{"title":"Georg Forsters Liederbucher: Letzte Blute und Ausklang einer Epoche. Rezeptionsgeschichtliche Untersuchungen zum spatmittelalterlichen Lied","authors":"A. Classen","doi":"10.2307/4147817","DOIUrl":"https://doi.org/10.2307/4147817","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"26 1","pages":"11"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90368862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The thirteen essays that comprise Global Noise explore the hip hop scenes of Europe, Anglophone and Francophone Canada, Japan and Australia within their social, cultural and ethnic contexts. Countering the prevailing colonialist view that global hip hop is an exotic and derivative outgrowth of an African-American-owned idiom subject to assessment in terms of American norms and standards, Global Noise shows how international hip hop scenes, like those in France and Australia, developed by first adopting then adapting US models and establishing an increasing hybridity of local linguistic and musical features. The essays reveal diasporic manifestations of international hip hop that are rarely acknowledged in the growing commentary on the genre in the US. In the voices of rappers from around the globe with divergent backgrounds of race, nationality, class and gender, the authors find a consistent rhetoric of opposition and resistance to institutional forms of repression and the construction of a cohesive, historically-based subculture capable of accommodating regional and national diversities. CONTRIBUTORS: Roger Chamberland, Ian Condry, David Hesmondhalgh, Claire Levy, Ian Maxwell, Caspar Melville, Sarah Morelli, Mark Pennay, Andre J.M. PrEvos, Ted Swedenburg, Jacqueline Urla and Mir Wermuth."
《全球噪音》的13篇文章从社会、文化和种族背景出发，探讨了欧洲、英语国家和法语国家的加拿大、日本和澳大利亚的嘻哈场景。与主流殖民主义观点相反，全球嘻哈是非洲裔美国人拥有的习语的舶来品和衍生产物，受美国规范和标准的评估，《全球噪音》展示了国际嘻哈场景，如法国和澳大利亚，如何通过首先采用美国模式，然后调整美国模式，并建立当地语言和音乐特征的日益混合而发展起来的。这些文章揭示了国际嘻哈的散居表现，而这些表现在美国对这一流派越来越多的评论中很少得到承认。在来自世界各地具有不同种族、国籍、阶级和性别背景的说唱歌手的声音中，作者发现了一种一致的反对和抵抗体制形式压迫的修辞，以及一种有凝聚力的、基于历史的亚文化的构建，能够容纳地区和国家的多样性。贡献者:Roger Chamberland, Ian Condry, David Hesmondhalgh, Claire Levy, Ian Maxwell, Caspar Melville, Sarah Morelli, Mark Pennay, Andre J.M. PrEvos, Ted Swedenburg, Jacqueline Urla和Mir Wermuth。
{"title":"Global noise - Rap and Hip-Hop outside the USA","authors":"Ingo Stofken, T. Mitchell","doi":"10.2307/4147844","DOIUrl":"https://doi.org/10.2307/4147844","url":null,"abstract":"The thirteen essays that comprise Global Noise explore the hip hop scenes of Europe, Anglophone and Francophone Canada, Japan and Australia within their social, cultural and ethnic contexts. Countering the prevailing colonialist view that global hip hop is an exotic and derivative outgrowth of an African-American-owned idiom subject to assessment in terms of American norms and standards, Global Noise shows how international hip hop scenes, like those in France and Australia, developed by first adopting then adapting US models and establishing an increasing hybridity of local linguistic and musical features. The essays reveal diasporic manifestations of international hip hop that are rarely acknowledged in the growing commentary on the genre in the US. In the voices of rappers from around the globe with divergent backgrounds of race, nationality, class and gender, the authors find a consistent rhetoric of opposition and resistance to institutional forms of repression and the construction of a cohesive, historically-based subculture capable of accommodating regional and national diversities. CONTRIBUTORS: Roger Chamberland, Ian Condry, David Hesmondhalgh, Claire Levy, Ian Maxwell, Caspar Melville, Sarah Morelli, Mark Pennay, Andre J.M. PrEvos, Ted Swedenburg, Jacqueline Urla and Mir Wermuth.\"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"97 1","pages":"309"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81685028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Susanne Schedtler, Ulrike Kammerhofer-Aggermann, A. Keul
{"title":"\"The Sound of Music\" zwischen Mythos und Marketing","authors":"Susanne Schedtler, Ulrike Kammerhofer-Aggermann, A. Keul","doi":"10.2307/4147852","DOIUrl":"https://doi.org/10.2307/4147852","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"32 1","pages":"323"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73923063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das groβe deutsche Volksballadenbuch","authors":"N. Grosch, Otto Holzapfel","doi":"10.2307/3595209","DOIUrl":"https://doi.org/10.2307/3595209","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"35 1","pages":"235"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88508919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Unsung Songwriters: America's Masters of Melody","authors":"Stephan-Gotz Richter, Warren W. Vaché","doi":"10.2307/3595238","DOIUrl":"https://doi.org/10.2307/3595238","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"52 1","pages":"299"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83925764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musik