Review of: Autotheory as Feminist Practice in Art, Writing and Criticism, Lauren FournierCambridge, MA and London: MIT Press (2021), 320 pp., h/bk,ISBN: 978-0-26204-556-8, US $35.00
{"title":"Autotheory as Feminist Practice in Art, Writing and Criticism, Lauren Fournier","authors":"Margaryta Golovchenko","doi":"10.1386/jcs_00051_5","DOIUrl":"https://doi.org/10.1386/jcs_00051_5","url":null,"abstract":"Review of: Autotheory as Feminist Practice in Art, Writing and Criticism, Lauren FournierCambridge, MA and London: MIT Press (2021), 320 pp., h/bk,ISBN: 978-0-26204-556-8, US $35.00","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43411956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Curated by Cláudia Melo, Guimarães, Portugal, 5 September‐25 October 2020
作者：Cláudia Melo，Guimarães，葡萄牙，2020年9月5日至10月25日
{"title":"Contextile 2020: Places of Memory ‐ Interdiscourses of a Textile Territory, Artistic Residency Programme","authors":"I. Jorge","doi":"10.1386/jcs_00048_7","DOIUrl":"https://doi.org/10.1386/jcs_00048_7","url":null,"abstract":"Curated by Cláudia Melo, Guimarães, Portugal, 5 September‐25 October 2020","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44505153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Curating Under Pressure: International Perspectives on Negotiating Conflict and Upholding Integrity, Janet Marstine and Svetlana Mintcheva (eds)New York and Abingdon, UK: Routledge (2020), 264 pp., p/bk, ISBN: 978-0-81539-619-2, US $44.95
{"title":"Curating Under Pressure: International Perspectives on Negotiating Conflict and Upholding Integrity, Janet Marstine and Svetlana Mintcheva (eds)","authors":"Chelsea Haines","doi":"10.1386/jcs_00038_5","DOIUrl":"https://doi.org/10.1386/jcs_00038_5","url":null,"abstract":"Review of: Curating Under Pressure: International Perspectives on Negotiating Conflict and Upholding Integrity, Janet Marstine and Svetlana Mintcheva (eds)New York and Abingdon, UK: Routledge (2020), 264 pp., p/bk, ISBN: 978-0-81539-619-2, US $44.95","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"135-138"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48001344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Winner Of The 2021 Journal of Curatorial Studies Emerging Writer AwardMy Body Holds Its ShapeCurated by Xue Tan, Tai Kwun Contemporary, Hong Kong, 25 May‐27 September 2020
{"title":"Winner of the 2021 Journal of Curatorial Studies Emerging Writer Award and My Body Holds Its Shape","authors":"Mankit Lai","doi":"10.1386/jcs_00034_7","DOIUrl":"https://doi.org/10.1386/jcs_00034_7","url":null,"abstract":"Review of: Winner Of The 2021 Journal of Curatorial Studies Emerging Writer AwardMy Body Holds Its ShapeCurated by Xue Tan, Tai Kwun Contemporary, Hong Kong, 25 May‐27 September 2020","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"117-122"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45806101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article identifies and analyses parafictional strategies in artistic and curatorial practice. By examining exhibitions that have included artists working under fictitious identities from the mid-1990s to the present, I argue that they emerged in response to the conflictual demands of the art world. These case studies have been organized into three categories according to their main curatorial approach: projects in which artists remained anonymous or were asked to produce work under a purposely invented personality; exhibitions that turned the intersection of fiction and authorship into a theme to be researched; and curatorial initiatives that embraced the working logic of fiction in their own methodology. These strategies investigate how authorship, agency, style and self-promotion function in the contemporary art world.
