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Facilitating departures from monolingual discourses 促进脱离单语话语
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1386/atr_00045_1
Claire French
This article locates and critiques monolingual discourses within applied performance praxis in the United Kingdom and South Africa, suggesting starting points for facilitating multilingual actors’ vast linguistic resources. Set out as a theorized reflection of praxis, I interrogate how the facilitator can draw from actors’ linguistic resources without perpetuating dominant and potentially damaging language ideologies, by which I refer to the socially shared beliefs about language that shape and are shaped by language use. I discuss the powerful language ideologies connected to so-called ‘standard’ English and constructed by dominant institutions to discover how they are reproduced in performance praxis. I also analyse performance examples engaging complex linguistic conditions related to both student and refugee groups in the United Kingdom and South Africa to discuss varied facilitation approaches in context. Through my reflection, I reveal the complexities and opportunities for the facilitator navigating the socio-culturally and politically fraught terrain of language.
本文对英国和南非的应用表演实践中的单语话语进行了定位和批判,为促进多语演员丰富的语言资源提供了一些出发点。作为实践的理论化反映,我询问促进者如何从演员的语言资源中汲取,而不会使占主导地位和潜在破坏性的语言意识形态永续下去,我指的是社会上关于语言的共同信念,这些信念塑造了语言的使用,也被语言的使用所塑造。我讨论了与所谓的“标准”英语相关的强大的语言意识形态,并由主导机构构建,以发现它们如何在表演实践中被复制。我还分析了与英国和南非的学生和难民群体相关的复杂语言条件的表演示例,以讨论上下文中的各种促进方法。通过我的反思,我揭示了促进者在语言的社会文化和政治领域中导航的复杂性和机会。
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引用次数: 2
Community-based performances of harmonious diversity: Happy talk and utopian performativity in Playback Theatre 和谐多元的社区表演:重放剧场的快乐谈话与乌托邦表演
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1386/atr_00047_1
Dani Snyder-Young, Maren Flassen
In this article, we examine a Playback Theatre performance in which audience members perform their appreciation for living in a diverse community, engaging with the performativity of happy talk surrounding diversity. Happy talk is largely considered to support the status quo of White supremacy, letting those who benefit from dominant systems of power off the hook. However, in this event it appeared to operate instead as a utopian performative. The racially and ethnically diverse storytellers in the workshop narrate positive stories about the diversity in their community, and they do so for a reason. This article looks at the hope animating the event.
在这篇文章中,我们考察了一场回放剧院的演出,在这场演出中,观众们对生活在一个多元化的社区中表示赞赏,并参与到围绕多样性的快乐对话中。愉快的谈话在很大程度上被认为是支持白人至上主义的现状,让那些从占主导地位的权力体系中受益的人摆脱困境。然而,在这次事件中,它似乎是一种乌托邦式的表演。研讨会上种族和族裔多样的故事讲述者讲述了他们社区多样性的积极故事,他们这样做是有原因的。这篇文章着眼于事件的希望。
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引用次数: 0
Editorial 社论
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1386/atr_00044_2
P. O'Connor, Kelly Freebody
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引用次数: 0
Young People as Legislators: Legislative Theatre and Youth Parliament 青年作为立法者:立法剧场和青年议会
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-07-01 DOI: 10.1386/atr_00049_1
Matthew Elliott
Young People as Legislators is the result of a six-month Legislative Theatre project with Collective Encounters Youth Theatre, Youth Focus NW and Youth Parliament UK. The project formed part of a wider scheme of practice as research that explored youth theatre practice as political engagement for young people. Legislative Theatre practice was utilized to work alongside the Youth Parliament’s Make Your Mark scheme, an annual poll for young people to decide on campaigning issues. In this article, I consider three elements: tokenism in youth engagement, differing experiences between artistic process and product, and applied theatre’s inability to develop long-term effects. Employing the critical theories of Paulo Freire, the article regards the practice as a failed attempt to develop critical youth theatre practice. I argue that the Legislative Theatre project led to uncritical engagement and no political change due to partner organizations regarding the theatre practice as a service to satisfy their own targets and requirements.
作为立法者的年轻人是与Collective Encounters Youth Theatre、Youth Focus NW和Youth Parliament UK合作的一个为期六个月的立法剧院项目的结果。该项目是一项更广泛的实践研究计划的一部分,该研究探索了青年戏剧实践作为年轻人的政治参与。立法剧院的做法被用来与青年议会的“标记”计划合作,这是一项针对年轻人决定竞选问题的年度民意调查。在这篇文章中,我考虑了三个因素:青年参与中的象征性,艺术过程和产品之间的不同体验,以及应用戏剧无法产生长期效果。本文运用保罗·弗雷尔的批评理论,认为这种实践是发展青年戏剧批评实践的一次失败尝试。我认为,立法剧院项目导致了不加批判的参与,也没有政治变革,因为合作组织将剧院实践视为满足其自身目标和要求的服务。
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引用次数: 1
Geographies of resistance 阻力的地理位置
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5040/9781350086180.ch-006
N. Thrift
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引用次数: 2
Articulation and amplification 发音和放大
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5040/9781350086180.ch-004
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引用次数: 0
Costa Rica: Utilizing a global vision to safeguard the local village 哥斯达黎加:利用全球视野保护当地村庄
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5040/9781350086180.ch-001
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引用次数: 0
Partnerships, integrated community investment and nebulous utopia 伙伴关系、综合社区投资和模糊的乌托邦
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5040/9781350086180.ch-002
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引用次数: 0
Aspirational thinking: Social justice and critical pedagogy 理想思维:社会正义与批判教学法
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5040/9781350086180.ch-003
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引用次数: 0
Conclusion 结论
IF 0.4 Q1 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.5040/9781350086180-008
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引用次数: 0
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Applied Theatre Research
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