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“Deep Calls Unto Deep”: The “Exegetical” Commentary to the Versus maligni angeli (ms. Charleville-Mézières, Médiathèque Voyelles, 117, fols. 1v-19r) “深邃呼唤深邃”:对“反对邪恶天使”的“注释”(ms. charleville - msamdiath<e:1> Voyelles, 117页)。1 v-19r)
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.se.5.128783
Lucie Doležalová
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引用次数: 0
Semeurs et moissonneurs dans la prédication évangélique. Édition du Sermon Wilmart 20 (101 auct.) d’Augustin 传福音的播种者和收割者。奥古斯丁威尔玛特布道版20 (101 auct.)
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.se.5.128774
F. Dolbeau
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引用次数: 0
“Standing Erect within the Dark Cloud” (III 7,5): ‘Negativity’ and the Subject in Isaac of Nineveh “在乌云中直立”(III 7,5):“否定性”与尼尼微的以撒的主题
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.se.5.128779
Valentina Duca
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引用次数: 0
Faut-il rééditer la prétendue Collectio ex dictis XII Patrum de Florus de Lyon ? 有必要重新出版弗洛鲁斯·德·里昂所谓的收藏吗?
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.se.5.128782
Pierre Chambert-Protat
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引用次数: 0
La carta de Quírico de Barcelona a Tajón de Zaragoza (CPL 1271, Díaz 211) : Estudio, edición crítica y traducción quirico de Barcelona致tajon de Zaragoza (CPL 1271, diaz 211)的信:研究、评论版和翻译
Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.1484/j.se.5.128777
Salvador Iranzo Abellán, Julia Aguilar Miquel
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引用次数: 0
Front Matter (“Table of Contents”) 封面(“目录”)
Q3 Arts and Humanities Pub Date : 2020-01-01 DOI: 10.1484/j.se.5.125783
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引用次数: 0
El códice Paris, lat. 5600 y cinco exposiciones anónimas 巴黎抄本,拉特。5600和5个匿名展览
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/j.se.5.119451
Javier Soage
espanolEl presente articulo ofrece, en primer lugar, una descripcion detallada y actualizada de los contenidos de Paris, Bibliotheque nationale de France, lat. 5600, saec. IXmed. El grueso de la descripcion procura arrojar luz sobre el aparente caracter compuesto del volumen, al tiempo que se propone senalar un contexto de compilacion. Para ello se explotan los contactos mas significativos y de mayor envergadura de cada una de sus partes con otros manuscritos coetaneos, especialmente en lo que concierne a las obras anonimas. En segundo lugar, se presenta el estudio y la edicion de cinco breves Expositiunculae ineditas sobre otras tantas parabolas o relatos neotestamentarios (Lc. 15, 11-32, “el hijo prodigo”; Matth. 20, 1-16, “los obreros en la vina”; Matth. 25, 14-30, “los cinco talentos”; Lc. 5, 17-26, “Jesus y el paralitico”; Lc. 16, 19-31, “el rico y Lazaro”). La tradicion de esta coleccion es compleja y desigual; su apogeo, bastante limitado, parece cenirse al siglo IX. En cuanto a su texto, pese a lo sencillo de la exegesis, parece original: asi, queda descartado por el momento cualquier contacto con obras reconocidas. En apendice se imprimen varios textos anonimos de imbricada tradicion textual a proposito del Genesis (Gen. 4, 1-7), el Deuteronomio (Deut. 27, 11-28, 8) y los pecados de la avaricia y la usura, todos ellos, en contraste con las Expositiunculae, de acusado caracter compilatorio. EnglishThe main aim of this article is to provide a detailed and up-to-date content description of manuscript Paris, Bibliotheque nationale de France, lat. 5600, saec. IXmed. Most observations seek to shed light on the apparently composite nature of the volume and on the context of its compilation. To this end, attention is drawn to the most significant contacts of each part to further contemporary manuscripts, with special regard to anonymous works. This is followed by a study and edition of five unedited short Expositiunculae on five parables or New Testament stories (Lc. 15, 11-32, “the prodigal son”; Matth. 20, 1-16, “the workers in the vineyard”; Matth. 25, 14-30, “the talents”; Lc. 5, 17-26, “the healing of a paralytic”; Lc. 16, 19-31, “the rich man and Lazarus”). The manuscript tradition of this collection is complex and irregular, and its quite modest peak seems restricted to the ninth century. As for its exegesis, however simple, it seems original: every contact to known works is excluded for now. Two appendixes offer some anonymous texts of imbricated textual tradition on Gen. 4, 1-7, Deut. 27, 11-28, 8, and the sins of greed and usury, all of them of a clear compilatory nature, in contrast to the Expositiunculae.
