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Schools as Made Works 学校是人造作品
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722018
Cecelia E. Traugh
Building on Carini’s idea of works bearing the imprint of their makers and using an example from my work in educator education that illustrates how Descriptive Inquiry can be a means of making and remaking a body of thought and practice, I explore the large idea of schools as made work. Through the exploration of the college faculty into race, I describe three metaphors that guided and shaped my thinking as I grew to understand what the participants in this inquiry and I had made together. Through this article, I make the political argument that values that support a humane approach to education—an approach that recognizes that how we see one another’s capacities is basic to all that we do or do not do in schools, an approach that acknowledges that the stories we tell ourselves about people and history are often incomplete and even wrong—are under duress at this time. To stay on course, we all need a place to work with others to expand and strengthen our thinking. The places that we work, particularly if they are schools, need to be places that create the kind of spaces needed for this strengthening. People in schools need to hold the shared recognition of the importance and possibility of intentionally constructing the educational space and share a trust in the tools they use for that building.
基于Carini关于作品带有制作者印记的想法,并以我在教育工作者教育工作中的一个例子为例,说明描述性探究如何成为一种制作和重塑思想和实践的手段,我探索了学校作为制作作品的大理念。通过大学教师对种族的探索,我描述了三个隐喻,这些隐喻引导和塑造了我的思维,使我逐渐理解了这次调查的参与者和我一起做了什么。通过这篇文章,我提出了一个政治论点,即支持人道教育方法的价值观——这种方法承认,我们如何看待彼此的能力是我们在学校所做或不做的一切的基础,这种方法承认我们告诉自己的关于人和历史的故事往往是不完整的,甚至是错误的——在这个时候是被迫的。为了坚持下去,我们都需要一个与他人合作的地方来拓展和加强我们的思维。我们工作的地方,特别是学校,需要创造这种加强所需的空间。学校里的人需要共同认识到有意建造教育空间的重要性和可能性,并对他们建造教育空间所使用的工具抱有共同的信任。
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引用次数: 1
Editor’s Introduction 编辑简介
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722006
Andy Kaplan
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引用次数: 0
Descriptive Inquiry in Schools 学校的描述性调查
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722008
Cara E. Furman, Joan Bradbury
What does Descriptive Inquiry look like in schools? In this introduction to Part 2 of “Attending with Care: Continuing Legacy of Patricia Carini,” the authors offer a public school-based vignette and then give an overview of the essays in the symposium. Carini’s theory is interwoven throughout.
描述性探究在学校里是什么样子的?在“用心参与:Patricia Carini的持续遗产”第二部分的引言中,作者提供了一个以学校为基础的公共小插曲,然后概述了研讨会上的文章。Carini的理论贯穿始终。
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引用次数: 0
Meaning Matters 意义很重要
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722011
Andy Doan
The article tells stories of how meaning can occur and be made in educational settings, using insights from the work of Patricia Carini and John Dewey to reflect. Dewey’s description of what makes an experience meaningful and Carini’s calls for an education grounded in meaning and value, along with the role of the Prospect descriptive processes as ways of exploring meaning, are used to describe how I, as a teacher, reflected on and developed meaningful social justice and science activities in schools.
