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Religious responses to the COVID-19 pandemic 对新冠肺炎大流行的宗教反应
IF 0.4 0 RELIGION Pub Date : 2021-11-22 DOI: 10.30664/ar.111498
Olav Hammer, Karen Swartz
Editorial of Approaching Religion, Vol. 11 Issue 2.
《走近宗教》社论,第11卷第2期。
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引用次数: 2
Trust in crisis 危机中的信任
IF 0.4 0 RELIGION Pub Date : 2021-11-22 DOI: 10.30664/ar.107485
Asbjørn Dyrendal, K. Hestad
Crises are associated with a search for meaning and security. In recent years, they have also been associated with increased attention to conspiracy theories. Such theories about COVID-19 have been many. We have looked at several COVID-specific conspiracy theories and their relation to a number of other factors, including religiosity in a highly educated Norwegian convenience sample (n=1225). Conspiracy mentality, lack of trust, and religiosity were directly associated with conspiracy beliefs about COVID-19, whereas self-reported stress and negative emotions related to the pandemic had only small, indirect effects. Unlike previous research findings, we found no effect of gender or age.
危机与寻找意义和安全感有关。近年来,它们也与阴谋论的日益关注联系在一起。关于新冠肺炎的这种理论有很多。我们研究了几种针对新冠肺炎的阴谋论及其与其他一些因素的关系,包括挪威受过高等教育的便利样本(n=1225)中的宗教信仰。阴谋心理、缺乏信任和宗教信仰与新冠肺炎的阴谋信念直接相关,而自我报告的与疫情相关的压力和负面情绪只产生很小的间接影响。与之前的研究结果不同,我们没有发现性别或年龄的影响。
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引用次数: 5
Sigrid af Forselles and ‘The Development of the Human Soul’ 福赛勒斯与“人类灵魂的发展”
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98058
Marja Lahelma
The five-part relief series The Development of the Human Soul (c.1887–1903) by the Finnish sculptor Sigrid af Forselles is a monumental work consisting of five large plaster reliefs. The artist’s esoteric interests have been noted in previous research, but their impact on her art has not been properly analysed. The first part of the relief series, which has for its subject a theme from Scandinavian mythology, belongs to the collections of the Finnish National Gallery, while the other parts, with seemingly Christian content, are situated in the Kallio Church in Helsinki. The separation of the parts and the apparent inconsistency in the thematic structure of the series has caused confusion among those who have attempted to interpret it as a whole, although occasionally a possible Ttheosophical inspiration has been suggested. This article presents the first attempt at a more profound, esoteric interpretation of the series, arguing that its main theme is a spiritual evolution that attaches itself to the idea of progress and liberation through art. The narrative evolves from materiality and physical strength towards spirituality and immateriality.
由芬兰雕塑家西格丽德·福塞尔斯创作的《人类灵魂的发展》(1887 - 1903年)是由5个大型石膏浮雕组成的纪念性作品。在之前的研究中已经注意到这位艺术家深奥的兴趣,但他们对她的艺术的影响并没有得到适当的分析。浮雕系列的第一部分以斯堪的纳维亚神话为主题,属于芬兰国家美术馆的收藏,而其他部分,似乎是基督教的内容,位于赫尔辛基的Kallio教堂。部分的分离和明显的不一致的主题结构的系列已经引起了混乱的那些谁试图解释它作为一个整体,虽然偶尔可能的神智学的灵感已经提出。本文首次尝试对该系列进行更深刻、更深奥的解读,认为其主题是一种精神进化,通过艺术将自己与进步和解放的理念联系在一起。叙事从物质性和体力向精神性和非物质性发展。
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引用次数: 1
The painter Meri Genetz and the endless quest for spiritual wisdom 画家梅里·热内茨和对精神智慧的无尽追求
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.100545
S. Ryynänen
Meri Genetz (1885–1943) was a Finnish painter, esotericist, and a spiritual seeker. Around 1925, she began truly dedicating herself to spiritual seeking and started to make notes of her studies in black notebooks. This article will go through four of those notebooks which today offer a vivid picture of Genetz’s seeking between the years 1925 and 1943. In the beginning, Genetz acquainted herself with Gnosticism, Theosophy, and Kabbalah, as well as the works of Christian mystics, such as Emanuel Swedenborg and Jakob Böhme, the writings of, for example, Paracelsus, and texts attributed to the mythic figure Hermes Trismegistus. Gradually Genetz started to outline her own views, ideas, and theories regarding higher truth and spiritual wisdom. In the beginning of the 1930s her main quest came to be to find her ‘other half’ and become whole. She started attending Spiritualist séances, where she would ask about her other half and discuss the state of her soul, the souls of others, her art and marriage, and the books she had read. In time, Genetz’s quest for true wisdom and self-fulfilment became more and more restless and impatient. When she died in 1943, she was still seeking.
