Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465758
{"title":"Roger Shattuck: The Banquet Years: The Arts in France, 1885–1978","authors":"","doi":"10.1080/15436322.1960.11465758","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465758","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123055673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465749
{"title":"48th Annual CAA Meeting with Society of Architectural Historians","authors":"","doi":"10.1080/15436322.1960.11465749","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465749","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127509268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465761
{"title":"Yuzuru Okada and others: Pageant of Japanese Art: Ceramics and Metalwork","authors":"","doi":"10.1080/15436322.1960.11465761","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465761","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123291492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465760
{"title":"Yutaka Tazawa and others: Pageant of Japanese Art: Sculpture","authors":"","doi":"10.1080/15436322.1960.11465760","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465760","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122426160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465752
Turpin C. Bannister
{"title":"Henry-Russell Hitchcock: Architecture: Nineteenth and Twentieth Centuries, Pelican History of Art","authors":"Turpin C. Bannister","doi":"10.1080/15436322.1960.11465752","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465752","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128644376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465740
Balcomb Greene
The meaning which we receive from a painting may be considerable though it cannot always be stated. Leonardo's Mona Lisa is supposed to conceal in the vagaries of her smile the sense and meaning of all Renaissance learning. It may be this compression which makes the smile ambiguous. But the Olympia of Edouard Manet states a discovery of the Nineteenth Century so clearly that in its own day it was unacceptable.Reclining upon her couch in the Venetian and Goyesque tradition, but posed stiffly in a harsh light, she seems to be saying, “I may not be the Duchess of Alba, but I'm sure naked. It was something of a treat for people to look at her. I'm going her one better. I'm looking at you.”
{"title":"The Doctrine of Pure Aesthetic","authors":"Balcomb Greene","doi":"10.1080/15436322.1960.11465740","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465740","url":null,"abstract":"The meaning which we receive from a painting may be considerable though it cannot always be stated. Leonardo's Mona Lisa is supposed to conceal in the vagaries of her smile the sense and meaning of all Renaissance learning. It may be this compression which makes the smile ambiguous. But the Olympia of Edouard Manet states a discovery of the Nineteenth Century so clearly that in its own day it was unacceptable.Reclining upon her couch in the Venetian and Goyesque tradition, but posed stiffly in a harsh light, she seems to be saying, “I may not be the Duchess of Alba, but I'm sure naked. It was something of a treat for people to look at her. I'm going her one better. I'm looking at you.”","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124558622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465742
I. I. Zupnick
The long struggle of the impressionist painters for public acceptance is one of the most striking art-historical phenomena of the nineteenth century. It epitomizes the ceaseless drive of artists for recognition as well as the public resistance to innovation, both of which increased during the Industrial Revolution.From today's perspective it seems strange that the rejection of impressionist painting should have reached such intensity, since the movement produced no obviously subversive attack on society, since it generally dealt with inoffensive subject matter, and since it created pictorial compositions based upon normal daily experience. There was nothing obscure or pedantic. In fact, they seemed purposely to avoid abstruse personal symbolism, turning usually to the most commonplace subjects; landscapes, still-lifes, and everyday genre scenes. To the public the most shocking thing about impressionist painting was the way it portrayed the familiar in an arbitrary new way; arbitrary because it was not in ...
{"title":"The Social Conflict of the Impressionists","authors":"I. I. Zupnick","doi":"10.1080/15436322.1960.11465742","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465742","url":null,"abstract":"The long struggle of the impressionist painters for public acceptance is one of the most striking art-historical phenomena of the nineteenth century. It epitomizes the ceaseless drive of artists for recognition as well as the public resistance to innovation, both of which increased during the Industrial Revolution.From today's perspective it seems strange that the rejection of impressionist painting should have reached such intensity, since the movement produced no obviously subversive attack on society, since it generally dealt with inoffensive subject matter, and since it created pictorial compositions based upon normal daily experience. There was nothing obscure or pedantic. In fact, they seemed purposely to avoid abstruse personal symbolism, turning usually to the most commonplace subjects; landscapes, still-lifes, and everyday genre scenes. To the public the most shocking thing about impressionist painting was the way it portrayed the familiar in an arbitrary new way; arbitrary because it was not in ...","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"433 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114016317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465741
Fernando de Szyszlo
{"title":"Contemporary Latin American Painting","authors":"Fernando de Szyszlo","doi":"10.1080/15436322.1960.11465741","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465741","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127614941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465764
Justus Bier
{"title":"Anton Ress: Stadt Rothenburg o.d.T. Kirchliche Bauten, Die Kunstdenkmäler von Bayern, Regierungs-bezirk Mittelfranken","authors":"Justus Bier","doi":"10.1080/15436322.1960.11465764","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465764","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131375840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1959-12-01DOI: 10.1080/15436322.1960.11465763
J. Hodin
{"title":"Encyclopédie de l'Art International Contemporain: Ed. Waldemar George, Raymond Cogniat, and Max Fourny","authors":"J. Hodin","doi":"10.1080/15436322.1960.11465763","DOIUrl":"https://doi.org/10.1080/15436322.1960.11465763","url":null,"abstract":"","PeriodicalId":407005,"journal":{"name":"College Art Journal","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1959-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129483673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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