Pub Date : 2022-03-24DOI: 10.1163/15685292-02601005
Rebecca D. Soares
Although typically characterized as authors of social realism or social gospel fiction, respectively, Elizabeth Gaskell’s and Elizabeth Stuart Phelps’s nineteenth-century industrial novels defy traditional generic designations through their deployment of supernatural and spiritualist discourse to otherwise decidedly earthly and material subjects. Creating a genre that I call spiritual realism, these writers infused realist narratives with the spiritual motifs and images that colored the social and religious ideology of the nineteenth century in order to represent both the material and immaterial realities of their everyday experience. This new spiritual realism allowed writers to depict the nebulous, transitory, and incomprehensible aspects of their everyday reality in an increasingly modern, industrial, and transnational world. In order to establish the centrality of spiritual realism to our understanding of nineteenth-century industrial fiction, this essay examines Elizabeth Gaskell’s North and South (1855) and Elizabeth Stuart Phelps’s The Silent Partner (1871), emphasizing each author’s deployment of spiritualism to interrogate the morality of industrialization and the treatment of workers.
{"title":"The Spirit of Labor","authors":"Rebecca D. Soares","doi":"10.1163/15685292-02601005","DOIUrl":"https://doi.org/10.1163/15685292-02601005","url":null,"abstract":"\u0000 Although typically characterized as authors of social realism or social gospel fiction, respectively, Elizabeth Gaskell’s and Elizabeth Stuart Phelps’s nineteenth-century industrial novels defy traditional generic designations through their deployment of supernatural and spiritualist discourse to otherwise decidedly earthly and material subjects. Creating a genre that I call spiritual realism, these writers infused realist narratives with the spiritual motifs and images that colored the social and religious ideology of the nineteenth century in order to represent both the material and immaterial realities of their everyday experience. This new spiritual realism allowed writers to depict the nebulous, transitory, and incomprehensible aspects of their everyday reality in an increasingly modern, industrial, and transnational world. In order to establish the centrality of spiritual realism to our understanding of nineteenth-century industrial fiction, this essay examines Elizabeth Gaskell’s North and South (1855) and Elizabeth Stuart Phelps’s The Silent Partner (1871), emphasizing each author’s deployment of spiritualism to interrogate the morality of industrialization and the treatment of workers.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45867096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601002
Daniel M. Unger
The article highlights the added value with which the scene of David with the head of Goliath has accumulated in the seventeenth century. During this period these paintings were intended to represent the young David as a penitent saint atoning for his sins rather than the divinely supported triumph of the young shepherd over Goliath, the skilled and talented military hero. What is emphasized is the a-temporal nature of this iconography, using David, the boy who killed Goliath as atoning for his most grievous sin that he committed many years later when he was already king of Israel toward Uriah the Hittite. In what follows I would like to characterize the unique iconography developed in the early seventeenth century, which represents the young David as a penitent while Goliath’s head signals the memento mori. Goliath’s severed head stands for the skulls appearing in other visual representations of penitent saints.
{"title":"“And My Sin Is Ever Before Me” (Psalm 51: 3)","authors":"Daniel M. Unger","doi":"10.1163/15685292-02601002","DOIUrl":"https://doi.org/10.1163/15685292-02601002","url":null,"abstract":"\u0000 The article highlights the added value with which the scene of David with the head of Goliath has accumulated in the seventeenth century. During this period these paintings were intended to represent the young David as a penitent saint atoning for his sins rather than the divinely supported triumph of the young shepherd over Goliath, the skilled and talented military hero. What is emphasized is the a-temporal nature of this iconography, using David, the boy who killed Goliath as atoning for his most grievous sin that he committed many years later when he was already king of Israel toward Uriah the Hittite. In what follows I would like to characterize the unique iconography developed in the early seventeenth century, which represents the young David as a penitent while Goliath’s head signals the memento mori. Goliath’s severed head stands for the skulls appearing in other visual representations of penitent saints.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42284945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601007
R. Gibson
For more than two centuries, publishers and critics have tried to design an English Bible that would be easy to hold and a delight to read. This essay tracks various attempts to design such a bible, beginning with early nineteenth-century printings that sought to declutter the bible page and to break the thick book into multiple volumes, before turning to early calls to revise the Authorized Version (a.k.a. the King James Version) so that it would be easier for modern audiences to comprehend. The latter half of the essay examines two recent efforts to reform the English Bible physically and textually, Adam Lewis Greene’s Bibliotheca (2016) and Robert Alter’s The Hebrew Bible: A Translation with Commentary (2018), arguing that each makes important strides toward producing the long-awaited “readable Bible.”