{"title":"Exhibiting Parafictional Artists: Curatorial Approaches to Fiction and Authorship","authors":"Emma Brasó","doi":"10.1386/jcs_00031_1","DOIUrl":"https://doi.org/10.1386/jcs_00031_1","url":null,"abstract":"This article identifies and analyses parafictional strategies in artistic and curatorial practice. By examining exhibitions that have included artists working under fictitious identities from the mid-1990s to the present, I argue that they emerged in response to the conflictual demands\u0000 of the art world. These case studies have been organized into three categories according to their main curatorial approach: projects in which artists remained anonymous or were asked to produce work under a purposely invented personality; exhibitions that turned the intersection of fiction\u0000 and authorship into a theme to be researched; and curatorial initiatives that embraced the working logic of fiction in their own methodology. These strategies investigate how authorship, agency, style and self-promotion function in the contemporary art world.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44288367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: New York New Wave: The Legacy of Feminist Art in Emerging Practice, Kathy BattistaLondon: I.B. Tauris (2019), 200 pp., p/bk, ISBN: 978-1-84885-894-7, US $22.95
{"title":"New York New Wave: The Legacy of Feminist Art in Emerging Practice, Kathy Battista","authors":"Nina Marlene Kraus","doi":"10.1386/jcs_00039_5","DOIUrl":"https://doi.org/10.1386/jcs_00039_5","url":null,"abstract":"Review of: New York New Wave: The Legacy of Feminist Art in Emerging Practice, Kathy BattistaLondon: I.B. Tauris (2019), 200 pp., p/bk, ISBN: 978-1-84885-894-7, US $22.95","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"139-141"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48901460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ireland’s history at the Venice Biennale is one of uncertain circumstances and regular mobility. This article reflects on Ireland’s status as one of the non-permanent, ‘provisional’ pavilions at the Biennale, and considers the multiple ways in which Irish exhibitions (since the early 1990s) have dealt with curatorial challenges in this unpredictable context. By tracing the history of Ireland’s diverse exhibitionary efforts to test models of national representation away from the Biennale’s core group of settled, permanent pavilions, I argue (with reference to writings by Maria Lind and Irit Rogoff) for the merits of curating in a ‘provisional’ mode, finding useful lessons in Ireland’s varying levels of commitment to realizing ‘context-sensitive’ pavilion projects.
{"title":"Necessarily Provisional: Ireland at the Venice Biennale","authors":"Declan Long","doi":"10.1386/jcs_00030_1","DOIUrl":"https://doi.org/10.1386/jcs_00030_1","url":null,"abstract":"Ireland’s history at the Venice Biennale is one of uncertain circumstances and regular mobility. This article reflects on Ireland’s status as one of the non-permanent, ‘provisional’ pavilions at the Biennale, and considers the multiple ways in which Irish exhibitions\u0000 (since the early 1990s) have dealt with curatorial challenges in this unpredictable context. By tracing the history of Ireland’s diverse exhibitionary efforts to test models of national representation away from the Biennale’s core group of settled, permanent pavilions, I argue\u0000 (with reference to writings by Maria Lind and Irit Rogoff) for the merits of curating in a ‘provisional’ mode, finding useful lessons in Ireland’s varying levels of commitment to realizing ‘context-sensitive’ pavilion projects.","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"26-49"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46452997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gregor Schneider, Tote Räume","authors":"Dinos Chatzirafailidis","doi":"10.1386/jcs_00036_7","DOIUrl":"https://doi.org/10.1386/jcs_00036_7","url":null,"abstract":"Review of: Gregor Schneider, Tote RäumeCurated by Marie-José Sondeijker, West Den Haag, The Hague, 29 August 2020‐7 March 2021","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"127-130"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47238668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: and suddenly it all blossomsCurated by Rebecca Lamarche-Vadel, 2nd Riga International Biennial of Contemporary Art, 20 August‐13 September 2020
{"title":"and suddenly it all blossoms","authors":"Aleksandr Michelson","doi":"10.1386/jcs_00035_7","DOIUrl":"https://doi.org/10.1386/jcs_00035_7","url":null,"abstract":"Review of: and suddenly it all blossomsCurated by Rebecca Lamarche-Vadel, 2nd Riga International Biennial of Contemporary Art, 20 August‐13 September 2020","PeriodicalId":41456,"journal":{"name":"Journal of Curatorial Studies","volume":"10 1","pages":"123-126"},"PeriodicalIF":0.3,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45648063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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