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European Medieval Drama最新文献

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Marian Laments from Medieval Bohemia: Performing Suffering and Redemption Through Compassion 来自中世纪波西米亚的玛丽安哀歌:通过同情表演苦难和救赎
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.emd.5.125678
Eliška Kubartová (Poláčková)
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引用次数: 1
The Revival of the Lucerne Passion Play Tradition in the Twentieth Century 卢塞恩激情戏传统在二十世纪的复兴
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.emd.5.125684
Simone Gfeller
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引用次数: 0
The Theatricality of Versus de Unibove 尤尼博韦诗歌的戏剧性
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.emd.5.125676
Francesco Mosetti Casaretto
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引用次数: 0
Processions, Processional Theatre, Simultaneous Stage: Variations of Venues and Stage Arrangements of the Lucerne Play Tradition from the Middle Ages to Early Modern Times 游行、游行剧场、同期舞台:中世纪至近代早期卢塞恩戏剧传统的场地变化和舞台安排
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.emd.5.125683
Heidy Greco-Kaufmann
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引用次数: 0
Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi 不可靠的记忆:记录1589年佛罗伦萨中间派的场景
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.emd.5.125685
M. Katritzky
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引用次数: 0
Bewegte Grenzen: Beobachtungen zum kollusiven Potential ‘heiliger’ Figuren und Gegenstände im Mühlhäuser (thüringischen) Katharinenspiel 边界不断移动:观察范围内的“神圣”塑像和东西的衰竭可能
Q2 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.emd.5.125681
Angelika Kemper
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引用次数: 0
A Biblical Story for Two Stages: Abraham and Isaac in Fifteenth-Century Florence and York 两个阶段的圣经故事:亚伯拉罕和以撒在15世纪的佛罗伦萨和约克
Q2 Arts and Humanities Pub Date : 2020-12-18 DOI: 10.1484/j.emd.5.121753
P. Delcorno, C. Steenbrugge
In the late Middle Ages, the Biblical biblical story of Abraham and Isaac formed an ideal platform to develop a discourse on absolute faith in God as well as on the hierarchical relationships within family and society. By considering how Feo Belcari’s Florentine sacra rappresentazione and the York Abraham and Isaac participated in — and contributed to — a broader and diversified ‘public theology’, this article argues that through the performance of dramas, lay people not only gained access to the Bible but also had agency in processes of appropriation and adaptation of its text and message. At the same time, it shows how these plays, as lay enterprises, were deeply embedded in the distinct fabrics of the societies that produced them.
在中世纪晚期,《圣经》中亚伯拉罕和艾萨克的故事形成了一个理想的平台,以发展对上帝的绝对信仰以及家庭和社会内部的等级关系。通过思考费·贝尔卡里的佛罗伦萨圣器和约克·亚伯拉罕和艾萨克是如何参与并促进更广泛和多样化的“公共神学”的,本文认为,通过戏剧的表演,非宗教人士不仅可以接触到《圣经》,而且在挪用和改编其文本和信息的过程中也有代理权。同时,它展示了这些戏剧作为非专业企业,是如何深深植根于产生它们的社会的独特结构中的。
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引用次数: 0
Sarah Brazil, The Corporeality of Clothing in Medieval Literature: Cognition, Kinesis, and the Sacred, Early Drama, Art and Music (Kalamazoo, MI: Medieval Institute Publications, 2018) 萨拉巴西,服装在中世纪文学的形体:认知,运动,和神圣,早期戏剧,艺术和音乐(卡拉马祖,密歇根州:中世纪研究所出版物,2018)
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.1484/j.emd.5.121761
E. Dutton
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引用次数: 0
The Tradition and the Text: Re-Assessing the Relationship between Performance and Documentation in ‘Della Representatione et festa di Siena per essa absolutione’ 传统与文本:重新评估“Della representation et festa di Siena per essa absolutione”中表演与文献之间的关系
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.1484/j.emd.5.121751
Jenna Soleo-Shanks
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引用次数: 0
Michael Hanstein, Caspar Brülow (1585–1627) und das Straßburger Akademietheater. Lutherische Konfessionalisierung und zeitgenössische Dramatik im akademischen und reichsstädtischen Umfeld, Frühe Neuzeit, 185 (Berlin and Boston: De Gruyter, 2013) 迈克尔·汉斯坦,卡斯帕·布鲁洛(1585年1627)和巴黎的学术戏剧。路德教派和当代进驻在学术和帝国城市环境中的故事,18世纪晚期,185(柏林和波士顿:德格鲁耶特,2013年)
Q2 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.1484/j.emd.5.121766
Cora Dietl
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引用次数: 0
期刊
European Medieval Drama
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