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The Owl on the Couch 沙发上的猫头鹰
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016015
J. Fernandes
ABSTRACT Owls are intriguing animals and omnipresent symbols throughout human history from prehistory to contemporary cinematography, challenging art historians, psychologists, and psychoanalysts. In addition to the owl’s simply decorative occurrence in art, owls as symbols—the topic of very few studies—are usually associated with night, death, wisdom, and evil. This article explores the history of the development of owl symbolism and its related archetypal meanings, which has contributed to the understanding of these birds in art, psychology, culture, and semiotics.
猫头鹰是有趣的动物,是贯穿人类历史的无所不在的象征,从史前到当代电影摄影,对艺术历史学家、心理学家和精神分析学家都具有挑战性。除了猫头鹰在艺术中的简单装饰外,猫头鹰作为象征——这是很少有研究的主题——通常与夜晚、死亡、智慧和邪恶联系在一起。本文探讨了猫头鹰象征主义的发展史及其相关的原型意义,这有助于在艺术、心理学、文化和符号学上理解这些鸟类。
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引用次数: 0
A Jungian Formulation of Schizophrenia 精神分裂症的荣格公式
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016317
J. Perry
ABSTRACT In this paper published in the American Journal of Psychotherapy in 1956, John Weir Perry lays out a Jungian view of schizophrenia as an irruption of symbolic archetypal images and processes into the field of consciousness. These symbols represent the essence of the psychotic process and can point to a healing process. More specifically, the symbols of catatonic schizophrenia almost invariably are found to contain a death and rebirth pattern as illustrated in the case of a hospitalized patient with whom he worked over a period of six months.
摘要在1956年发表在《美国心理治疗杂志》上的这篇论文中,约翰·韦尔·佩里提出了一种荣格主义的观点,认为精神分裂症是象征性原型图像和过程向意识领域的突现。这些符号代表了精神病过程的本质,可以指向治愈过程。更具体地说,紧张性精神分裂症的象征几乎总是包含死亡和再生模式,正如他与一名住院患者一起工作了六个月的案例所示。
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引用次数: 0
Gifts of the AncestorsWhat Siberian Sakha Shamanism Offers to the West 祖先的礼物:西伯利亚萨哈萨满教给西方的礼物
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016012
Robert M. Carriger, Haar Suor
ABSTRACT Shamanism is generally considered to be humankind’s original religious practice. Centuries of Russian oppression followed by more recent exposure to Western media culture may have weakened the transmission of traditions of the Sakha people in Arctic Siberia, but a new generation of Sakha healers still strives to keep their traditions alive in a modern world. These contemporary healers are heirs to an unbroken shamanic tradition dating back centuries. They form a living bridge to their ancestors. This article is a collaborative project—both in terms of conceptualization and writing—between a Californian psychotherapist and a member of the new generation of Siberian Sakha healers with the goal of bringing better understanding of the Sakha perspective while also looking at shamanism through a Jungian lens.
萨满教被普遍认为是人类最原始的宗教实践。几个世纪以来,俄罗斯的压迫,以及最近对西方媒体文化的接触,可能削弱了西伯利亚北极萨哈人传统的传播,但新一代萨哈治疗师仍然努力在现代世界中保持他们的传统。这些当代治疗师继承了几个世纪前未被打破的萨满传统。它们构成了通往祖先的活桥。这篇文章是一个加州心理治疗师和新一代西伯利亚萨哈治疗师之间的合作项目,无论是在概念化还是写作方面,目的是更好地理解萨哈的视角,同时通过荣格人的视角看待萨满教。
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引用次数: 0
Dangerous Values: A Film Review of The Reluctant Fundamentalist 危险的价值观:对不情愿的原教旨主义者的电影评论
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016017
Thom F. Cavalli
ABSTRACT In a time when truth and values are under assault, Mira Nair’s 2012 political thriller The Reluctant Fundamentalist gives new meaning to the current situation. It describes a young Pakistani man, Changez, who leaves his home (and soul) behind to pursue the American dream. He attains a high position with a big corporation that acquires failing businesses. In the course of his work a business owner reminds Changez (meaning change) of all he left behind—traditional values, his father’s poetry, a loving family, and his native religion. He gives up his American success and returns home where an attempt is made to recruit him into an extremist religious group. Torn between Western material values and an extreme religious movement, Changez asks himself, “What is real?” This is a numinous place where the confluence of opposites must be reckoned with. Changez’s story follows the hero’s journey with all the same challenges involved in the process of individuation. He exemplifies much of the conflict many people are facing in a very polarized politico-religious environment. The result is somewhat disturbing, but at the same time the film masterfully portrays the tumultuous path one often must take in finding their real self.
