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Approaching Religion最新文献

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Decadence and occulture 颓废与文化融合
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98066
Mikko Välimäki
This article contributes to the understanding of relations between occulture and Decadence in Finnish art at the turn of the twentieth century, focussing on occulture and Decadence in the works of the Finnish artist Oscar Parviainen (1880–1938). The aim is to understand what are the relations between Parviainen's art, the Decadent art movement and occulture, and what are the aspects and cultural phenomena of his time that share similar lines of thought as Parviainen? In which ways did Parviainen address questions of higher truths about human existence, and what kind of role did they play in his thinking?
本文以芬兰艺术家Oscar Parviainen(1880–1938)的作品中的“文化融合”与“颓废”为中心,有助于理解二十世纪之交芬兰艺术中“文化融合与颓废”之间的关系。目的是了解帕维亚宁的艺术、颓废派艺术运动和融合文化之间的关系,以及他那个时代与帕维亚宁有着相似思想的方面和文化现象是什么?Parviainen以何种方式解决了关于人类存在的更高真理的问题,这些问题在他的思想中扮演了什么样的角色?
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引用次数: 0
Esoteric and occult Sweden 神秘莫测的瑞典
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.102464
Tiina Mahlamäki
Review of Per Faxneld's Det ockulta sekelskiftet. Esoteriska stromningar i Hilma af Klints tid (Stockholm: Volante, 2020).
Per Faxneld的《世纪之交》评论。Hilma af Klint时代的秘密强者(斯德哥尔摩:Volante,2020)。
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引用次数: 0
Glastonbury Holy Thorn 格拉斯顿伯里圣刺
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.102230
T. Sepp
Review of Adam Stout's Glastonbury Holy Thorn: Story of a Legend (Glastonbury: Green & Pleasant Publishing, 2020).
评论亚当·斯托特的《格拉斯顿伯里圣刺:一个传奇的故事》(格拉斯顿伯里:绿色与愉快出版社,2020年)。
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引用次数: 0
‘Mirages and visions in the air’ “空中的幻影”
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98199
Per Faxneld
Around the year 1900, European discourse on art was becoming increasingly ‘eso­ tericized’. The 1890s saw esoteric art salons create a sensation in Paris, and art critics and theorists painted a picture of the true artist and the esotericist as overlapping figures. There was also at the time a conflict regarding medium­ istic art, a phenomenon initially made popular through Spiritualist mediums. This debate, as we shall see, had interesting gendered dimensions. In what follows, I will discuss how the Swedish female esotericist and artist Tyra Kleen (1874– 1951) attempted to situate herself in connection to the concept of the artist as a magus, and the tensions between the positive view of medium­ ism in Spiritualism and the more negative or cau­ tious approach to it in Theosophy, as well as in relation to the attendant gender issues.
1900年左右,欧洲关于艺术的讨论变得越来越“本土化”。19世纪90年代,神秘的艺术沙龙在巴黎引起了轰动,艺术评论家和理论家将真正的艺术家和神秘主义者描绘成重叠的人物。当时也存在着关于媒介艺术的冲突,这种现象最初通过灵媒而流行起来。正如我们将看到的那样,这场辩论具有有趣的性别层面。在接下来的文章中,我将讨论瑞典女性密教家和艺术家Tyra Kleen(1874-1951)如何试图将自己与艺术家作为一个法师的概念联系起来,以及精神主义中媒介主义的积极观点与神智学中更消极或谨慎的方法之间的紧张关系,以及与随之而来的性别问题的关系。
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引用次数: 0
Dance as a contemplative practice 舞蹈是一种沉思练习
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98065
L. Hellsten
This article analyses ethnographic material gathered in Sweden amongst dancers in the Church of Sweden. With the help of the writings of Sarah Coakley and Simone Weil I explore if, and how, dancing could be considered a contemplative practice in the Christian traditions of the Latin West.
本文分析了在瑞典教堂的舞者中收集的民族志资料。在Sarah Coakley和Simone Weil的著作的帮助下,我探索了在拉丁西方的基督教传统中,舞蹈是否以及如何被视为一种沉思的实践。
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引用次数: 1
Opening minds for the wisdom of art 为艺术的智慧敞开心扉
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.103028
Maarit Leskelä-Kärki
A reflection on the symposium ‘Clear-sighted Art – Open Mind? Encounters between Art and Esotericism’ arranged at the Amos Rex Art Museum, Helsinki, 25th August 2020.
对研讨会“高瞻远瞩的艺术——开放的心态”的思考?2020年8月25日,在赫尔辛基阿莫斯-雷克斯美术馆安排的《艺术与神秘主义的邂逅》。
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引用次数: 0
Gendering seekers and upstarts in early twentieth-century Finnish literature 二十世纪初芬兰文学中的绅士追求者和暴发户
IF 0.4 0 RELIGION Pub Date : 2021-03-20 DOI: 10.30664/AR.98282
Viola Capkova
The search for truth and spirituality, intertwined with the search for one’s self, has been a perennial theme in arts and literature. In some works of Finnish literature at the turn of the twentieth century, the figure of a person seeking for spiritual fulfilment tended to intertwine with that of the upstart (nousukas in Finnish). At first sight, it might seem odd that these two figures should overlap in literary works, but as I show, especially in early twentieth-century Finnish literature, such cases are not rare, given the wide range of meanings that the word nousukas would denote.