这篇文章告诉了意义如何在教育环境中发生和产生的故事,运用了帕特里夏·卡里尼和约翰·杜威作品中的见解来反思。杜威对体验意义的描述,Carini对基于意义和价值的教育的呼吁,以及展望描述过程作为探索意义的方式的作用,都被用来描述我作为一名教师如何反思和发展学校中有意义的社会正义和科学活动。
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引用次数: 0
Designing Bauhaus Education 包豪斯教育设计
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722019
Andy Kaplan
Before this winter, my acquaintance with the Bauhaus was at once literal and vague: I knew a few architects by name, I associated their work with glass and steel, and I admired and had even sat in chairs designed by Marcel Breuer. “Form follows function,” Louis Sullivan’s watchword for modern architecture, appealed more for its alliteration than for its effects as informing aesthetic principle. Acquaintance led to fascination because of two courses I took this winter. In an art history class, I learned that the Bauhaus was not only about architecture, it was a school whose teachers were some of the most important artists of the twentieth century:Wassily Kandinsky, Annie and Josef Albers, Marcel Breuer, and Paul Klee were members of the faculty in the German iterations of the school. My enthusiasm for the Bauhaus then intersected with my passion for photography. I took a course called Photography in the Bauhaus taught by Iris Lutz at the Chicago Botanic Garden. Iris gave us a much more detailed and precise appreciation of the Bauhaus as a school, first in Germany from 1919–1933 and then in Chicago from 1937–2001. We learned about the rigors of the “preliminary course,” which introduced students to the materials and tools of the arts. Students learned how to design and shape materials, weaving textiles on a loom, shaping wood on a jigsaw or lathe, cutting and tinting glass, transforming sheet metal using the tools of metalsmithing. Every student learned how to manipulate materials using the latest advances in technology (fig. 1). This “curriculum wheel” was the way Walter Gropius in 1922 presented the design of the four-year program he initiated at the Bauhaus in Weimar. Gropius “hoped that various forms of artistic practice—painting, sculpture, architecture, and design chief among them—could work in harmony at the new school to produce the socially oriented and spiritually gratifying ‘building of the future’” (Casciato et al. 2019). Although the program had close ties to Gropius’s work as an architect, he committed the school to a holistic
在这个冬天之前,我对包豪斯的了解既简单又模糊:我知道几个建筑师的名字,我把他们的作品与玻璃和钢联系在一起,我钦佩甚至坐过马塞尔·布鲁尔设计的椅子。Louis Sullivan的现代建筑口号“形式遵循功能”,更多的是因为它的头韵,而不是因为它作为传达美学原则的效果。由于今年冬天我上了两门课,熟人关系使我着迷。在一堂艺术史课上,我了解到包豪斯不仅仅是关于建筑的,这所学校的老师都是20世纪最重要的艺术家:瓦西里·康定斯基、安妮和约瑟夫·阿尔伯斯、马塞尔·布鲁尔和保罗·克莱都是该校德语版的教员。我对包豪斯的热情与我对摄影的热情相交。我参加了一门名为“包豪斯摄影”的课程,由Iris Lutz在芝加哥植物园教授。Iris让我们更详细、更准确地了解了包豪斯作为一所学校的情况,首先是1919年至1933年在德国,然后是1937年至2001年在芝加哥。我们了解了“初级课程”的严格性,该课程向学生介绍了艺术的材料和工具。学生们学习了如何设计和塑造材料,在织机上编织纺织品,在竖锯或车床上塑造木材,切割和着色玻璃,使用金属锻造工具改造金属板。每个学生都学习了如何利用最新的技术进步来操纵材料(图1)。1922年,沃尔特·格罗皮乌斯(Walter Gropius)提出了他在魏玛包豪斯(Bauhaus)发起的四年制课程的设计,这就是“课程车轮”。格罗皮乌斯“希望各种形式的艺术实践——其中包括绘画、雕塑、建筑和设计总监——能够在新学校和谐合作,产生面向社会、精神上令人满意的‘未来建筑’”(Casciato等人,2019)。尽管该项目与Gropius作为建筑师的工作有着密切的联系,但他致力于学校的整体
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引用次数: 0
Reflections on Childhood in an Era of Unrest (1983) 动荡时代的童年反思(1983)
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722007
Peter Carini
I am going to open this seminar by reading to you a conversation I recently had with two boys, aged ten and eleven, in which they described to me a nearly completed block construction. As you will hear, the construction itself, and their interpretation of it, blends together a number of contemporary issues in quite fascinating ways. The narrative portrayal is moving in terms of the boys’ own efforts to cope effectively with issues that are, indeed, the shaping issues of their generation. For reasons that will soon become clear, the transcribed conversation is titled, “The Estate.”
在本次研讨会的开幕式上,我将宣读我最近与两个分别为10岁和11岁的男孩的对话,他们在对话中向我描述了一个即将完工的街区建筑。正如你所听到的,建筑本身,以及他们对它的解释,以非常迷人的方式融合了许多当代问题。从男孩们自己努力有效应对问题的角度来看,叙事刻画是感人的,这些问题实际上是他们这一代人的塑造问题。出于很快就会清楚的原因,转录的对话被命名为“遗产”
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引用次数: 0
Pat Carini and the Prospect Archive of Children’s Work 帕特·卡里尼和儿童工作展望档案馆
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722009
B. Alberty
One of Pat Carini’s great accomplishments is the collection of children’s visual, written and other work that became the Prospect Archive of Children’s Work, now housed at the University of Vermont. This article recounts the story of the archive—a long collaboration with Prospect colleagues, teachers, and others—from its beginnings in the 1960s through today. It suggests that the collection of children’s work and the collaborative descriptive processes developed to study it inspired and informed Pat’s thinking about children as makers not only of works, but of themselves and the world. In turn, these ideas fed into her advocacy for an education that recognized this capacity in all children and, beyond education, offered an expansive and democratic vision, much needed today, of humanness.