在真理和价值观受到攻击的时代,米拉·奈尔2012年的政治惊悚片《不情愿的原教旨主义者》赋予了当前形势新的意义。它描述了一个年轻的巴基斯坦人,Changez,离开他的家(和灵魂)去追求美国梦。他在一家收购倒闭企业的大公司获得了很高的职位。在他的工作过程中,一个企业主提醒了Changez他所留下的一切——传统价值观,他父亲的诗歌,一个充满爱的家庭,以及他的家乡宗教。他放弃了在美国的成功,回到家乡,在那里有人试图招募他加入一个极端宗教组织。在西方的物质价值观和极端的宗教运动之间摇摆不定,Changez问自己:“什么是真实的?”这是一个不可思议的地方,在这里必须考虑到对立面的汇合。Changez的故事讲述了主人公在个性化过程中遇到的所有挑战。他代表了许多人在一个非常两极化的政治-宗教环境中所面临的许多冲突。结果有些令人不安,但与此同时,影片巧妙地描绘了一个人在寻找真实自我的过程中往往必须经历的动荡之路。
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引用次数: 0
Sister Tongue / زبان خواهر 舌头修女-زبانخواهر
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016000
Farnaz Fatemi
When I am a little girl I learn to feel the space between me and my twin sister as if it is an atomic bond and we are ions— the relative connection only shifts by push and pull. Our peeling apart is a chemical surprise. Each split is innocent. She is never mean by leaving, but she is easily bored by the games I spend hours with— jigsaw puzzles and every variation on the dictionary game I can think of. I fall blind into the trap of believing I can keep her here. I feel unreal when her energy lessens, when the gleam of her laughter casts distracted off our table. Later, every time my lover’s attention drifts, I reach for my sister’s arm to keep her here, clutch my reflection in a mirror, sit it down next to me and feel the space between us strangle into stasis. She turns away and shines her light on our mirror, refracts back
当我还是个小女孩的时候,我学会了感觉我和双胞胎妹妹之间的空间,就好像这是一种原子键,我们是离子——这种相对的联系只有通过推拉才能改变。我们的剥离是一种化学惊喜。每一次分裂都是无辜的。她从来都不想离开,但她很容易对我花了几个小时玩的游戏感到无聊——拼图游戏和我能想到的词典游戏的每一种变体。我盲目地相信我能把她留在这里。当她的能量减弱,当她的笑声从我们的桌子上移开时,我感到不真实。后来,每当我爱人的注意力转移时,我都会伸手抓住姐姐的手臂,把她留在这里,把我的倒影放在镜子里,坐在我旁边,感觉我们之间的空间被扼杀在停滞状态。她转过身来,把光照在我们的镜子上,折射回来
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引用次数: 0
“Like Flowers or Creeping Worms”: The Poet as Phallic Symbol in Shelley’s Alastor, or The Spirit of Solitude “似花似虫”:雪莱《阿拉斯托》中的诗人象征,还是孤独的精神
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016016
Roohollah Datli Beigi, Pyeaam Abbasi, Z. J. Ladani
ABSTRACT Associated with renewed begetting, the phallus is a highly relevant concept with regard to the dying and resurgent god Dionysus. Percy Bysshe Shelley’s writings are filled with Dionysian images that may suggest the archetypal concept of death-rebirth. Shelley’s Alastor, or The Spirit of Solitude (1815) presents a young visionary poet who becomes a Dionysian phallic symbol at the end of the poem only to rise himself anew in a posthumous transcendent garden sometime in a far future. Fleeing from the cold and cruel human society that denies him truth, Shelley’s hero undergoes a quest for finding truth, which appears to him in the form of female bodies of the veiled maiden and the earth mother. Whereas the former, dissolving his male subjectivity, catches him sexually and delusively, the latter devours him in order to provide him with the charmed circle of the mother. This article attempts to explore the modality of this quest and the hero’s transformation into a worm-like phallus in the light of the Jungian archetypes of anima and phallus.