kennt keine Grenzen. Musikalische Volkskultur im Spannungsfeld von Fremdem und Eigenem","authors":"Susanne Schedtler, Gisela Probst-Effah","doi":"10.2307/3595220","DOIUrl":"https://doi.org/10.2307/3595220","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"19 1","pages":"258"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87983233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kinderlied : von der Vielfalt einer musikalischen Liedgattung","authors":"T. Freitag","doi":"10.2307/3595203","DOIUrl":"https://doi.org/10.2307/3595203","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"26 1","pages":"226"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74044731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das Berliner Phonogramm-Archiv 1900-2000. Sammlungen der traditionellen Musik der Welt / The Berlin Phonogram Archive 1900-2000","authors":"Eckhard John, Artur Simon, U. Wegner","doi":"10.2307/3595194","DOIUrl":"https://doi.org/10.2307/3595194","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"28 1","pages":"211"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80352431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musikwissenschaft und populäre Musik: Versuch einer Bestandsaufnahme","authors":"S. Richter, H. Rösing","doi":"10.2307/3595221","DOIUrl":"https://doi.org/10.2307/3595221","url":null,"abstract":"","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"102 1","pages":"260"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78162408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Im Zentrum dieser interdisziplinaren Studien steht eine Musikhandschrift, die um 1460 von dem spater beruhmten Nurnberger Humanisten Hartmann Schedel (1440-1514) angelegt und in seiner umfangreichen Bibliothek auch uberliefert wurde. Schedels Liber musicalis gehort mit uber 120 mehrstimmigen Kompositionen im Stile eines Chansonniers zu den bedeutendsten erhaltenen Musikalien jener Zeit und Region. Eine historiographische Analyse der Forschungsgeschichte zeigt aber, warum diese Quelle bislang kaum ausgewertet wurde. Biographische sowie codicologisch-palaographische Untersuchungen fuhren zu einer luckenlosen Rekonstruktion ihrer Entstehung und Uberlieferung, aber auch zu einem uberraschenden Kontext fur eine private Musikalie im 15. Jahrhundert. Zentral sind Schedels Bibliothek und damit Aspekte eines umgreifenden Sammelns und Kopierens. Die Merkmale seiner Abschreibetechnik verweisen auf eine „tradition typographique“, die die Basis fur eine inhaltliche Interpretation der oft schwer verstandlichen Aufzeichnungen bildet. – Die Quelle stellt sich als Produkt einer primar schriftlichen Uberlieferung von Musik dar, die nur sehr zuruckhaltend in Hinblick auf eine Musikpraxis gelesen werden kann. Hingegen erweist sie sich als ergiebiger Gegenstand fur exemplarische Fragen nach dem medialen Charakter einer Musikhandschrift aus der Schwellenzeit zwischen der schwindenden Handschriften- und beginnenden Druckkultur.
{"title":"Hartmann Schedel und sein \"Liederbuch\" : Studien zu einer spätmittelalterlichen Musikhandschrift (Bayerische Staatsbibliothek München, Cgm 810) und ihrem Kontext","authors":"Martin Kirnbauer","doi":"10.2307/3595213","DOIUrl":"https://doi.org/10.2307/3595213","url":null,"abstract":"Im Zentrum dieser interdisziplinaren Studien steht eine Musikhandschrift, die um 1460 von dem spater beruhmten Nurnberger Humanisten Hartmann Schedel (1440-1514) angelegt und in seiner umfangreichen Bibliothek auch uberliefert wurde. Schedels Liber musicalis gehort mit uber 120 mehrstimmigen Kompositionen im Stile eines Chansonniers zu den bedeutendsten erhaltenen Musikalien jener Zeit und Region. Eine historiographische Analyse der Forschungsgeschichte zeigt aber, warum diese Quelle bislang kaum ausgewertet wurde. Biographische sowie codicologisch-palaographische Untersuchungen fuhren zu einer luckenlosen Rekonstruktion ihrer Entstehung und Uberlieferung, aber auch zu einem uberraschenden Kontext fur eine private Musikalie im 15. Jahrhundert. Zentral sind Schedels Bibliothek und damit Aspekte eines umgreifenden Sammelns und Kopierens. Die Merkmale seiner Abschreibetechnik verweisen auf eine „tradition typographique“, die die Basis fur eine inhaltliche Interpretation der oft schwer verstandlichen Aufzeichnungen bildet. – Die Quelle stellt sich als Produkt einer primar schriftlichen Uberlieferung von Musik dar, die nur sehr zuruckhaltend in Hinblick auf eine Musikpraxis gelesen werden kann. Hingegen erweist sie sich als ergiebiger Gegenstand fur exemplarische Fragen nach dem medialen Charakter einer Musikhandschrift aus der Schwellenzeit zwischen der schwindenden Handschriften- und beginnenden Druckkultur.","PeriodicalId":40488,"journal":{"name":"LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE","volume":"29 1","pages":"241"},"PeriodicalIF":0.0,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79123230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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