这篇文章首先提供了一个详细和最新的描述的内容,巴黎,Bibliotheque nationale de France, lat。5600, saec。IXmed。这本书的主要目的是阐明这本书的明显的复合特征,同时指出一个汇编的上下文。为了做到这一点,我们利用了它的每一部分与其他coeteneos手稿最重要和最广泛的联系,特别是关于匿名作品。首先,研究和编辑了《旧约》中许多其他寓言或故事的五个简短的未出版的阐述(路十五,11-32,“浪子回头”);马太福音20:1 -16,“葡萄园里的工人”;马太福音25:14 -30,“五他连得”;路5:17 -26,“耶稣和瘫痪的人”;路十六19-31,“富人和拉撒路”)。这个收藏的传统是复杂和不均衡的;它的顶峰,相当有限,似乎可以追溯到9世纪。就文本而言,尽管注释很简单,但它似乎是原创的:因此,目前任何与公认作品的接触都被排除在外。在附录中印刷了几篇关于《创世纪》(创世纪4,1 -7)、《申命记》(申命记27,11 - 28,8)和《贪婪和高利贷的罪恶》的匿名文本,所有这些都与《阐述》形成了鲜明的对比。这篇文章的主要目的是提供详细和最新的内容描述手稿巴黎,Bibliotheque nationale de France, lat。5600, saec。IXmed。= =地理= =根据美国人口普查,这个县的面积为。To this end,注意is的To the most开展contacts of每part To further当代manuscripts,特别规定“匿名”工程。接下来是对《五个寓言》或《新约故事》中五个未编辑的简短阐述的研究和版本(路十五,11-32,“浪子之子”;马太福音20,1 -16,“葡萄园里的工人”;马太福音25:14 -30,“人才”;路5:17 -26,“瘸子的医治”;路16:19 -31,“富人和拉撒路”)。这一集的手稿传统是复杂的和不完整的,它的特点是在9世纪的限制。As for its exegesis,然而简单,它似乎原件:每一个contact现名works is excluded for now。两个附录提供了一些关于重叠文本传统的匿名文本,在Gen. 4,1 -7, Deut. 27,11 - 28,8,和贪婪和高利利的罪恶,所有这些都是一个明确的汇编性质,与Expositiunculae相反。
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引用次数: 0
The Prayer Life of a Fifteenth-Century English Priest: Winchester College MS 48 15世纪英国牧师的祈祷生活:温彻斯特学院,MS 48
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/j.se.5.119453
A. Yardley, J. Mann
Winchester College MS 48 contains a Book of Hours produced in England in the early fifteenth century. This Book of Hours is notable for the presence of musical notation for the Office of the Dead, the exuberant cadels in the Office of the Dead, the variety and uniqueness of its litanies, the presence of gradations of feasts in its calendar, its extensive collection of prayers, and its large number of verse texts. The present article has three principal aims. First, we argue that, unlike most Books of Hours, WC 48 belonged to a cleric, and we discuss the evidence indicating clerical ownership. Secondly, we analyze the contents of WC48 with a focus on its seemingly unique components. And, thirdly, we reflect on what WC48 might reveal about the devotional life (i.e., the devotional practices and beliefs) of a late medieval English priest. In several appendices, we also present the “unique” texts found in this remarkable manuscript.