阳具是一个与重生有关的概念,与死亡和复活的狄俄尼索斯神有关。珀西·比希·雪莱的作品中充满了酒神的形象,这些形象可能暗示了死亡-重生的原型概念。雪莱的《阿拉斯特》或《孤独的精神》(1815)描绘了一位年轻的幻想诗人,他在诗的结尾成为酒神的阳具象征,只是在遥远的未来的某个时候,在死后的一个超越的花园中重新站起来。雪莱笔下的主人公为了逃避冷酷无情的否认真理的人类社会,经历了一段寻找真理的旅程。在他看来,真理表现为蒙着面纱的少女和大地母亲的女性身体。前者消解了他的男性主体性,在性方面迷惑了他,而后者则吞噬了他,以便为他提供母亲的迷人圈子。本文试图从荣格的动物和阳具原型出发,探索这一任务的形态以及主人公转变为蠕虫状阳具的过程。
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引用次数: 0
A Portal to the Imaginal 幻象的传送门
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2022-01-02 DOI: 10.1080/19342039.2022.2016002
Thomas Singer
ABSTRACT Thomas Singer takes readers on a tour through the imaginal worlds created by Steve Coleman and a team of volunteers dedicated to keeping the spirit of the Throckmorton Theatre in Mill Valley, California, alive during COVID-19 pandemic. In the windows filled with puppets and in the exhibit of rooms created on the mezzanine of the theatre, visitors were invited to create their own stories. The author, struck by the connections to Ingmar Bergman’s film Fanny and Alexander, explores the connections not only between Coleman’s and Bergman’s creations through photos and clips from the film but also between the author and artist. Throughout Steve Coleman shares his thoughts on the Throckmorton, Zen space, the imaginal, mystery, and the act of creating itself.
摘要Thomas Singer带领读者参观Steve Coleman和一队志愿者创造的想象世界,他们致力于在新冠肺炎大流行期间保持加州米尔谷Throckmorton剧院的精神。在充满木偶的窗户里,在剧院夹层上的房间展览中,游客们被邀请创作自己的故事。作者被英格玛·伯格曼的电影《芬妮与亚历山大》的联系所打动,通过电影中的照片和片段,不仅探索了科尔曼和伯格曼创作之间的联系,还探索了作者和艺术家之间的联系。史蒂夫·科尔曼在书中分享了他对Throckmorton、禅宗空间、想象、神秘和创造本身的想法。
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引用次数: 0
The Emerging Field of Jungian Ethics 荣格伦理学的新兴领域
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/19342039.2021.1979366
Niccolò Fiorentino Polipo
ABSTRACT Psychology as Ethics: Reading Jung with Kant, Nietzsche and Aristotle is Giovanni Colacicchi’s reader-friendly but philologically rigorous reconstruction of the ideas that converge from the great tradition of Western moral philosophy into Jung’s “psycho-ethical model.” Colacicchi probes the Jungian text with a philosophical mind in search of conceptual clarity, but he does not refrain from putting forth original theoretical ideas such as the notion of an “ethical transference” between analysand and analyst or a model of Jungian-Aristotelian psycho-ethical types. The challenges faced by the emerging field of Jungian ethics are discussed on the basis of this foundational work.
作为伦理学的心理学:将荣格与康德、尼采和亚里士多德一起解读是乔瓦尼·科拉奇奇对西方道德哲学的伟大传统融合到荣格的“心理伦理模式”中的思想进行的一种读者友好但在语言学上严谨的重建。Colacicchi以一种哲学思维来探索荣格的文本,以寻求概念上的清晰,但他并没有克制自己提出原创的理论观点,比如分析者和分析师之间的“伦理转移”概念,或者荣格-亚里士多德的心理伦理类型模型。在此基础上,讨论了荣格伦理学这一新兴领域所面临的挑战。
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引用次数: 0
Songs from the Deep River 《大河深处的歌》
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/19342039.2021.1979363
Naomi Ruth Lowinsky, Raluca Ioanid, C. Marcus
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引用次数: 0
The Labyrinth and the Holy Grail 迷宫与圣杯
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/19342039.2021.1979372
Shirley Kaiser
ABSTRACT In this review, the author tells of her experience with the labyrinth through her review of Lauren Artress’s The Path of the Holy Fool: How the Labyrinth Ignites Our Visionary Powers. This book weaves together Jungian concepts with the meditative practice of walking the labyrinth. It uses the Grail legend and the Holy Fool as metaphors for describing this imaginative process.
在这篇评论中,作者通过对劳伦·阿特雷斯的《神圣的傻瓜之路:迷宫如何点燃我们的幻想力量》的评论,讲述了她与迷宫的经历。这本书将荣格的概念与走迷宫的冥想练习编织在一起。它用圣杯传说和圣愚作为隐喻来描述这一想象过程。
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引用次数: 0
期刊
Jung Journal-Culture & Psyche
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