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Spontaneous memories as raw material for short film art 自发记忆作为短片艺术的原材料
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.47_1
Jens Haaning
What is important when transforming childhood memories into storytelling? The details. And resisting the temptation to place plot over detail. Through poetic rather than narrative plotting, Avondale Dogs demonstrates how to preserve the authenticity and spontaneity of a childhood memory. And that is when short films are turned into art.
将童年记忆转化为讲故事时,什么是重要的?细节。抵制将情节置于细节之上的诱惑。Avondale Dogs通过诗意而非叙事的情节,展示了如何保持童年记忆的真实性和自发性。这就是短片变成艺术的时候。
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引用次数: 0
Editor’s Introduction 编辑简介
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.3_2
R. Raskin
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引用次数: 0
The last word 最后一句话
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.69_7
Gr Nicholas
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引用次数: 0
An interview with Gregor Nicholas on Avondale Dogs 对格雷戈尔·尼古拉斯关于埃文代尔狗的采访
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.33_7
R. Raskin
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引用次数: 0
Vibrations and resonance in Avondale Dogs 埃文代尔犬的振动和共振
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.51_1
Iben Have
This article discusses Avondale Dogs as a three-dimensional body of resonance. Through an analysis of the soundtrack, the article illustrates how images and sounds resonate with the subjective experience of the boy and an emotional remembrance of a lost but filmic very-present childhood.
本文将《埃文代尔狗》作为一个三维共振体来讨论。通过对电影原声的分析,本文阐述了图像和声音是如何与男孩的主观体验以及对失去的但电影中非常现实的童年的情感记忆产生共鸣的。
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引用次数: 0
A shot-by-shot breakdown of Class 15 第15类的一枪一枪的分解
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.82_7
R. Raskin
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引用次数: 0
‘I just had a dream about it’: Subjectivity, sensitivity and sonic impressionism in Avondale Dogs “我只是做了一个梦”:《阿文代尔狗》中的主体性、敏感性和声音印象派
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.39_1
Andreas Halskov
Using montage editing, close-ups and subjective sound, the award-winning short film Avondale Dogs (1994) tells the story of a young boy and his dying mother. The protagonist, Paul, is quiet and sensitive, and his inner turmoil is conveyed through conspicuous cuts and a vivid use of diegetic and non-diegetic sound.
获奖短片《Avondale Dogs》(1994)采用蒙太奇剪辑、特写和主观声音,告诉了一个小男孩和他垂死的母亲的故事。主人公保罗安静而敏感,他内心的骚动通过明显的剪裁和对diegetic和nondiegetic声音的生动使用来传达。
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引用次数: 0
Left-right dynamics of staging and composition in Class 15 15班舞台和构图的左右动态
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.101_1
Martin P. Rossouw
The climax of Class 15 features a reverse cut that displaces the teacher from his fixed position on frame left to frame right. The functions of this decisive shift are examined, following Rudolf Arnheim and others, in light of conventional associations attached to the left- and right-hand sides of pictures.
第15课的高潮部分是一个反向剪辑,将老师从他在左框上的固定位置转移到右框。在鲁道夫·阿恩海姆等人之后,根据图片左侧和右侧的传统联想,研究了这种决定性转变的功能。
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引用次数: 0
Class 15 15级
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/sfs.9.1.71_7
Dean Anderson
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引用次数: 0
An interview with Dean Leon Anderson on Class 15 15班对里昂·安德森院长的采访
Q3 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1386/SFS.9.1.97_7
R. Raskin
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引用次数: 0
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Short Film Studies
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