梅里·热内茨(1885-1943)是一位芬兰画家、神秘主义者和精神探索者。1925年左右,她开始真正致力于精神探索,并开始在黑色笔记本上记录她的研究。本文将详细介绍其中的四本笔记,这些笔记生动地描绘了格内茨在1925年至1943年间的探索历程。一开始,Genetz熟悉了诺斯替主义、神智学和卡巴拉,以及基督教神秘主义者的作品,如Emanuel Swedenborg和Jakob Böhme,还有Paracelsus的作品,以及神话人物Hermes Trismegistus的文本。渐渐地,Genetz开始概述她自己关于更高真理和精神智慧的观点、想法和理论。在20世纪30年代初,她的主要任务是找到她的“另一半”,成为一个完整的人。她开始参加通灵主义者的聚会,在那里她会询问她的另一半,讨论她的灵魂状态,其他人的灵魂,她的艺术和婚姻,以及她读过的书。随着时间的推移,热内茨对真正智慧和自我实现的追求变得越来越不安和不耐烦。1943年去世时,她仍在寻找。
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引用次数: 0
Tyra Kleen Tyra Kleen
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.100479
Karin Ström Lehander
The Swedish artist and writer Tyra Kleen (1874–1951) was a professional artist and a constant traveller who had a great interest in different religious questions. This article describes her Symbolist artistry, her interest in Theosophy and her journeys to India and Asia.
瑞典艺术家和作家Tyra Kleen(1874-1951)是一位职业艺术家,也是一位经常旅行的人,他对不同的宗教问题非常感兴趣。这篇文章描述了她的象征主义艺术,她对神智学的兴趣,以及她去印度和亚洲的旅行。
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引用次数: 1
Spiritual treasures in Finnish art 芬兰艺术中的精神宝藏
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.99492
H. Martin
Review of Spiritual Treasures: Esotericism in the Finnish Art World 1890–1950, edited by Nina Kokkinen and Lotta Nylund (Helsinki: Parvs, 2020).
Nina Kokkinen和Lotta Nylund编辑的《精神宝藏评论:1890–1950年芬兰艺术世界中的神秘主义》(赫尔辛基:Parvs,2020)。
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引用次数: 0
Artists as truth-seekers 作为真理寻求者的艺术家
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98310
Nina
This article focuses on the concept of the seeker and considers how the analytical tool of seekership, defined and developed in the sociology of religion, could be applied to the study of art and esotericism. The theoretical argument is made more tangible with the example of the Finnish artist Akseli Gallen-Kallela (1865–1931), whose life story, art and writings resonate with the concept of seekership. The ways in which Gallen-Kallela writes about his interest in esotericism and the dawn of the new age appear in a new light; as part of the processes of a spiritualisation of modern art and religiosity. In addition, the article points out that the concept of seekership can offer new possibilities more generally for the study of art and esotericism. Utilising the analytical tool of seekership may be especially helpful regarding those artists who did not subscribe to any esoteric movement or doctrine, but stressed a more individual relationship with the occulture of their time. It will also provide an opportunity to outline how the connections between art and esotericism have changed over different times and places.