温彻斯特学院的MS 48包含了15世纪早期英国制作的《时经》。这本《时时祷书》的著名之处在于:死者办公室的音乐符号、死者办公室中充满活力的颂歌、它的长篇大论的多样性和独特性、它的日历中宴会的等级、它广泛收集的祈祷文以及它大量的诗歌文本。本文有三个主要目的。首先,我们认为,与大多数时经不同,WC 48属于神职人员,并讨论神职人员所有权的证据。其次,我们分析了WC48的含量,重点分析了其看似独特的成分。第三,我们反思WC48可能揭示的中世纪晚期英国牧师的灵修生活(即灵修实践和信仰)。在几个附录中,我们还介绍了在这个非凡的手稿中发现的“独特”文本。
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引用次数: 0
1 Timothy 2, 1 and the Expositiones Missae of Thomas Aquinas 提摩太前书2,1和托马斯·阿奎那的论述
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/j.se.5.119452
Innocent Smith
Thomas Aquinas frequently refers to 1 Tim 2, 1 in his discussions of the liturgical structure of the Mass. In his use of this verse, Thomas draws on a tradition of liturgical exegesis dating to Augustine of Hippo which pairs the four types of prayer named by Paul with the different parts of the Mass. This essay first analyzes the three main passages where Thomas draws on this tradition. It then describes the original context of Augustine’s articulation of this tradition and traces the reception of Augustine’s exegesis in Haimo of Auxerre and the Glossa Ordinaria. It concludes with a comparison of the Glossa Ordinaria and Thomas Aquinas’s writings, showing how Thomas benefitted from this tradition of interpretation while remaining free to adapt it to his own needs.
托马斯·阿奎那在讨论弥撒的礼仪结构时经常提到提摩太前书2,1。在他使用这节经文时,托马斯借鉴了追溯到河马奥古斯丁的礼仪训诂传统,将保罗命名的四种祈祷类型与弥撒的不同部分配对。这篇文章首先分析了托马斯借鉴这一传统的三个主要段落。然后,它描述了奥古斯丁对这一传统的表述的原始背景,并追溯了奥古斯丁在《欧塞尔的海默》和《普通词汇》中对训诂的接受情况。最后对《日常指南》和托马斯·阿奎那的著作进行比较,表明托马斯是如何从这种解释传统中受益的,同时又能自由地根据自己的需要进行调整。
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引用次数: 0
Inenarrabilia sunt Dominicae incarnationis mysteria. The Sermon on the Nativity in Porto, Biblioteca Pública Municipal, Santa Cruz de Coimbra 31 (56)
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1484/j.se.5.119446
Marina Giani
This article presents the first critical edition of the pseudo-Hieronymian sermon on the Nativity transmitted by the 12th/13th century manuscript Porto, Biblioteca Publica Municipal, Santa Cruz de Coimbra 31 (56). The quotation of its incipit by the abbot Speraindeo in a letter to Paulus Albarus reveals that the sermon circulated already in the 9th century in the Iberian Peninsula under Jerome’s name. The first part of the article provides a description of the manuscript and of its contents. The second part considers the context within which the sermon is transmitted, namely a series of ten liturgical sermons delivered on feast days from Advent to the Circumcision of Christ. The third part examines the sermon’s sources and loci paralleli and advances some hypotheses about its origin. The most plausible of these is that it is a cento combining extracts from Ambrose’s Expositio in Lucam and Chromatius’ sermon 32 on the Nativity, including several hitherto unknown passages from the Chromatian homily.
本文介绍了由12 /13世纪手稿Porto, Biblioteca Publica Municipal, Santa Cruz de Coimbra 31(56)传播的关于耶稣诞生的伪hieronymian布道的第一个批判版本。修道院院长Speraindeo在给Paulus Albarus的一封信中引用了它的开头,这表明,在9世纪,以Jerome的名义在伊比利亚半岛流传着这篇讲道。文章的第一部分提供了手稿及其内容的描述。第二部分考虑了布道传播的背景,即从基督降临节到基督受割礼的节日里的一系列十次礼仪布道。第三部分平行考察了讲道的来源和地点,并对其起源提出了一些假设。其中最可信的说法是,这是一部结合了安布罗斯的《卢卡姆释经》和克罗摩提乌斯关于耶稣诞生的讲道节选的诗篇,其中包括了克罗摩提乌斯讲道中几段迄今未知的段落。
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Sacris Erudiri
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