Author(s): Espinal-Palacio, Juan Jose | Abstract: El presente articulo busca replantear, a traves de un estudio comparativo de fuentes primarias de archivo y fuentes bibliograficas, el supuesto historiografico que posiciona a Antioquia (en este caso, la ciudad de Medellin) como un hito en lo que a manumision de esclavizados durante la primera mitad del siglo XIX se refiere. Se trata, en definitiva, de ofrecer al lector una serie de herramientas y recursos que posibiliten la contravencion del relato historico escrito desde arriba, especialmente en el siglo XX, segun el cual el proceso de emancipacion de esclavos y abolicion gradual de la esclavitud en Antioquia se llevo a cabo con total apego a lo dictaminado tempranamente por la Ley de Partos del ano 1814.
提交人(s): Espinal-Palacio, Juan Jose - Abstract:本坚持要跟进,通过比较研究的第一手来源文件和bibliograficas来源,所谓historiografico书页镇的安蒂奥基亚(在本例中,22:14)作为一个里程碑manumision奴役在19世纪上半叶的意思。谈到,最终令读者提供一系列工具和资源必须contravencion上面的书面的历史故事,特别是在20世纪,根据该进程emancipacion奴隶贸易和奴隶制逐渐abolicion Antioquia带总坚持进行了分娩法早期裁决的1814年肛门。
{"title":"Contraviniendo el relato hegemónico: mito y manumisión de los esclavizados en Medellín-Colombia durante las primeras décadas de formación del Estado republicano","authors":"Juan José Espinal-Palacio","doi":"10.5070/m3481041902","DOIUrl":"https://doi.org/10.5070/m3481041902","url":null,"abstract":"Author(s): Espinal-Palacio, Juan Jose | Abstract: El presente articulo busca replantear, a traves de un estudio comparativo de fuentes primarias de archivo y fuentes bibliograficas, el supuesto historiografico que posiciona a Antioquia (en este caso, la ciudad de Medellin) como un hito en lo que a manumision de esclavizados durante la primera mitad del siglo XIX se refiere. Se trata, en definitiva, de ofrecer al lector una serie de herramientas y recursos que posibiliten la contravencion del relato historico escrito desde arriba, especialmente en el siglo XX, segun el cual el proceso de emancipacion de esclavos y abolicion gradual de la esclavitud en Antioquia se llevo a cabo con total apego a lo dictaminado tempranamente por la Ley de Partos del ano 1814.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): SIERRA, LUIS FERNANDO | Abstract: En este articulo reflexionare a partir de las expresiones graficas de los estudiantes universitarios producidas en la movilizacion del 2018 a proposito de la des financiacion de la educacion superior publica en Colombia. Me interesa pensar la potencia de lo comun de cara a la crisis social, economica y politica en relacion directa a las universidades. Las claves de interpretacion de los fenomenos y de las piezas graficas producidas durante estas movilizaciones (grafitis y pancartas) seran las siguientes: despojo, proteccion de lo comun y resistencias. Para esto: primero, hablare la crisis y la manera como esta afecta a la universidad y la sociedad; segundo, pensare, con las expresiones graficas, la proteccion de lo comun en relacion directa a las resistencias al despojo en su forma de privatizacion; por ultimo, avanzare en la reflexion sobre el lugar de la universidad para actuar, intervenir e investigar
提交人(s): SIERRA LUIS FERNANDO / Abstract:跟进reflexionare从graficas表情的大学生的movilizacion 2018年关于哥伦比亚des financiacion高等教育出版。我感兴趣的是思考公共在面对与大学直接相关的社会、经济和政治危机时的力量。在这些动员过程中产生的现象和图形作品(涂鸦和横幅)的解释关键将是:掠夺、保护普通民众和抵抗。为此:首先，我将谈谈危机及其对大学和社会的影响;首先，我将以图形表达的方式，考虑对公共财产的保护，直接关系到对私有化形式的掠夺的抵抗;最后，推进对大学采取行动、干预和研究的地方的反思
{"title":"Crisis del capitalismo y potencias de lo común. Expresiones gráficas, universidad y movimientos estudiantiles en Bogotá – Colombia","authors":"L. F. Sierra","doi":"10.5070/m3481043686","DOIUrl":"https://doi.org/10.5070/m3481043686","url":null,"abstract":"Author(s): SIERRA, LUIS FERNANDO | Abstract: En este articulo reflexionare a partir de las expresiones graficas de los estudiantes universitarios producidas en la movilizacion del 2018 a proposito de la des financiacion de la educacion superior publica en Colombia. Me interesa pensar la potencia de lo comun de cara a la crisis social, economica y politica en relacion directa a las universidades. Las claves de interpretacion de los fenomenos y de las piezas graficas producidas durante estas movilizaciones (grafitis y pancartas) seran las siguientes: despojo, proteccion de lo comun y resistencias. Para esto: primero, hablare la crisis y la manera como esta afecta a la universidad y la sociedad; segundo, pensare, con las expresiones graficas, la proteccion de lo comun en relacion directa a las resistencias al despojo en su forma de privatizacion; por ultimo, avanzare en la reflexion sobre el lugar de la universidad para actuar, intervenir e investigar","PeriodicalId":40833,"journal":{"name":"MESTER","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): ESPINAL, JULIANA | Abstract: Ha corrido mucha tinta sobre la complejidad narrativa o el ingenio con el que Carlos Fuentes trata la historia politica mexicana en su novela La muerte de Artemio Cruz (1962). Hay, sin embargo, un tema que aun requiere ser estudiado con mayor profundidad: el caracter nostalgico de la novela. En el presente articulo sostengo que hay dos tipos especificos de nostalgia en la obra; una asociada a la voz del Tu y otra en la voz del El. La nostalgia del Tu surge muy temprano en el proceso de concientizacion del Artemio moribundo y, por lo tanto, esta aun muy unida a la vision que el viejo Artemio tiene de si mismo para ese momento. La nostalgia del El se despierta cuando el proceso de concientizacion ha avanzado, Artemio esta mas cerca de la muerte y, simultaneamente, esta mas cerca de su origen. Asi, mientras la primera nostalgia separa a Artemio de su ser mas intimo, la segunda lo lleva de regreso a ese momento primero en el que Artemio era la posibilidad infinita de todos los hombres.
