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Film Studies最新文献

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The Meaning of Ozu Yasujiro’s ‘Japaneseness’ in the Postwar Era from the Perspective of Meta-Criticism 从元批评的视角看战后小津安二郎的“日本性”
Pub Date : 2021-12-31 DOI: 10.17947/fs.2021.12.90.97
Hyewon Koo
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引用次数: 0
A Study on the Representation of the US in North-Korean Films (1972∼1994, the period of Kim Il-sung’s Monolithic Leadership System) 美国在朝鲜电影中的再现研究(1972 ~ 1994年,金日成独裁统治时期)
Pub Date : 2021-12-31 DOI: 10.17947/fs.2021.12.90.129
H. Lee
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引用次数: 0
Béla Tarr Movie Image’s Time Format Analisys in a Differentiated Form: Focusing on Gilles Deleuze’s Image-Time 差别化形式下的电影影像时间格式分析——以德勒兹的影像时间为中心
Pub Date : 2021-12-31 DOI: 10.17947/fs.2021.12.90.187
Sangjo Park, Sangyong Kim
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引用次数: 0
What’s happened, happened: Repetition, Knowing and afterwardsness in a Film 已经发生的事,已经发生了:电影中的重复、知晓和事后
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.145
Seong-Woo Son
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引用次数: 0
The Value of Human Existence Read through Extended Reality in the Movie: based on the Movie 从电影的延伸现实看人类存在的价值——基于电影
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.177
Mi-suk Jeong
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引用次数: 0
Irony of Korean historical films in the 2000s: Focusing on The Fortress, The Face Reader, Forbidden Quest 2000年代韩国历史电影的讽刺——以《堡垒》、《读脸人》、《禁忌之旅》为中心
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.47
Hyoin Yi
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引用次数: 0
A Study on the Feminism Frame in the Korean-Chinese Review of Kim Ji-young Born in 1982 《1982年出生的金志英》韩中评论中的女性主义框架研究
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.5
Hyeon-Ju Cha, Han Yanq, S. Kweon
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引用次数: 0
Days of Being Wild: A legless Bird that became Don Juan 《野性的日子:一只变成唐璜的无腿鸟
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.79
Chulkwon Kim, Jinsoo Lim
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引用次数: 0
The Counter-Archive of Expressways: The Representation of Human-Powered Mobility in South Korea’s Popular Cinema in the 1970-80s 高速公路的反档案:1970-80年代韩国大众电影中人力流动的表现
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.199
Han-sang Kim
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引用次数: 0
A Study on the Narrative representations of Film Posters: Take the “Love Letters to the Movie” series posters of “One Second” as an example 电影海报的叙事再现研究——以《一秒》系列海报“给电影的情书”为例
Pub Date : 2021-09-30 DOI: 10.17947/fs.2021.9.89.117
Bin Xu, Sang Eun Lee, J. Yang
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引用次数: 0
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Film Studies
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