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The Center for Asia and Diaspora最新文献

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Crossing the boundaries to survive: Japanese POWs’ Experiences through the Allied Interrogation Reports 跨越边界生存:盟军审讯报告中日本战俘的经历
Pub Date : 2019-01-31 DOI: 10.15519/dcc.2019.01.9.1.6
Y. Kobayashi
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引用次数: 0
Living with Difference: Review on Encountering Difference (2016) by Robin Cohen & Olivia Sheringham 与差异共存:回顾遭遇差异(2016)罗宾·科恩和奥利维亚·谢林汉姆
Pub Date : 2019-01-31 DOI: 10.15519/dcc.2019.01.9.1.100
Jinhyoung Lee
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引用次数: 0
“An Impossible Homecoming”: Migration and its challenges to identity in selected African Short Stories “不可能的回家”:非洲短篇小说选集中的移民及其对身份的挑战
Pub Date : 2019-01-31 DOI: 10.15519/dcc.2019.01.9.1.111
Jennifer Joy W. Chiongson
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引用次数: 0
Introduction: “Migration, Diaspora, and Mobilities Studies” 导论:“移民、散居和流动研究”
Pub Date : 2019-01-30 DOI: 10.15519/DCC.2019.01.9.1.1
Soochul Kim
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引用次数: 0
The Ethical in the Aesthetic/The Aesthetic in the Ethical in Literatures from the Philippines 审美中的伦理/菲律宾文学伦理中的审美
Pub Date : 2019-01-30 DOI: 10.15519/DCC.2019.01.9.1.40
M. Reyes
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引用次数: 0
Exploring how mobility affects Muslim lives: The case of Yemeni refugees on Jeju Island 探讨流动如何影响穆斯林的生活:济州岛也门难民的案例
Pub Date : 2019-01-30 DOI: 10.15519/DCC.2019.01.9.1.70
Farrah Sheikh
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引用次数: 4
Joy Harjo’s Perspective on Native Americans Reconciliation for Identity: A Study on Joy Harjo’s In Mad Love and War 乔伊·哈乔对印第安人身份和解的看法——乔伊·哈乔《疯狂的爱与战争》研究
Pub Date : 2019-01-30 DOI: 10.15519/DCC.2019.01.9.1.132
D. Handayani
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引用次数: 0
About The Japanese-Model of Xenophobic Exclusionism: Zaitokukai, Resident Foreigner Enfranchisement and East Asian Geopolitics by Naoto Higuchi 论日本排外主义模式:在特会、外国人居留权与东亚地缘政治
Pub Date : 2018-06-30 DOI: 10.15519/dcc.2018.06.8.2.223
Gijae Seo
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引用次数: 0
Mobility to Homeland Depicted in Narration in Zainichi Literature: The Meaning of ‘Boarding House’ in Yuhee by Yangji Lee and ‘Hawaii’ in GO by Kazuki Kaneshiro 在日文学叙事中对故土的移转:李杨基《玉姬》中的“寄宿”与金城一之《GO》中的“夏威夷”的意义
Pub Date : 2018-06-30 DOI: 10.15519/DCC.2018.06.8.2.202
Jooyoung Kim
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引用次数: 0
Lullaby of Diasporic Time: On Lav Diaz’s A Lullaby to the Sorrowful Mystery 流散时间的摇篮曲:论拉夫·迪亚兹的《悲伤神秘的摇篮曲》
Pub Date : 2018-06-30 DOI: 10.15519/dcc.2018.06.8.2.231
Christian Jil R. Benitez, M.A.
Lav Diaz is a Filipino independent filmmaker notable as a key figure in the contemporary slow cinema movement. Of his oeuvre, one of the longest is A Lullaby to the Sorrowful Mystery (Filipino: Hele sa Higawang Hapis), a 2016 epic film that runs for 8 hours, orchestrating narratives derived from what are conveniently sung as mythology (i.e., Jose Rizal‘s El filibusterismo and Philippine folklore) and history (i.e., Philippine history and artifacts). The movie competed in the 66th Berlin International Film Festival, where it won the Alfred Bauer Prize. This success has earned Diaz‘s the spotlight in the Filipino mainstream culture, enabling the film to be distributed to and showcased in mainstream platforms, albeit primarily garnering attention from the Filipino audience for its runtime and international attention. The movement of the film, as a text, from the local Philippines toward the international and returning home, incurs in it a textuality that disrupts the phenomenology of time diasporically, scatteringly: that as much as its 8-hour languor ―opens new perspective in the cinematic arts‖ according to the international rendition of this time, it is also the 8-hour whose value in the Philippine time is that of a day‘s labor, and thus the exoticization of its cinematic experience as a ―challenge,‖ having to endure an entire working day of slow cinematography. This diaspora of time is of no cacophony; on the contrary, it is the lullaby, sorrowful and mysterious, that finally slows Diaz in to become a filmmaker attuned to both the spaces of the local and the international.
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引用次数: 2
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The Center for Asia and Diaspora
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