these new machines were offering unlimited possibilities of image transformation and manipulation in the recording or post-production process. Immediate live feedback meant that the recording and playback of the image occurred simultaneously and that the time lag between recording and viewing of images was cut to zero. Compared to celluloid film, the portapak was simple and flexible in its use; it rendered recording crews and operators superfluous and allowed individual work to replace that of large teams.
{"title":"Video Performance: An Electronic Theatre of (Dis-)Illusion","authors":"G. Berghaus, B. Slater","doi":"10.1080/13575341.1996.10806935","DOIUrl":"https://doi.org/10.1080/13575341.1996.10806935","url":null,"abstract":"From Video Art to Video Performance The medium of electro-magnetic video recordings became first available in the early 1960s in an enormously expensive and cumbersome TV broadcast format. Artists began to avail themselves of the new technology when Sony released its first ponapak in 1965. Although not cheap, these new machines were offering unlimited possibilities of image transformation and manipulation in the recording or post-production process. Immediate live feedback meant that the recording and playback of the image occurred simultaneously and that the time lag between recording and viewing of images was cut to zero. Compared to celluloid film, the portapak was simple and flexible in its use; it rendered recording crews and operators superfluous and allowed individual work to replace that of large teams.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134157537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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