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Niekończąca się historia. Memy internetowe w perspektywie narracji
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-10 DOI: 10.29107/rr2022.3.5
Paweł Sarna, Róża Norström
W artykule przedstawiono wyniki analizy ponad 300 polskich memów dotyczących pandemii SARS-CoV-2 z lat 2020-2021. Celem badania było określenie, w jaki sposób memy – traktowane jako nośniki perswazji – narzucają odbiorcom interpretację faktów. Wyróżnienie czterech typów bohaterów: Ofiary, Prześladowcy, Wybawcy i Głupca pozwoliło określić, jakie grupy społeczne obsadzane są w poszczególnych rolach. Role te wraz z odpowiadającymi im typowymi scenariuszami ewokowały narracje, które mogły wywoływać określone opinie i emocje na temat pandemii i związanych z nią zachowań czy decyzji.
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引用次数: 0
Anti-pluralist arguments in the Tea Party online discourse: A mixed method analysis of populist rhetoric 茶党网络话语中的反多元主义论点:民粹主义修辞的混合方法分析
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-10-10 DOI: 10.29107/rr2022.3.6
Robert Radziej, Katarzyna Molek-Kozakowska
Populism can be treated as an ideological attribute of political parties, but in this study, it is operationalized as a feature of argumentation that allows populists to claim to be the only ones to represent the interests of the nation. Such anti-pluralist arguments could be observed during US midterm elections in 2018 in online discourses of the right-wing political movement Tea Party. This article reports on a mixed-method study of the Tea Party’s official website obtained through scraping the All News feed. The quantitative linguistic analysis of keywords, concordances and couplings in the newsfeed sample is complemented with a qualitative rhetorical analysis of some topoi and argumentative fallacies. The analyses reveal such strategies as: (1) homogenizing the representation of true patriots, (2) polarizing between “good us” and “evil them,” (3) discrediting opponents through analogies, “worst” examples and ad hominem attacks (4) conspiracy theorizing, and (5) mobilizing modes of pathos and ethos in relation to mediatized and historicized cultural imaginaries. The study showcases the advantages of a mixed-method approach to the so-called populist rhetoric.
民粹主义可以被视为政党的一种意识形态属性,但在本研究中,民粹主义被操作化为一种论证特征,允许民粹主义者声称自己是唯一代表国家利益的人。在2018年美国中期选举期间,在右翼政治运动茶党(Tea Party)的网络言论中,可以观察到这种反多元主义的论点。本文报告了通过抓取All News feed获得的茶党官方网站的混合方法研究。在对新闻提要样本中的关键词、一致性和耦合进行定量语言分析的同时,还对一些话题和论证谬误进行了定性修辞分析。分析揭示了这些策略:(1)同质化真正爱国者的表现;(2)在“我们是好人”和“他们是坏人”之间两极分化;(3)通过类比、“最坏”的例子和个人攻击来诋毁对手;(4)阴谋论;(5)动员与媒介化和历史化的文化想象相关的悲情和精神模式。这项研究展示了对所谓的民粹主义言论采取混合方法的优势。
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引用次数: 0
De la “agudeza” al “gusto.” Cicerón, entre el Barroco y la cultura ilustrada by Javier Espino Martín (review) 从“敏锐”到“品味”。西塞罗,在巴洛克和文化之间,哈维尔·埃斯皮诺插图martin(评论)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-01 DOI: 10.1353/rht.2022.0027
Genaro Valencia Constantino
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引用次数: 1
A Shared History: Writing in the High School, College, and University, 1856–1886 by Amy J. Lueck (review) 《共同的历史:高中、学院和大学的写作,1856-1886》艾米·j·卢克著(书评)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-01 DOI: 10.1353/rht.2022.0028
J. Maxwell
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引用次数: 1
From Adfectatio to “Affectation”: Affection as Catachresis in Shakespearean Texts 从摹仿到“矫揉造作”:莎士比亚文本中的情感宣泄
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-01 DOI: 10.1525/rh.2022.40.4.383
Brad Buchanan
Abstract:This article argues that the catachrestic usage of “affection to mean “affectation” in Shakespearean drama may be best understood with reference to Quintilian’s Institutio oratoria, which employs catachresis in using the existing Latin word adfectatio to render the Greek word ϰαϰόζηλον [cacozēlon]. Quintilian’s influential picture of the all-encompassing rhetorical vice of adfectatio, his catachrestic practice, and his descriptions of catachresis as both a necessary extension of the meaning of an existing word and a poetic device, appear to have influenced Shakespeare’s portrayal of some of his most complex and articulate characters, among them Hamlet and Leontes (of The Winter’s Tale). Through these characters and their catachrestic speeches, we are forced to contend with the possibility that their “affections” may be nothing more (or less) than “affectations.”
