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Journal of Curatorial Studies最新文献

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Winner of the 2022 Journal of Curatorial Studies Emerging Writer AwardMiao Ying, Field Guide to Ideology 2022年策展研究杂志新兴作家奖获得者苗颖,意识形态领域指南
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00057_5
Bronte Cronsberry
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引用次数: 0
Barring Freedom: Art, Abolition and the Museum in Pandemic Times 禁止自由:大流行时期的艺术、废奴和博物馆
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00055_1
Alexandra Moore, Rachel Nelson
Barring Freedom, a travelling exhibition featuring artworks engaging the histories and current conditions of prisons and policing in the United States, was to open in April 2020. While COVID-19 disrupted that plan, the realities of inequity in the United States placed into stark relief by the pandemic and the uprisings of summer 2020 brought urgency to rethinking the curatorial vision of the exhibition to reach audiences beyond the gallery walls. Buoyed by the idea that, in the words of Angela Davis, art can ‘propel people towards social emancipation’, the exhibition and related programming was reconceived as an ongoing, interdisciplinary, public scholarship initiative reaching across the borders normally perceived between museums, prisons and universities. Opportunities arose for expanded forms of community building and participation that welcomed different forms of knowledge, furthering the political and aesthetic aims of the project to shift the social attachment to prisons.
“禁止自由”是一个巡回展览,展出的艺术品涉及美国监狱和警务的历史和现状,该展览原定于2020年4月开幕。尽管2019冠状病毒病打乱了这一计划,但美国的不平等现实因疫情和2020年夏季的起义而凸显出来,这促使人们迫切需要重新思考展览的策展愿景,以吸引画廊之外的观众。用安吉拉·戴维斯(Angela Davis)的话来说,艺术可以“推动人们走向社会解放”,在这一理念的鼓舞下,展览和相关节目被重新视为一项持续的、跨学科的公共奖学金倡议,跨越了博物馆、监狱和大学之间通常被认为的边界。有机会扩大社区建设和参与的形式,欢迎不同形式的知识,促进项目的政治和美学目标,改变社会对监狱的依恋。
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引用次数: 0
Curating Online Collections: Towards an Authentically Digital, Mediation Protocol for Art Digitizations 策展在线收藏:走向真正的数字化,艺术数字化的调解协议
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00054_1
S. Bertrand
Since the mid-1990s, cultural organizations have increasingly digitized their physical collections and made them available online; however, museums are still puzzled over what to do with these growing digital collections. Meanwhile, art institutions’ reluctance to produce virtual exhibitions, linked to a prevailing skeuomorphic paradigm, has left the matter of curating art digitizations unresolved. While museum computing scholarship has aptly identified the problematic absence of authentically digital curatorial processes, it has largely overlooked the fact that online collections and in-gallery group shows similarly condition artistic reception owing to a shared database logic, subjecting both to a mediation paradox in contemporary culture. This article examines the effects of this shared logic on public engagement, along with recent digital curatorial strategies that have emerged in response around notions of the digital aura and networked objects. The article concludes by proposing three conditions for an alternative curatorial process capable of adequately mediating art digitizations online without sacrificing aesthetic experience to the limited affordances of screen-based information and communications technologies.
自20世纪90年代中期以来,文化组织越来越多地将其实物藏品数字化,并在网上提供;然而,博物馆仍然对如何处理这些不断增长的数字藏品感到困惑。与此同时,艺术机构不愿举办虚拟展览,这与流行的skeumorphic范式有关,这使得策展艺术数字化的问题悬而未决。虽然博物馆计算机学术界恰当地发现了缺乏真正的数字策展过程的问题,但它在很大程度上忽略了一个事实,即由于共享的数据库逻辑,在线藏品和画廊群展示了类似的艺术接受条件,这使两者都受到当代文化中的中介悖论的影响。本文探讨了这种共同逻辑对公众参与的影响,以及最近围绕数字光环和网络对象概念出现的数字策展策略。文章最后提出了另一种策展过程的三个条件,这种策展过程能够在不牺牲审美体验的情况下充分调解在线艺术数字化,而不牺牲基于屏幕的信息和通信技术的有限可供性。
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引用次数: 0
Joshua Citarella, Memes as Politics 乔舒亚·西塔雷拉,记忆作为政治
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00066_5
A. Smirnova
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引用次数: 0
The Museum in Quarantine: Architecture, Experience and the Virtual Museum 隔离中的博物馆:建筑、体验与虚拟博物馆
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00053_1
A. Wasielewski
The effects of the COVID-19 pandemic, beginning in early 2020, were felt across all industries and public institutions, including art museums. Shuttered art museums sought to maintain public interest in their collections and exhibitions by promoting existing online tools, such as the virtual art museum tours hosted by Google Arts & Culture. This article analyses these tours from the perspective of museology and architecture and argues that, rather than a form of virtual reality, these tours are a peculiar kind of image database. As such, they are part of Google’s growing efforts towards mass digitization and data accumulation.
从2020年初开始,新冠肺炎疫情的影响波及所有行业和公共机构,包括美术馆。关闭的美术馆试图通过推广现有的在线工具来保持公众对其藏品和展览的兴趣,例如谷歌艺术与文化主办的虚拟美术馆之旅。本文从博物馆学和建筑学的角度对这些旅游进行了分析,认为这些旅游不是一种虚拟现实形式,而是一种独特的图像数据库。因此,它们是谷歌日益努力实现大规模数字化和数据积累的一部分。
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引用次数: 1
Jess Dobkin, Wetrospective Jess Dobkin,Wetrospective
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00058_5
Ann Cvetkovich
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引用次数: 0
Axinya Gog, A One-Take Journey Through Russia’s Iconic Hermitage Museum: Shot on Iphone 11 Pro 阿辛亚·高格,通过俄罗斯标志性的冬宫博物馆的一次旅行:用Iphone 11 Pro拍摄
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00062_5
Elena Sidorova
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引用次数: 0
STICK.T.ME STICK.T.ME
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00063_5
Anneliese Ostertag
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引用次数: 0
Outdoor School: Contemporary Environmental Art, Diane Borsato and Amish Morrell (Eds) 户外学校:当代环境艺术,黛安·博尔萨托和阿米什·莫雷尔(编辑)
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00065_5
Leah Modigliani
Review of: Outdoor School: Contemporary Environmental Art, Diane Borsato and Amish Morrell (Eds)Madeira Park, BC: Douglas and McIntyre (2021), 192 pp., h/bk, ISBN: 9-781-7716-2284-4, $44.95
评论:《户外学校:当代环境艺术》,Diane Borsato和Amish Morrell(编辑)马德拉公园,不列颠哥伦比亚省:Douglas和McIntyre(2021),192页,h/bk,国际标准书号:9-781-7716-2284-4,44.95美元
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引用次数: 0
Dorothy Morland: Making ICA History, Anne Massey 《多萝西·莫兰:创造ICA历史》,安妮·梅西著
IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-01 DOI: 10.1386/jcs_00064_5
R. Arya
Review of: Dorothy Morland: Making ICA History, Anne MasseyLiverpool: Liverpool University Press (2020), 216 pp.,ISBN: 978-1-7896-2127-3, h/bk, £80.00, ISBN: 978-1-7896-2128-0, p/bk, £24.95
评论:Dorothy Morland:《创造ICA历史》,Anne Massey利物浦:利物浦大学出版社(2020),216页,ISBN:978-1-7896-2127-3,h/bk,80.00英镑,ISBN:1978-1-7896-2128-0,p/bk,24.95英镑
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引用次数: 0
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Journal of Curatorial Studies
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