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Nanotechnology Perceptions最新文献

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Biosynthesis and characterization of selenium nanoparticles using rind of watermelon (Citrulluslanatus) 利用西瓜皮合成纳米硒及表征
Pub Date : 2022-07-30 DOI: 10.4024/n12jh21a.ntp.18.02
N. Jha, S. Johri, S. Shrivastava, Prakhar Gupta, K. Yadav
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引用次数: 0
Antiochus the Great 安条克大帝
Pub Date : 2022-06-01 DOI: 10.15367/pj.v7i1.577
Kevin Li
N/A
N/A
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引用次数: 0
Constraints of Empire 帝国的约束
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.571
Lauren Dieterich
N/A
N/A
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引用次数: 0
“They Don't Know I Do It for the Culture, Goddamn” “他们不知道我这么做是为了文化,该死的”
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.570
D. Devine
Patriarchy, white supremacy, and fatphobia shape mainstream American culture into the twenty-first century. Fat Black women in popular culture are represented through controlling images that seek to define Black women through their perverse embodiment. Two dominant stereotypes, the Hottentot Venus and the mammy, synthesize anti-Blackness, anti-fatness, and misogyny to confine large Black women within a continuum between hypersexualized deviance and asexualized subservience. This historical context informs the social dynamics surrounding Lizzo, a fat Black performer whose rise has electrified discussion of race, gender, and body size across American society. The discourse surrounding Lizzo is marked by pernicious, oppressive ideologies and the controlling images of the mammy and the Hottentot Venus. The song “Rumors” directly confronts these attacks on Lizzo’s identity and works against this oppressive framework to proclaim joint Black, fat, female liberation.
父权制、白人至上主义和恐胖症塑造了21世纪的美国主流文化。流行文化中的肥胖黑人女性是通过控制形象来表现的,这些形象试图通过她们反常的化身来定义黑人女性。两种占主导地位的刻板印象,霍屯督的维纳斯和奶妈,综合了反黑、反胖和厌女症,把身材高大的黑人女性限制在超性化的越轨行为和无性化的屈从之间的连续体中。这一历史背景揭示了围绕着Lizzo的社会动态。Lizzo是一个肥胖的黑人表演者,他的崛起激起了整个美国社会对种族、性别和体型的讨论。围绕着利佐的话语充满了有害的、压迫性的意识形态,以及木乃伊和霍屯督维纳斯的控制形象。“谣言”这首歌直接面对这些对Lizzo身份的攻击,并反对这种压迫性的框架,宣告黑人,肥胖,女性的共同解放。
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引用次数: 0
Wilmot Proviso and The Civil War Era 威尔莫特但书和内战时期
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.568
Blake Hazell
N/A
N/A
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引用次数: 0
Who Cares for Children in a Global Crisis 全球危机中谁关心儿童
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.569
S. Ott
N/A
N/A
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引用次数: 0
Haitian Revolution 海地革命
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.574
M. Hamilton
N/A
N/A
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引用次数: 0
Birth of the She-Devil 女魔王的诞生
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.572
Dexter Downie-Greenidge
At the turn of the century, lesbian characters were appearing in popular American media ranging from television to film. However, many of these depictions were far from supportive. Instead, the lesbian identity of characters in American cinema harbored negative stereotypes that acted as an attack on the third wave feminist movement. This essay analyzes depictions of lesbians in film at the end of the 20th century as it relates to the third wave feminist movement of the 1990s. More specifically, it argues that stigmatized depictions of lesbians in American cinema reproduced the underlying anxieties of the third wave feminist movement. Through the analysis of two films: Election (1999) and Mean Girls (2003), as well as the feminist theory of bell hooks, this essay explores the fears and anxieties of the revitalized feminist movement. Both films served as a backlash against the feminist movement by using skewed depictions of lesbians to further establish negative emotions towards the movement. These political and sociological anxieties of the feminist movement developed into exaggerated characteristics within lesbian supporting characters. As a result, stigmatized depictions of lesbians delegitimized their role as leaders of the third wave feminist movement.
在世纪之交,女同性恋角色出现在从电视到电影的美国流行媒体中。然而,这些描述中的许多都远非支持。相反,美国电影中女同性恋角色的身份隐藏着负面的刻板印象,这是对第三波女权运动的攻击。本文分析了20世纪末电影中对女同性恋者的描写,因为它与20世纪90年代的第三波女权运动有关。更具体地说,它认为美国电影中对女同性恋的污名化描绘再现了第三波女权主义运动的潜在焦虑。本文通过对两部电影《选举》(1999)和《贱女孩》(2003)的分析,以及贝尔·胡克斯的女权主义理论,探讨了复兴的女权主义运动的恐惧和焦虑。两部电影都是对女权主义运动的强烈反对,通过对女同性恋的扭曲描述来进一步建立对该运动的负面情绪。这些女权主义运动的政治和社会焦虑发展成为女同性恋配角的夸张特征。结果,对女同性恋者的污名化描述使她们作为第三波女权运动领袖的角色失去了合法性。
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引用次数: 0
Development of Fish and Chips 炸鱼薯条的发展
Pub Date : 2022-05-30 DOI: 10.15367/pj.v7i1.576
Nicholas Schuima
N/A
N/A
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引用次数: 0
Silence of the Liberty Bell 寂静的自由钟
Pub Date : 2022-05-23 DOI: 10.15367/pj.v7i1.567
M. Wolf
N/A
N/A
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引用次数: 0
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Nanotechnology Perceptions
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