摘要:本文认为,莎士比亚戏剧中用“affect”来表示“affectation”,最好的理解是参考昆提连的《Institutio oratoria》。昆提连的《Institutio oratoria》使用catachresis,用现有的拉丁语单词adfectatio来表示希腊语单词ϰαϰόζηλον [cacozēlon]。昆提利安对各种修辞手法的模仿,他的直言不讳的实践,以及他对直言不讳的描述,既是现有词语意义的必要延伸,也是诗歌的一种手段,似乎影响了莎士比亚对一些最复杂、最善于表达的人物的描绘,其中包括哈姆雷特和莱昂提斯(《冬天的故事》)。通过这些人物和他们教化式的演讲,我们不得不与这样一种可能性作斗争,即他们的“情感”可能只不过是“做作”。
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引用次数: 0
The Mirror has Two Faces: The Republican Style in Crisis in Cicero’s Second Philippic 《镜报》有两面:西塞罗《腓力比二书》中危机中的共和风格
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-09-01 DOI: 10.1525/rh.2022.40.4.333
Laura Samponaro
Abstract:This paper examines how Cicero forges a late style in the Second Philippic that reflects the political stance he adopts in the face of existential crisis. The fluidity of Cicero’s trademark, consular hypotactic style hardens into a paratactic, rigid crisis style in the Philippics, where Cicero’s arguments for extra-legal measures reveal his shift towards a Catonian view of reality in which, he, his style, and Rome itself must be sacrificed in order to be preserved. Nevertheless, and reflecting the Machiavellian paradox that republics must often be destroyed in order to be saved and renewed through re-founding, Cicero preserves stylistic continuity through variation. His late style is the paradigmatic classical republican response to the crises that republics, then and now, inevitably engender.
摘要:本文考察西塞罗如何在《腓力比二书》中塑造一种反映他在面对生存危机时所采取的政治立场的晚期风格。西塞罗标志性的、领事式的假设性风格在《腓力比篇》中硬化为一种对合论的、僵化的危机风格,西塞罗对法外措施的论证揭示了他对现实的一种卡托尼亚式观点的转变,在这种观点中,他、他的风格和罗马本身必须牺牲,才能得以保存。然而,西塞罗反映了马基雅维利式的悖论,即共和国必须经常被摧毁,才能通过重建得到拯救和更新,他通过变化保持了风格的连续性。他的晚期风格是典型的古典共和主义对当时和现在的共和国不可避免地产生的危机的回应。
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引用次数: 0
President Donald J. Trump’s Enemy Image Construction in the 2019-2020 Persian Gulf Crisis 2019-2020年波斯湾危机中特朗普总统的敌人形象建构
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-06 DOI: 10.29107/rr2022.2.3
Marta Kobylska
Artykuł dotyczy wizerunku wroga w retoryce amerykańskich prezydentów w sytuacjach międzynarodowych kryzysów. Analizuje on obraz irańskiego generała Qassema Soleimaniego zawarty w wypowiedziach prezydenta Donalda J. Trumpa w trakcie kryzysu w Zatoce Perskiej w styczniu 2020 roku. Narzędziami analizy są koncepcje Roberta L. Iviego: topos barbarzyństwa oraz Johna R. Butlera i Jasona A. Edwarda: topos barbarzyńcy prymitywnego i współczesnego. W artykule postawiono tezę, że Trump przedstawił Soleimaniego jako współczesnego barbarzyńcę, aby uzasadnić decyzję o siłowym wyeliminowaniu wroga. Analiza wypowiedzi prezydenta jest wstępem do dyskusji o konsekwencjach wyborów retorycznych dla konwencji retoryki kryzysu.
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引用次数: 0
Newton N. Minow’s “Vast Wasteland”: Rhetoric of the end of the golden age of television 牛顿·n·米诺的《荒原》:电视黄金时代结束的修辞
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-05 DOI: 10.29107/rr2022.2.8
Rafał Kuś
This paper offers an analysis of the landmark 1961 speech given by the Federal Communications Commission chairman, Newton N. Minow (born 1926). It includes a discussion of the rhetorical situation in which the oration was delivered, review of the persuasive tactics employed by the orator and the goals he attempted to achieve, as well as assessment of the degree to which his effort was successful. The speech is analyzed against the political background of the early days of the Kennedy administration, marked by social optimism and rapid technological progress. Widely regarded as the most significant speech on television in the history of American rhetoric, Minow’s oration was delivered during turbulent times for the U.S. media and has indeed led to far-reaching changes in the nation’s broadcasting environment, including the establishment of the system of public media in the second half of the 1960s. The landmark speech caused a great deal of stir in the national consciousness as well, becoming a part of the popular culture of the decade, with the words “vast wasteland” still remembered today.
