{"title":"Echo","authors":"Magnus von Horn","doi":"10.1386/sfs_00033_7","DOIUrl":"https://doi.org/10.1386/sfs_00033_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42313624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The narrative strategies at work within La Vis challenge viewers to construct an empathetic protagonist, even from challenging, parodic cues. Ultimately, Didier Flamand’s film is as much about how we watch films as it is about a fellow irritated by a faulty screw.
{"title":"Spectatorship and affective investment in La Vis","authors":"Richard Neupert","doi":"10.1386/sfs_00029_1","DOIUrl":"https://doi.org/10.1386/sfs_00029_1","url":null,"abstract":"The narrative strategies at work within La Vis challenge viewers to construct an empathetic protagonist, even from challenging, parodic cues. Ultimately, Didier Flamand’s film is as much about how we watch films as it is about a fellow irritated by a faulty screw.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66764352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Taking as a touchstone A. L. Kennedy's observation about the disproportionate impact of the short story compared to its size, this article explores the extent to which David Von Ancken's adaptation of Tobias Wolff's text finds, via montage and perspective, a cinematic analogue to the aesthetic form of the short story.
摘要本文以a.L.Kennedy关于短篇小说与篇幅相比所产生的不成比例的影响的观察为试金石，探讨了David Von Ancken对Tobias Wolff文本的改编，通过蒙太奇和透视，在多大程度上找到了与短篇小说美学形式的电影类比。
{"title":"Bullet sized","authors":"P. March-Russell","doi":"10.1386/sfs_00017_1","DOIUrl":"https://doi.org/10.1386/sfs_00017_1","url":null,"abstract":"Abstract Taking as a touchstone A. L. Kennedy's observation about the disproportionate impact of the short story compared to its size, this article explores the extent to which David Von Ancken's adaptation of Tobias Wolff's text finds, via montage and perspective, a cinematic\u0000 analogue to the aesthetic form of the short story.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45791307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Bullet in the Brain departs interestingly from the original story in ways that affect how the central character is constructed. I focus on one particular addition ‐ where Anders points to his watch to insist that the bank has closed unduly early ‐ and discuss its significance.
{"title":"The end of time: Bullet in the Brain","authors":"R. Barton","doi":"10.1386/sfs_00016_1","DOIUrl":"https://doi.org/10.1386/sfs_00016_1","url":null,"abstract":"Abstract Bullet in the Brain departs interestingly from the original story in ways that affect how the central character is constructed. I focus on one particular addition ‐ where Anders points to his watch to insist that the bank has closed unduly early ‐\u0000 and discuss its significance.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44956591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blow-Up","authors":"Siegfried A. Fruhauf","doi":"10.1386/sfs.10.1.91_7","DOIUrl":"https://doi.org/10.1386/sfs.10.1.91_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44872967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract One pronounced effect of Fruhauf's Blow-Up is the discomfort it produces due to the sound of breathing that accompanies the image. In this reediting of footage demonstrating CPR, not only are the dummy and the discarded footage resuscitated; we are also forcibly synched to the rhythm of this archival fragment.
{"title":"Cinepulmonary resuscitation","authors":"Jaimie Baron","doi":"10.1386/sfs.10.1.107_1","DOIUrl":"https://doi.org/10.1386/sfs.10.1.107_1","url":null,"abstract":"Abstract One pronounced effect of Fruhauf's Blow-Up is the discomfort it produces due to the sound of breathing that accompanies the image. In this reediting of footage demonstrating CPR, not only are the dummy and the discarded footage resuscitated; we are also forcibly\u0000 synched to the rhythm of this archival fragment.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48844373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Remembrance","authors":"M. Ellis, S. Morgenstern","doi":"10.1386/sfs.10.1.19_7","DOIUrl":"https://doi.org/10.1386/sfs.10.1.19_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44076835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El Adiós is a sincere portrait of a dutiful servant as she tends to her deceased employer’s body and home for the last time, while enduring the routine class-based offenses delivered by her employer’s daughter. This article notes how camerawork and mise en scène emphasize the protagonist’s sensitive and ambiguous position.
El Adiós是一位尽职尽责的仆人的真实写照，她最后一次照料已故雇主的尸体和家，同时忍受着雇主女儿的日常阶级犯罪。这篇文章注意到摄影作品和mise en scène是如何强调主人公敏感而模糊的立场的。
{"title":"Breaking the rules of the game","authors":"Cynthia Felando","doi":"10.1386/SFS.9.2.157_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.157_1","url":null,"abstract":"El Adiós is a sincere portrait of a dutiful servant as she tends to her deceased employer’s body and home for the last time, while enduring the routine class-based offenses delivered by her employer’s daughter. This article notes how camerawork and mise en scène\u0000 emphasize the protagonist’s sensitive and ambiguous position.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44827706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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