{"title":"La memoria de lo perdido y de lo que nunca fue. Notas sobre la nostalgia en La muerte de Artemio Cruz","authors":"J. Espinal","doi":"10.5070/m3481045661","DOIUrl":"https://doi.org/10.5070/m3481045661","url":null,"abstract":"Author(s): ESPINAL, JULIANA | Abstract: Ha corrido mucha tinta sobre la complejidad narrativa o el ingenio con el que Carlos Fuentes trata la historia politica mexicana en su novela La muerte de Artemio Cruz (1962). Hay, sin embargo, un tema que aun requiere ser estudiado con mayor profundidad: el caracter nostalgico de la novela. En el presente articulo sostengo que hay dos tipos especificos de nostalgia en la obra; una asociada a la voz del Tu y otra en la voz del El. La nostalgia del Tu surge muy temprano en el proceso de concientizacion del Artemio moribundo y, por lo tanto, esta aun muy unida a la vision que el viejo Artemio tiene de si mismo para ese momento. La nostalgia del El se despierta cuando el proceso de concientizacion ha avanzado, Artemio esta mas cerca de la muerte y, simultaneamente, esta mas cerca de su origen. Asi, mientras la primera nostalgia separa a Artemio de su ser mas intimo, la segunda lo lleva de regreso a ese momento primero en el que Artemio era la posibilidad infinita de todos los hombres.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Arciniega, Ernesto | Abstract: Introduccion y preguntas de entrevista por Ernesto Arciniega, estudiante de doctorado de la Universidad de California, Los Angeles
提交人(s): Arciniega,埃内斯托-访谈Abstract:简介和问题的博士生埃内斯托Arciniega加利福尼亚大学旧金山分校(university of California, Los Angeles)
{"title":"“El binomio hombre/mujer es tan insistente como insuficiente”; Una entrevista a Brad Epps","authors":"Ernesto Arciniega","doi":"10.5070/m3481045281","DOIUrl":"https://doi.org/10.5070/m3481045281","url":null,"abstract":"Author(s): Arciniega, Ernesto | Abstract: Introduccion y preguntas de entrevista por Ernesto Arciniega, estudiante de doctorado de la Universidad de California, Los Angeles","PeriodicalId":40833,"journal":{"name":"MESTER","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70755405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Posey, Alison | Abstract: In Cervantes’ Don Quijote (1605), Dulcinea does not participate in any dialogue, and yet still appears a vivid character as real as the other female characters who do speak in the novel. Dulcinea, a figment of others’ imaginations, forms a sharp contrast with the character of Marcela, who fashions an authoritative self through dialogue with other characters. Marcela’s self, like Dulcinea’s, is relational to others’; however, her self-fashioning frees her from the objectification of Dulcineism and instead Marcela makes herself a character that transgresses conventional narratives, both cultural and literary. Likewise, a similar rejection of Dulcineism and a desire to craft her life story through her dialectical exchanges with the rest of the characters enables Miren, a principal female character in Aramburu’s Patria (2016), to fashion a self that actively contravenes the general perspective of her son’s supposed crimes as an etarra. In this analysis, I consider the Cervantine technique of rhetorical self-fashioning in characters such as Marcela and I trace this technique in the development of the character of Miren in Aramburu’s contemporary novel, Patria. Cervantes’ Marcela inaugurates the self-fashioning character in Western fiction, which is expanded by Aramburu four-hundred years later with his female character, Miren. Like Marcela, Miren must fashion herself against a polyphony of voices, frequently male, that provide a variety of narratives shaping the events of her life. I argue that Aramburu’s character, like Cervantes’, is empowered to author her own narrative to contravene an undesired outcome. Furthermore, both female characters use dialogue to reject the common literary tendency towards Dulcineism and, through relational rhetoric, disregard conventional narratives in favor of creating their own: a remarkable choice for female characters, both then and now.
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Pub Date : 2017-01-01DOI: 10.1163/2468-1733_shafr_sim140160520
D. Cooper
Book review of PATRICK IBER. Neither Peace nor Freedom: The Cultural Cold War in Latin America. Cambridge: Harvard UP, 2015. 336 pp.
帕特里克·伊伯的书评。既非和平也非自由:拉丁美洲的文化冷战。剑桥:哈佛大学，2015年。336页。
{"title":"Patrick Iber. Neither Peace nor Freedom: The Cultural Cold War in Latin America","authors":"D. Cooper","doi":"10.1163/2468-1733_shafr_sim140160520","DOIUrl":"https://doi.org/10.1163/2468-1733_shafr_sim140160520","url":null,"abstract":"Book review of PATRICK IBER. Neither Peace nor Freedom: The Cultural Cold War in Latin America. Cambridge: Harvard UP, 2015. 336 pp.","PeriodicalId":40833,"journal":{"name":"MESTER","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64416534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Author(s): Zavalza Hough-Snee, Dexter | Abstract: Review of Anna More's Baroque Sovereignty
摘要:《安娜·莫尔的巴洛克式主权》述评
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