本文对美国联邦通信委员会主席牛顿·n·米诺(生于1926年)1961年发表的具有里程碑意义的演讲进行了分析。它包括对演讲的修辞情境的讨论,对演讲者所使用的说服策略的回顾,以及他试图达到的目标,以及对他的努力成功程度的评估。这篇演讲是在肯尼迪政府早期的政治背景下进行分析的,当时的社会乐观主义和迅速的技术进步。米诺的演讲被广泛认为是美国修辞学史上最重要的电视演讲,他的演讲是在美国媒体的动荡时期发表的,并确实导致了美国广播环境的深远变化,包括20世纪60年代下半叶公共媒体制度的建立。这一具有里程碑意义的演讲也在国民意识中引起了巨大的轰动,成为那个年代流行文化的一部分,“广阔的荒地”这个词至今仍被人们记住。
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引用次数: 0
Krzysztof Bosak’s Nomination Acceptance Speech – Transposing an American Genre into Polish Political Rhetoric 克日什托夫·博萨克的提名获奖演说——将美国风格转化为波兰政治修辞
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-05 DOI: 10.29107/rr2022.2.2
M. Kosman
The article combines methods pertaining to Rhetorical Genre Studies and Discourse-Historical Approach in order to provide a comprehensive analysis of Krzysztof Bosak’s nomination acceptance speech which he delivered during the 2020 Confederation presidential primaries. The discussed genre of political speech is rarely realized in European contexts. Given various differences between the American and the Polish political systems, Bosak did not follow every pattern of the standard variant of the genre. Rather his speech appears to be more similar to a nomination acceptance speech of a third-party candidate. Overall, Bosak emerged as the leader of a divided and heterogeneous party, which was not given much attention by mainstream media. The paper investigates how these factors contributed to the structure and content of the speech. Moreover, recent decades have seen a rapid rise in significance of (far) right-wing movements in Europe. As Confederation is a relatively new political formation, there is a gap in research regarding the properties of its discourse. Thus, the present paper compares the discourse of the coalition with practices of politics of fear (Wodak, 2021).
本文结合修辞体裁研究和话语历史研究的方法,对博萨克在2020年联邦总统初选中发表的接受提名演讲进行了全面分析。所讨论的政治演讲类型在欧洲语境中很少实现。鉴于美国和波兰政治制度的种种差异,波萨克并没有遵循这一流派的每一种标准变体。相反,他的演讲更像是第三党候选人的接受提名演讲。总的来说,博萨克作为一个分裂和异质政党的领导人出现,并没有得到主流媒体的太多关注。本文研究了这些因素是如何影响演讲的结构和内容的。此外,近几十年来,欧洲(极)右翼运动的重要性迅速上升。由于邦联是一种相对较新的政治形态,对其话语性质的研究还存在空白。因此,本文比较了联盟的话语与恐惧政治的实践(Wodak, 2021)。
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引用次数: 0
Destrukcja wizerunku publicznego w dyskursie. Rola argumentu ad hominem w komentarzach internautów dotyczących polskiej pisarki Olgi Tokarczuk
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-07-05 DOI: 10.29107/rr2022.2.5
Joanna Koswenda, Jolanta Dyoniziak
Celem niniejszego artykułu jest analiza destrukcji wizerunku osoby w dyskursie na przykładzie użycia argumentu ad hominem w komentarzach internautów dotyczących nagrody Nobla 2018 przyznanej w dziedzinie literatury polskiej pisarce i intelektualistce Oldze Tokarczuk. Wybrane do analizy komentarze zostały opublikowane na stronach polskich portali informacyjnych: „Dorzeczy”, „Gość Niedzielny”, „Wprost”, „Niezależna”, „Fronda”, „wPolityce” i „Salon24”. Badanie przeprowadzono w okresie od października 2019 do stycznia 2020 na 104 komentarzach, które stanowią materiał badawczy. Został on poddany analizie argumentacyjnej zaproponowanej przez szkoły francuską, szczegółowo wykorzystano opracowania dotyczące pojęcia etosu i argumentu ad hominem (Amossy, Charaudeau, Druetta i Paissa, Maingueneau). Badanie wykazało, iż argument ad hominem może odegrać istotną rolę w dekonstrukcji wizerunku publicznego. W komentarzach dotyczących Olgi Tokarczuk dominujący okazał się argument ad hominem personalny, który przybiera formę ataku osobowego (argument ad personam), oraz argument ad hominem okolicznościowy w różnych formach.
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引用次数: 0
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Res Rhetorica
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