{"title":"The Holy Book Which Is a Book","authors":"R. Gibson","doi":"10.1163/15685292-02601007","DOIUrl":"https://doi.org/10.1163/15685292-02601007","url":null,"abstract":"\u0000 For more than two centuries, publishers and critics have tried to design an English Bible that would be easy to hold and a delight to read. This essay tracks various attempts to design such a bible, beginning with early nineteenth-century printings that sought to declutter the bible page and to break the thick book into multiple volumes, before turning to early calls to revise the Authorized Version (a.k.a. the King James Version) so that it would be easier for modern audiences to comprehend. The latter half of the essay examines two recent efforts to reform the English Bible physically and textually, Adam Lewis Greene’s Bibliotheca (2016) and Robert Alter’s The Hebrew Bible: A Translation with Commentary (2018), arguing that each makes important strides toward producing the long-awaited “readable Bible.”","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45395853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601013
Kimberly Bressler
{"title":"Hamlet’s Choice: Religion and Resistance in Shakespeare’s Revenge Tragedies, by Lake, Peter","authors":"Kimberly Bressler","doi":"10.1163/15685292-02601013","DOIUrl":"https://doi.org/10.1163/15685292-02601013","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49583950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601006
H. Vogel, M. Klomp, M. Barnard
This article discusses the appropriation of psalms in contemporary Dutch and Flemish culture through their performances in ‘extra-ecclesial’ settings and the ways in which aesthetics and embodied experiences play a role in this appropriation. Drawing on postsecular theory, we describe how both religious and secular dimensions are manifest in the performance of psalms on the level of aesthetics. Our contribution is a detailed analysis of empirical research data regarding different sensory perceptions (bodily, auditory, visual, synaesthetic), which we have studied both in isolation and interrelation. We show that religious and secular dimensions become intertwined in the temporally and spatially organized stimulation of different senses. A balancing act takes place between synaesthetic immersion in a collective ritual, and a more distanced, unisensory involvement to maintain individual authenticity. In this balance, an immersive ritual experience can become fertile soil for interaction with the transcendent. We argue that a postsecular stance should entail the interrogation and contextualization of immanent/transcendent dichotomies.
{"title":"Making Sense of the Psalms","authors":"H. Vogel, M. Klomp, M. Barnard","doi":"10.1163/15685292-02601006","DOIUrl":"https://doi.org/10.1163/15685292-02601006","url":null,"abstract":"This article discusses the appropriation of psalms in contemporary Dutch and Flemish culture through their performances in ‘extra-ecclesial’ settings and the ways in which aesthetics and embodied experiences play a role in this appropriation. Drawing on postsecular theory, we describe how both religious and secular dimensions are manifest in the performance of psalms on the level of aesthetics. Our contribution is a detailed analysis of empirical research data regarding different sensory perceptions (bodily, auditory, visual, synaesthetic), which we have studied both in isolation and interrelation. We show that religious and secular dimensions become intertwined in the temporally and spatially organized stimulation of different senses. A balancing act takes place between synaesthetic immersion in a collective ritual, and a more distanced, unisensory involvement to maintain individual authenticity. In this balance, an immersive ritual experience can become fertile soil for interaction with the transcendent. We argue that a postsecular stance should entail the interrogation and contextualization of immanent/transcendent dichotomies.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46988813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601003
Lindsay Katzir
This article looks at Grace Aguilar (1816–1847), a well-known Anglo-Jewish author, as a religious Zionist, and it analyzes Aguilar’s work in order to challenge three scholarly assumptions about the history of Zionism: first, that British Jews have never genuinely supported Zionism; second, that Zionism did not exist before Theodor Herzl, the founder of political Zionism; and third, that Jewish women rarely voiced Zionist ideas before the establishment of the State of Israel. Aguilar, an Anglo-Jewish woman writer who published during the mid-Victorian period, espoused orthodox views about the Jews’ restoration to Palestine. Aguilar’s belief in the biblical precept of Jewish nationhood was a precursor to the thought of later Zionists such as Herzl, as well as the convictions of religious Zionists such as Rav Kook. Her religious nationalism provides an important counterpoint to scholarly claims that Victorian Jews identified only as British, as no different than their Christian neighbors. Instead, Aguilar characterizes the Jews as a nation apart, a people bound together by an ancient religion with roots and a future in Palestine.