对真理和精神的追求,与对自我的追求交织在一起,一直是艺术和文学中的一个永恒主题。在20世纪之交的一些芬兰文学作品中,一个寻求精神满足的人的形象往往与暴发户(芬兰语为nousukas)的形象交织在一起。乍一看,这两个数字在文学作品中重叠似乎很奇怪,但正如我所展示的,尤其是在20世纪初的芬兰文学中,考虑到nousukas一词的含义广泛,这种情况并不罕见。
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引用次数: 0
Bound to hospitality 热情好客
IF 0.4 0 RELIGION Pub Date : 2020-10-31 DOI: 10.30664/ar.92097
T. Ahonen
Church asylum, a practice aimed at assisting migrants with precarious residence statuses, has been enacted in Finland particularly since the 2010s. As a result of migrants’ insecure residency, their capacities of action are often restricted. They have been deprived of access to health and social services and schooling, and their movements limited due to fear of the police and deportation. This article analyses the autonomy and capacities of action of those in church asylum and the congregations assisting them, following Albert Bandura’s classification of individual, proxy and collective agency. The data consists of interviews (N=25) with employees of congregations and people who have been in church asylum. According to the results, the agency of people in church asylum was often drastically limited, which led to a need for proxy and collective agencies. Immigration regulation created a structure controlling the autonomy and capacities of both migrants and congregations. All modes of agency were inventively applied.
教会庇护是一种旨在帮助居住身份不稳定的移民的做法,自2010年代以来,芬兰一直在实施这种做法。由于移徙者的居住没有保障,他们的行动能力往往受到限制。他们被剥夺了获得保健和社会服务以及上学的机会,由于害怕警察和被驱逐出境,他们的行动受到限制。本文根据班杜拉对个人、代理和集体代理的分类,分析了教会庇护者和帮助他们的会众的自主性和行动能力。数据包括对教会雇员和曾在教会避难的人的访谈(N=25)。根据调查结果,在教堂避难的人的代理往往非常有限,这导致需要代理机构和集体机构。移民法规创造了一种结构,控制移民和会众的自主权和能力。所有代理模式都被创造性地应用。
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引用次数: 0
A lack of meaning? 缺乏意义?
IF 0.4 0 RELIGION Pub Date : 2020-10-31 DOI: 10.30664/ar.91788
Anne Sauka
This article explores the ‘lack of meaning’ in contemporary society as a consequence of Western dualist thought paradigms and ontologies, via Gilles Deleuze’s concept of ‘reac­ tive nihilism’ following the colloquial murder of God. The article then explores processual and new materialist approaches in the understanding of the lived and carnal self, arguing for immanent and senseful materiality as an ethical platform for religious, environmental, and societal soli­ darity for tomorrow. For the theoretical justifica­ tion of the processual approach in understand­ ing the enfleshed self, the article employs John Dupré’s processual approach in the philosophy of biology, as well as Astrida Neimani’s critical posthumanism, and contextualizes these consid­ erations with Erich Fromm’s ethical distinction of being and having.
本文通过吉尔·德勒兹(Gilles Deleuze)在口头谋杀上帝之后提出的“现实虚无主义”(retive虚无主义)概念,探讨了西方二元论思想范式和本体论在当代社会中的“意义缺失”。然后,文章探讨了过程和新唯物主义的方法,以理解生活和肉体的自我,主张内在和感性的物质性作为未来宗教,环境和社会团结的伦理平台。为了从理论上论证过程方法在理解肉体自我方面的作用,本文采用了约翰·迪普瑞尔在生物学哲学中的过程方法,以及阿斯特丽达·内马尼的批判后人文主义,并将这些观点与埃里希·弗洛姆关于存在与拥有的伦理区分联系起来。
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引用次数: 2
Hospitality and the ethico-political 好客和伦理政治
IF 0.4 0 RELIGION Pub Date : 2020-10-31 DOI: 10.30664/ar.91581
M. Imperial
What is hospitality? Who is it addressed to? Hospitality aims at welcoming those who arrive; it demands giving space and time and sharing our own resources with others. In view of the current global migration crisis and in the midst of the social debates and a critique of the failure of affluent countries and Western democracies to respond in solidarity to those in need, this article attempts to re-consider the space for hospitality drawing from the ethical and the political as the two fundamental pillars of social architecture. In an effort to discuss collective grassroots reactions to this general lack of hospitality, I address the Catalan social platform Volem Acollir (2017) in their request to the state to open up the borders for the reception of a larger number of migrants. Far from being an individual choice, or an optional political decision, hospitality confronts us with the moral dilemma of the human response to our cultural others.
什么是好客?它的收件人是谁?好客的目的是欢迎那些到达的人;它要求给予空间和时间,并与他人分享我们自己的资源。鉴于当前的全球移民危机,在社会辩论和对富裕国家和西方民主国家未能团结一致地应对需要帮助的人的批评中,本文试图从道德和政治这两个社会架构的基本支柱出发,重新思考好客的空间。为了讨论基层民众对这种普遍缺乏热情好客的集体反应,我在加泰罗尼亚社交平台Volem Acollir(2017)上向国家提出了开放边境以接纳更多移民的请求。好客远不是一种个人选择,也不是一种可选的政治决定,它让我们面临着人类对文化他人反应的道德困境。
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引用次数: 0
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Approaching Religion
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