本文重点讨论了寻求者的概念,并思考了在宗教社会学中定义和发展的寻求者分析工具如何应用于艺术和密教的研究。芬兰艺术家阿克塞利·加伦·卡莱拉(Akseli Gallen Kallela,1865–1931)的例子使理论论证更加具体,他的人生故事、艺术和作品与寻找者的概念产生了共鸣。加伦·卡莱拉写他对神秘主义的兴趣和新时代的黎明的方式以一种新的视角出现;作为现代艺术和宗教精神化过程的一部分。此外,文章还指出,寻找者的概念可以为艺术和神秘主义的研究提供更普遍的新可能性。对于那些不认同任何深奥的运动或学说,但强调与他们那个时代的文化融合有着更为个体化的关系的艺术家来说,使用寻找者的分析工具可能特别有用。它还将提供一个机会来概述艺术和神秘主义之间的联系是如何在不同的时间和地点发生变化的。
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引用次数: 0
Crystals and skulls at Villa Gyllenberg 吉伦伯格别墅的水晶和头骨
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.101486
Camilla Granbacka
Review of The Path to Hidden Knowledge, art exhibition curated by Nina Kokkinen, 3.6.–11.10.2020 at Villa Gyllenberg, Helsinki.
《通往隐藏知识之路的回顾》,由妮娜·科基宁策划的艺术展,2020年10月3.6日至11日,赫尔辛基吉伦伯格别墅。
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引用次数: 0
Seekers of the spiritual art and higher wisdom 追求精神艺术和更高智慧的人
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.103023
Nina Kokkinen, R. Illman
The current issue of Approaching Religion is based on a two-day seminar arranged in Helsinki in August 2020 by the Signe and Ane Gyllenberg Foundation under the title ‘Clear-sighted Art – Open Mind? Encounters between Art and Esotericism’. The seminar was arranged as a pendant to the art exhibition The Path to Hidden Knowledge that was open in the foundation’s museum, Villa Gyllenberg, from June to October (see Camilla Granbacka’s review in this issue). The organising committee of the seminar included Siiri Oinonen and Lotta Nylund from the Gyllenberg Foundation as well as Nina Kokkinen, who also curated the art exhibition, and Ruth Illman as academic representatives.
本期《走近宗教》基于2020年8月西格和安·吉伦伯格基金会在赫尔辛基安排的为期两天的研讨会,题为“清晰的艺术——开放的思想?”艺术与神秘主义的相遇”。该研讨会被安排为艺术展览“通往隐藏知识之路”的附属品,该展览于6月至10月在该基金会的吉伦伯格别墅博物馆开放(见卡米拉·格兰巴卡在本期的评论)。研讨会的组委会包括来自吉伦伯格基金会的Siiri Oinonen和Lotta Nylund,以及艺术展览的策展人Nina Kokkinen和学术代表Ruth Illman。
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引用次数: 0
Religious and spiritual motifs in the art of the patients of Nikkilä Hospital Nikkilä医院病人艺术中的宗教和精神主题
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98057
Sari Kuuva
This article focuses on religiousness and spirituality in the art works of psychiatric patients of Nikkilä Hospital, Finland. The pictures analysed here belong to a collection held at the Helsinki City Museum and they were made during the twentieth century. The theoretical frame of the study is a cultural study of mental health. The collection is approached as presenting a specific kind of imagery which has connections not only to the personal history and diagnoses of the patients; their cultural context and hospital environment is also taken into account. The religiousness and spirituality of the Nikkilä collection are also compared with outsider art and examples of art history internationally.
本文主要探讨芬兰Nikkilä医院精神病患者艺术作品中的宗教性与精神性。这里分析的图片属于赫尔辛基市博物馆的一个收藏,它们是在20世纪制作的。本研究的理论框架是对心理健康的文化研究。这个收藏是为了呈现一种特殊的意象,它不仅与病人的个人历史和诊断有关;他们的文化背景和医院环境也被考虑在内。Nikkilä藏品的宗教性和精神性也与国际上的局外人艺术和艺术史的例子进行了比较。
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引用次数: 1
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Approaching Religion
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