{"title":"Seeking Zion","authors":"Lindsay Katzir","doi":"10.1163/15685292-02601003","DOIUrl":"https://doi.org/10.1163/15685292-02601003","url":null,"abstract":"\u0000 This article looks at Grace Aguilar (1816–1847), a well-known Anglo-Jewish author, as a religious Zionist, and it analyzes Aguilar’s work in order to challenge three scholarly assumptions about the history of Zionism: first, that British Jews have never genuinely supported Zionism; second, that Zionism did not exist before Theodor Herzl, the founder of political Zionism; and third, that Jewish women rarely voiced Zionist ideas before the establishment of the State of Israel. Aguilar, an Anglo-Jewish woman writer who published during the mid-Victorian period, espoused orthodox views about the Jews’ restoration to Palestine. Aguilar’s belief in the biblical precept of Jewish nationhood was a precursor to the thought of later Zionists such as Herzl, as well as the convictions of religious Zionists such as Rav Kook. Her religious nationalism provides an important counterpoint to scholarly claims that Victorian Jews identified only as British, as no different than their Christian neighbors. Instead, Aguilar characterizes the Jews as a nation apart, a people bound together by an ancient religion with roots and a future in Palestine.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43855547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601001
Young-ae Lim
Seokguram Grotto is a structure unparalleled throughout East Asia. The round main chamber in particular is unique to Seokguram and without equal in Korea or China. Researchers thus far have attributed the design for Seokguram to foreign influences. However, the source of inspiration is more likely domestic, an adaptation of the Silla tunnel-type stone-chamber tombs of the seventh and eighth centuries. By rearranging the rectangular and circular components of the tunnel-type tombs from a vertical to horizontal layout, the structure of Seokguram gained structural stability and increased space for the accommodation of various sculptures of Buddhist figures. The resulting layout of Seokguram is a symbolic representation of the earthly or secular realm, the world of Buddha, and the transitional space in between.
{"title":"From Vertical to Horizontal","authors":"Young-ae Lim","doi":"10.1163/15685292-02601001","DOIUrl":"https://doi.org/10.1163/15685292-02601001","url":null,"abstract":"\u0000 Seokguram Grotto is a structure unparalleled throughout East Asia. The round main chamber in particular is unique to Seokguram and without equal in Korea or China. Researchers thus far have attributed the design for Seokguram to foreign influences. However, the source of inspiration is more likely domestic, an adaptation of the Silla tunnel-type stone-chamber tombs of the seventh and eighth centuries. By rearranging the rectangular and circular components of the tunnel-type tombs from a vertical to horizontal layout, the structure of Seokguram gained structural stability and increased space for the accommodation of various sculptures of Buddhist figures. The resulting layout of Seokguram is a symbolic representation of the earthly or secular realm, the world of Buddha, and the transitional space in between.","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42662121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601012
Charles A. O’Connor
{"title":"Christian Modernism in an Age of Totalitarianism: T.S. Eliot, Karl Mannheim and the Moot, by Kurlberg, Jonas","authors":"Charles A. O’Connor","doi":"10.1163/15685292-02601012","DOIUrl":"https://doi.org/10.1163/15685292-02601012","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43825896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601009
L. Sterrett
{"title":"Religion Around John Donne, by Eckhardt, Joshua","authors":"L. Sterrett","doi":"10.1163/15685292-02601009","DOIUrl":"https://doi.org/10.1163/15685292-02601009","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47895253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-24DOI: 10.1163/15685292-02601011
Lynne Charoenkitsuksun
{"title":"Ravenna: Capital of Empire, Crucible of Europe, by Herrin, Judith","authors":"Lynne Charoenkitsuksun","doi":"10.1163/15685292-02601011","DOIUrl":"https://doi.org/10.1163/15685292-02601011","url":null,"abstract":"","PeriodicalId":41383,"journal":{"name":"Religion and the Arts","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46107672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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