Pub Date : 1959-09-01DOI: 10.1080/15436322.1960.11466236
Jackie Anderson, C. Eshleman, Elizabeth Benson, R. Roseliep
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Pub Date : 1959-09-01DOI: 10.1080/15436322.1959.11465700
R. Arnheim
Art has become incomprehensible. Perhaps nothing so much as this fact distinguishes art today from what it has been at any other place or time. Art has always been used, and thought of, as a means of interpreting the nature of world and life to human eyes and ears; but now, objects of art are apparently among the most puzzling implements man has ever made. Now it is they that need interpretation.
{"title":"Form and the Consumer","authors":"R. Arnheim","doi":"10.1080/15436322.1959.11465700","DOIUrl":"https://doi.org/10.1080/15436322.1959.11465700","url":null,"abstract":"Art has become incomprehensible. Perhaps nothing so much as this fact distinguishes art today from what it has been at any other place or time. Art has always been used, and thought of, as a means of interpreting the nature of world and life to human eyes and ears; but now, objects of art are apparently among the most puzzling implements man has ever made. Now it is they that need interpretation.","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"224 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126454048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-09-01DOI: 10.1080/15436322.1959.11465734
{"title":"Niels von Holst: Italien: Von den Alpen bis Florenz","authors":"","doi":"10.1080/15436322.1959.11465734","DOIUrl":"https://doi.org/10.1080/15436322.1959.11465734","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126973316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the Fall (1958) issue of the College Art Journal three contributors discussed aspects of contemporary Japanese art. Like other manifestations this reflects the widespread American interest in that country's present day art. I have recently returned from a year in Japan where as a Fulbright Grantee I studied the contemporary art scene. I therefore felt that it might be of value to describe the general art situation as I found it over there. Out of this background have emerged some artists who now have international reputation.
{"title":"Contemporary Art in Japan","authors":"Erica Beckh","doi":"10.2307/774077","DOIUrl":"https://doi.org/10.2307/774077","url":null,"abstract":"In the Fall (1958) issue of the College Art Journal three contributors discussed aspects of contemporary Japanese art. Like other manifestations this reflects the widespread American interest in that country's present day art. I have recently returned from a year in Japan where as a Fulbright Grantee I studied the contemporary art scene. I therefore felt that it might be of value to describe the general art situation as I found it over there. Out of this background have emerged some artists who now have international reputation.","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115308197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-09-01DOI: 10.1080/15436322.1959.11465704
J. Chariot
Between December 1927 and February 1929, Orozco wrote me from New York the thirty-six letters that are the core of this study. They reached me either in Mexico City or, between January and June, 1928 in Chichen Itza, Yucatan, where I was draftsman to an archeological expedition. Most of the letters are concerned with a bleak interim in Orozco's life, after he had left home, and before the first stirrings of the international fame that was the lot of his later years.Orozco left a country in turmoil. President Calles had just brought to a harsh climax his persecution of the Church, November 23, 1927, with the shooting of the Jesuit, Father Pro. That October, a General Gomez had engineered one more military revolution. Peasants roamed in armed bands, part underground heros, part bandits. In March, 1928, my mother wrote, from Cuernavaca:
{"title":"Orozco in New York","authors":"J. Chariot","doi":"10.1080/15436322.1959.11465704","DOIUrl":"https://doi.org/10.1080/15436322.1959.11465704","url":null,"abstract":"Between December 1927 and February 1929, Orozco wrote me from New York the thirty-six letters that are the core of this study. They reached me either in Mexico City or, between January and June, 1928 in Chichen Itza, Yucatan, where I was draftsman to an archeological expedition. Most of the letters are concerned with a bleak interim in Orozco's life, after he had left home, and before the first stirrings of the international fame that was the lot of his later years.Orozco left a country in turmoil. President Calles had just brought to a harsh climax his persecution of the Church, November 23, 1927, with the shooting of the Jesuit, Father Pro. That October, a General Gomez had engineered one more military revolution. Peasants roamed in armed bands, part underground heros, part bandits. In March, 1928, my mother wrote, from Cuernavaca:","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122559886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Praeger Picture Encyclopedia of Art","authors":"George R. Collins","doi":"10.2307/774104","DOIUrl":"https://doi.org/10.2307/774104","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129509121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Donald R. Torbert: A Century of Art and Architecture in Minnesota","authors":"G. Ehrlich, Donald R. Torbert","doi":"10.2307/774109","DOIUrl":"https://doi.org/10.2307/774109","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134069762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
On July 28, 1914, when the first World War broke out, the painter Jules Pascin was in London. One might have expected him to go back to Paris where he, the eternally restless, the “juif errant,” had a home of a sort, or at least a studio of his own, and where his fiancee, Hermine David was living. But he was fed up with Europe. Sooner or later, he knew, Bulgaria would remind him that he was still a subject of King Ferdinand and draft him into her army.But Pascin felt no loyalty to the King of Bulgaria. He was a subject only because by 1885, the year of his birth, the town of Vidin, originally Serbian, had been annexed by the Bulgarians. Pascin's father and grandfather had been supporters of the Obrenovich dynasty, the rulers of Serbia who, on their part, had been favorably disposed towards these enterprising grain merchants. His mother, however, was an Italian, though, like her husband, of Sefardi stock; a member of the distinguished Russo family, she came from Trieste, and had, therefore, been an Austria...
{"title":"Jules Pascin in the New World","authors":"A. Werner","doi":"10.2307/774079","DOIUrl":"https://doi.org/10.2307/774079","url":null,"abstract":"On July 28, 1914, when the first World War broke out, the painter Jules Pascin was in London. One might have expected him to go back to Paris where he, the eternally restless, the “juif errant,” had a home of a sort, or at least a studio of his own, and where his fiancee, Hermine David was living. But he was fed up with Europe. Sooner or later, he knew, Bulgaria would remind him that he was still a subject of King Ferdinand and draft him into her army.But Pascin felt no loyalty to the King of Bulgaria. He was a subject only because by 1885, the year of his birth, the town of Vidin, originally Serbian, had been annexed by the Bulgarians. Pascin's father and grandfather had been supporters of the Obrenovich dynasty, the rulers of Serbia who, on their part, had been favorably disposed towards these enterprising grain merchants. His mother, however, was an Italian, though, like her husband, of Sefardi stock; a member of the distinguished Russo family, she came from Trieste, and had, therefore, been an Austria...","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114709517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Takahashi Sohei: Oriental Art Motifs: A Sketchbook for Artists and Connoisseurs","authors":"S. Takahashi","doi":"10.2307/774110","DOIUrl":"https://doi.org/10.2307/774110","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"192 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121107302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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