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From the Editors: Thoughts on the Removal and Vandalism of Public Sculpture 来自编辑:关于公共雕塑的移除和破坏的思考
4区 艺术学 0 ART Pub Date : 2021-12-01 DOI: 10.1177/07475284211063040
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引用次数: 0
From the Offices of the National Sculpture Society 来自国家雕塑协会办公室
4区 艺术学 0 ART Pub Date : 2021-12-01 DOI: 10.1177/07475284211063041
G. Pier
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引用次数: 0
Passages: In Memoriam 段落:纪念
4区 艺术学 0 ART Pub Date : 2021-11-29 DOI: 10.1177/07475284211063060
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引用次数: 0
Sculpture Studios and Workspaces 雕塑工作室和工作空间
4区 艺术学 0 ART Pub Date : 2021-11-29 DOI: 10.1177/07475284211063045
Jane Dedecker, W. Wofford
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引用次数: 0
Art and Anatomy, Part IV: Sculpting Animals in Motion 艺术与解剖学,第四部分:雕刻运动中的动物
4区 艺术学 0 ART Pub Date : 2021-11-29 DOI: 10.1177/07475284211063058
Sandy Scott
Every sculptor knows that it’s challenging to model an animal in motion including walking, running, jumping, or any pose that seems like a blur when observed in nature. Studying skeletons, muscles, waypoints, points of articulation, proportions of a specific species, and understanding Nature’s One Pattern regarding all vertebrates is invaluable knowledge for the sculptor and will initiate an understanding of all quadruped and vertebrate anatomy. The most useful information for the figurative sculptor is the understanding and logic of comparative anatomy. In other words, if you comprehend the anatomy and structure of a horse, the skeleton of all quadrupeds—such as giraffe, moose, muskrat, elephant, dog, and beyond—is logical information you can use in the studio.
每个雕塑家都知道,为动物的运动建模是很有挑战性的,包括走路、跑步、跳跃,或者任何在自然界观察时看起来模糊的姿势。研究骨骼、肌肉、路线点、关节点、特定物种的比例,以及了解大自然关于所有脊椎动物的“一种模式”,对雕塑家来说是非常宝贵的知识,将有助于了解所有四足动物和脊椎动物的解剖结构。对具象雕塑家来说,最有用的信息是对比较解剖学的理解和逻辑。换言之,如果你了解马的解剖结构,那么所有四足动物的骨骼——比如长颈鹿、驼鹿、麝鼠、大象、狗等等——都是你可以在工作室中使用的逻辑信息。
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引用次数: 0
Sculpture Studios and Workspaces 雕塑工作室和工作空间
4区 艺术学 0 ART Pub Date : 2021-09-01 DOI: 10.1177/07475284211044372
Dan Ostermiller, Kent Ullberg
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引用次数: 0
The Hirshhorn Museum Sculpture Garden Plan Designing in Reverse 赫希洪博物馆雕塑花园平面逆向设计
4区 艺术学 0 ART Pub Date : 2021-09-01 DOI: 10.1177/07475284211044371
Gordon Alt
The article follows the history of the Hirshhorn Museum of Art’s Sculpture Garden in Washington DC and explores the highlights of the proposal that is being considered that will change the present sculpture garden design and layout. There is a summary of sculpture garden design throughout history and a review of the original garden that was designed by Gordon Bundshaft in 1974 and why it was changed by Lester Collins in 1981. It also explores how it has evolved into the present sculpture garden. It discusses the proposed garden design and the critical change the new design will have on the current garden and what are the supposed benefits and criticisms the new plan has caused.
这篇文章跟随华盛顿特区赫希霍恩艺术博物馆雕塑花园的历史,并探讨了正在考虑的将改变目前雕塑花园设计和布局的建议的亮点。这里有一个历史上雕塑花园设计的总结,并回顾了1974年由Gordon Bundshaft设计的原始花园,以及为什么它在1981年被Lester Collins改变。并探讨了它是如何演变成现在的雕塑花园的。它讨论了拟议的花园设计和新设计将对现有花园产生的关键变化,以及新计划可能带来的好处和批评。
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引用次数: 0
Sculpture Basics: Armature, Clay, Tools & Instruction 雕塑基础知识:电枢,粘土,工具和指令
4区 艺术学 0 ART Pub Date : 2021-09-01 DOI: 10.1177/07475284211044373
K. Richardson
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引用次数: 0
From the Editors: 9/11 A Commemoration 来自编辑:9/11纪念
4区 艺术学 0 ART Pub Date : 2021-09-01 DOI: 10.1177/07475284211044369
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引用次数: 0
The NSS 88th Annual Awards Exhibition NSS第88届年度大奖展
4区 艺术学 0 ART Pub Date : 2021-09-01 DOI: 10.1177/07475284211044375
Robin R. Salmon
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引用次数: 0
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