Pub Date : 1900-01-01DOI: 10.1080/13575341.1996.10806942
J. Bull, Benedict Francombe
(1996). SCUDD Survey of Undergraduate Drama Courses. Studies in Theatre Production: Vol. 14, No. 1, pp. 70-98.
(1996)。SCUDD本科戏剧课程调查。戏剧制作研究:第14卷，第1期，第70-98页。
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Pub Date : 1900-01-01DOI: 10.1080/13575341.1997.10806962
M. Rogers
{"title":"Pathology & Pedagogy: Directing Student Actors in John Ford's The Broken Heart","authors":"M. Rogers","doi":"10.1080/13575341.1997.10806962","DOIUrl":"https://doi.org/10.1080/13575341.1997.10806962","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127805997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1998.10806974
Philip E. Roberts
{"title":"SCUDD's Collaborative response to the QAA proposals","authors":"Philip E. Roberts","doi":"10.1080/13575341.1998.10806974","DOIUrl":"https://doi.org/10.1080/13575341.1998.10806974","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121289944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1997.10806964
A. Shrubsall, Jonathan Pitches
{"title":"Two Perspectives on the Phenomenon of Biomechanics in Contemporary Performance: an account of Gogol's The Government Inspector in production","authors":"A. Shrubsall, Jonathan Pitches","doi":"10.1080/13575341.1997.10806964","DOIUrl":"https://doi.org/10.1080/13575341.1997.10806964","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126877567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1996.10806927
I. Wright
{"title":"An Early Stage at Queens","authors":"I. Wright","doi":"10.1080/13575341.1996.10806927","DOIUrl":"https://doi.org/10.1080/13575341.1996.10806927","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"72 267 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125962500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1996.10806938
A. Stott
{"title":"‘Bad Quartos’ in Performance: Charles Calder in conversation with Graham Holderness and Bryan Loughrey","authors":"A. Stott","doi":"10.1080/13575341.1996.10806938","DOIUrl":"https://doi.org/10.1080/13575341.1996.10806938","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127233043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1993.10806863
Robert Cheesmond
{"title":"Bread and Circuses","authors":"Robert Cheesmond","doi":"10.1080/13575341.1993.10806863","DOIUrl":"https://doi.org/10.1080/13575341.1993.10806863","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133208880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1998.10806976
W. Stanton, C. Mccullough
AbstractStudying dramatic texts offers at least three obvious approaches: to hold a discussion with a group who have read the play; to mount a passive or active ‘classroom’ reading in which students read the parts; or to mount a production. This article proposes another way, a praxis involving (in this case) a text and its writer, a dramaturg, professional actors and a small audience. The focus of this praxis was the text of a new play called Bringing Home the Bacon. A workshop was held in which the actors read the play and it was then discussed by everyone present. This was a straightforward enough procedure, but it became rapidly clear that the scope of the workshop was enormous, taking in issues of dramaturgy, scenography, performance, reception and authorship. Having the author present meant that he, as well as the play's text and the actors, could be part of the process of interrogation.
{"title":"Theology of Authorship","authors":"W. Stanton, C. Mccullough","doi":"10.1080/13575341.1998.10806976","DOIUrl":"https://doi.org/10.1080/13575341.1998.10806976","url":null,"abstract":"AbstractStudying dramatic texts offers at least three obvious approaches: to hold a discussion with a group who have read the play; to mount a passive or active ‘classroom’ reading in which students read the parts; or to mount a production. This article proposes another way, a praxis involving (in this case) a text and its writer, a dramaturg, professional actors and a small audience. The focus of this praxis was the text of a new play called Bringing Home the Bacon. A workshop was held in which the actors read the play and it was then discussed by everyone present. This was a straightforward enough procedure, but it became rapidly clear that the scope of the workshop was enormous, taking in issues of dramaturgy, scenography, performance, reception and authorship. Having the author present meant that he, as well as the play's text and the actors, could be part of the process of interrogation.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129275099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1998.10806994
A. Hodge
{"title":"An Inch of Land","authors":"A. Hodge","doi":"10.1080/13575341.1998.10806994","DOIUrl":"https://doi.org/10.1080/13575341.1998.10806994","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132445070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.1080/13575341.1995.10806900
Elaine Aston
{"title":"Portraits of Rossetti: Feminist Theory and Performance","authors":"Elaine Aston","doi":"10.1080/13575341.1995.10806900","DOIUrl":"https://doi.org/10.1080/13575341.1995.10806900","url":null,"abstract":"","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122213919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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