帕特·卡里尼(Pat Carini)的伟大成就之一是收集了儿童的视觉、文字和其他作品,这些作品后来成为儿童作品展望档案馆(Prospect Archive of children’s work),现在位于佛蒙特大学(University of Vermont)。这篇文章讲述了这个档案的故事——从20世纪60年代开始到今天,它与Prospect的同事、老师和其他人长期合作。这表明,儿童作品的收集和为研究这些作品而开发的协作描述过程启发和告知了帕特的想法,即儿童不仅是作品的创造者,而且是他们自己和世界的创造者。反过来,这些想法促使她倡导一种教育,这种教育认识到所有儿童的这种能力,并在教育之外,提供了一种今天非常需要的广阔而民主的人性愿景。
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引用次数: 2
An Immeasurable Legacy 不可估量的遗产
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722012
Marjorie Larner
In a system that increasingly stakes all on measuring success for students, teachers, and institutions against a common testable standard, we risk losing sight of the person at the foundation of our work. Patricia Carini offered a meaningful counternarrative through systematic, evidence-based documentation from observations, interviews, conversations, and, most importantly, description of children’s work. Her dedication and respect for each person, her insights and intellect, had a profound impact on many of us who continue to carry her perspective into the wider system. In this article, I write from personal experience working with Pat at the Prospect School and subsequently finding points of entry with every educator I work with in the public school system.
在一个越来越注重根据一个共同的可测试标准来衡量学生、教师和机构的成功的系统中,我们面临着失去工作基础的风险。Patricia Carini通过观察、采访、对话以及最重要的儿童工作描述等系统的循证文件,提供了一个有意义的反叙事。她对每个人的奉献和尊重,她的见解和智慧,对我们许多人产生了深远的影响,他们继续将她的观点带入更广泛的系统。在这篇文章中,我根据自己在展望学校与帕特共事的经历写作,并随后与我在公立学校系统中共事的每一位教育工作者一起寻找切入点。
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引用次数: 0
Mindful of the Aims 注意目标
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722010
D. Mullins
The author presents a child-centered approach to teaching, developed through longtime connections with colleagues, which concentrates on the children and provides them time to make their own connections, to learn, to think, and to develop at their own pace with the support of their classmates. Two examples of how mathematics interlaced into classroom activities illustrate how children presented with similar math problems utilize different ways to come to their own understandings. An addendum provides math strategies for reference.
作者提出了一种以儿童为中心的教学方法,通过与同事的长期联系发展起来,这种方法专注于儿童,并为他们提供时间建立自己的联系,学习、思考,并在同学的支持下按照自己的节奏发展。数学如何融入课堂活动的两个例子说明了面对类似数学问题的孩子如何利用不同的方式来达成自己的理解。附录提供了数学策略供参考。
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引用次数: 0
Observation and the Art of Teaching 观察与教学艺术
IF 0.7 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2022-09-01 DOI: 10.1086/722014
Jerusha Beckerman
This article describes the author’s journey into the work of Patricia Carini and the descriptive processes developed at Prospect School and Center. The author begins with her first experiences learning to observe and describe children using Descriptive Review as a new teacher and graduate teacher education student. She goes on to discuss how this work and her experience as a Prospect Archives Practitioner Fellow followed her into her teaching practice with children and later into her work as a teacher educator. She examines both the personal and political implications this way of looking holds, and how it can be used as a tool for striving toward equity in schools.
本文描述了作者进入帕特里夏·卡里尼工作的旅程,以及在前景学校和中心开发的描述过程。作者从她作为一名新教师和研究生教师教育学生的第一次使用描述性评论学习观察和描述儿童的经历开始。她接着讨论了这项工作和她作为前景档案从业者研究员的经历是如何影响她对儿童的教学实践以及后来作为教师教育者的工作的。她研究了这种看待方式的个人和政治含义,以及如何将其用作争取学校公平的工具。
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引用次数: 1
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Schools-Studies in Education
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