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Victorian Pain 维多利亚时代的痛苦
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0204
J. Davies
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引用次数: 0
History and the English Individual in Tess of the D’Urbervilles 德伯家的苔丝身上的历史和英国人的个性
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0142
Melissa Schaub
The value of the past in the novels of Thomas Hardy has been the subject of much critical debate. In Hardy in History, Peter Widdowson argues that Hardy was regarded by early readers as a historian of the “true” English way of life, and that this perception contributed profoundly to the making of English national identity. Many other critics have written on the importance of family history, genealogy, or heredity for Hardy, particularly in Tess of the D’Urbervilles (1891). The issue takes on a new appearance when Hardy is contextualized in the anthropological and antiquarian discourses of the late nineteenth century. But while Hardy was very familiar with the ethnologists of the period, it is not at all clear that he shared their assumptions about human nature or past customs. Tess, in particular, illustrates the dark power of history for the English, which is multiplied by the number of links in the chain that connects any particular individual to the past. I would argue that for Hardy, the length of the English past—the very quality that attracted ethnologists eager to define human nature—is the feature that most oppresses the individual English person. Given the rapidity with which Englishness is being redefined in the twenty-first century, and the continuing popularity of Hardy as a source text for what it means to be English, it is important to reconsider this question. Although tours of “Wessex” thrive, and morris dancing and folk music are once again popular, it is not clear that Hardy would view these developments as an unmixed good. Even in the midst of the idyllic sequence at Talbothays, Tess Durbeyfield protests to Angel Clare that she already knows more than she wants to about history:
在托马斯·哈代的小说中,过去的价值一直是评论界争论的主题。在《哈代的历史》一书中,彼得·威德道森认为,哈代被早期读者视为“真正的”英国生活方式的历史学家,这种看法对英国民族认同的形成做出了深刻的贡献。许多其他评论家都写过关于家族历史、家谱或遗传对哈代的重要性的文章,尤其是在《德伯家的苔丝》(1891)中。当哈代被置于19世纪晚期人类学和古物学话语的语境中时,这个问题呈现出新的面貌。但是,虽然哈代对那个时期的民族学家非常熟悉,但他是否认同他们对人性或过去习俗的假设却一点也不清楚。对英国人来说,尤其是苔丝,历史的黑暗力量被任何一个人与过去联系在一起的链条上的环节的数量所放大。我认为,对哈代来说,英国历史的漫长——正是这种特质吸引了渴望定义人性的民族学家——是最压迫英国人个体的特征。考虑到21世纪英语特性被迅速重新定义,以及哈代作为英语含义的来源文本的持续流行,重新考虑这个问题是很重要的。尽管“威塞克斯”之旅蓬勃发展,莫里斯舞和民间音乐再次流行起来,但哈代是否会将这些发展视为一种纯粹的好处并不清楚。即使在泰波塞斯田园诗般的场景中,苔丝·德北菲尔德也向安琪尔·克莱尔抗议说,她对历史的了解已经超过了她想知道的:
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引用次数: 0
Visualizing the Alien(s): Warwick Goble’s Illustrations for H. G. Wells’s The War of the Worlds 可视化外星人:沃里克·戈布尔为h·g·威尔斯的《世界大战》绘制的插图
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0081
S. Cooke
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引用次数: 0
What the Victorians Made of Romanticism: Material Artifacts, Cultural Practices, and Reception History 维多利亚时代的浪漫主义:物质文物、文化习俗和接受历史
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0220
Daniel Schierenbeck
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引用次数: 1
The Tone in the Tune: An Echo of Burns in Hardy’s “The Darkling Thrush” 调中的调:哈代《黑画眉》中彭斯的呼应
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0188
H. Hahn
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引用次数: 0
Serials to Graphic Novels: The Evolution of the Victorian Illustrated Book 连载图画小说:维多利亚时代插图书的演变
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0228
S. Cooke
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引用次数: 1
Dead Babies and Adulterers: Literary Prophylaxis in On the Face of the Waters 死婴与奸夫:《水面上》中的文学预防
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0166
J. Benson
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引用次数: 0
Anthony Trollope’s Foolish Stewards 安东尼·特罗洛普的《愚蠢的管家》
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0031
Margaret Kennedy
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引用次数: 0
The Indian Ladies’ Magazine, 1901-1938: From Raj to Swaraj 《印度妇女杂志》,1901-1938:从拉吉到斯瓦拉杰
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0232
M. Fhlathúin
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引用次数: 0
Pirating Fictions: Ownership and Creativity in Nineteenth-Century Popular Culture 盗版小说:19世纪流行文化中的所有权与创造力
Pub Date : 2017-12-01 DOI: 10.5325/victinstj.45.1.0224
S. Conner
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引用次数: 0
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