This article focuses on the complex cultural and political dynamics of translation of Palestinian literature into Hebrew, from a Palestinian perspective. I focus specifically on translation of the literature of Palestinian Israeli citizens, and on a recent, unique model of translation praxis developed by the Maktub project, based in the Van Leer Institute of Jerusalem. The model, entailing dialogic and bi-national translation, aims to turn translation into an act of resistance, through which Palestinian presence ‘infiltrates’ Hebrew cultural consciousness. The article analyses the Hebrew translation of the novel Burdaqaneh (translated as ‘An Acre-esque Tale’) by the Palestinian author Eyad Barghuthy. Specifically, the article attempts to shed light on the process of translation, its aims and methods, and their overall cultural and political import.
{"title":"Palestinian Literature in Hebrew Translation: Between Cultural Appropriation and Resistance Eyad Barghuthy's An Acre-Esque Tale as Case Study","authors":"Aida Fahmawi Watad","doi":"10.3366/hlps.2023.0303","DOIUrl":"https://doi.org/10.3366/hlps.2023.0303","url":null,"abstract":"This article focuses on the complex cultural and political dynamics of translation of Palestinian literature into Hebrew, from a Palestinian perspective. I focus specifically on translation of the literature of Palestinian Israeli citizens, and on a recent, unique model of translation praxis developed by the Maktub project, based in the Van Leer Institute of Jerusalem. The model, entailing dialogic and bi-national translation, aims to turn translation into an act of resistance, through which Palestinian presence ‘infiltrates’ Hebrew cultural consciousness. The article analyses the Hebrew translation of the novel Burdaqaneh (translated as ‘An Acre-esque Tale’) by the Palestinian author Eyad Barghuthy. Specifically, the article attempts to shed light on the process of translation, its aims and methods, and their overall cultural and political import.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43765748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this wonderful book, Nur Masalha challenges and transforms world history, as did his earlier Palestine: A Four Thousand Year History (2018). In this meditation I recount some of Nur Masalha's argument — not all, given the extraordinary richness of the material he has uncovered, described, and analysed — but also offer my own reflections prompted by his book. As Masalha relates in his introduction, the work is a passionate response to Zionism's historical claim that Palestinians possess no history of literacy, education, and literary culture. He shows the falsity of such a claim through multiple examples. Masalha explores, for example, the multifaceted history of education in Byzantine Palestine (Third to Early Seventh Century), based on a philosophy of ‘civil society’. Palestine as a cosmopolitan and transnational world inhered in what Masalha refers to as Cities of Learning. There were famous intellectuals, such as in antiquity Josephus (AD 37-c.100) and Origen (AD 185–253). In modernity he highlights Khalil Sakakini (1878–1953), whose remarkable educational reforms, emphasizing a ‘philosophy of joy’, emerged at a similar time to A.S. Neill's Summerhill School in the UK. Women's education is featured, from the time of the Palestinian Madrasas under the Ayyubids and Mamluks (1187–1517) onwards, a powerful tradition which continues into the modern era. When press censorship was relaxed following the Ottoman Young Turk Revolution of 1908, there was a huge growth of newspapers, photography, and photojournalism, a remarkable figure here being the Palestinian photographer Karima ‘Abboud (1893–1940). Masalha draws attention to the importance of translation in Palestinian history, especially in the important figure of Khalil Ibrahim Beidas, a relative of Edward Said, who was interested in the works of Pushkin, Gogol, Dostoevsky, Tolstoy and Gorky. There is a fascinating chapter on the interactions of Palestinian scholars and the Crusaders, with free passages of ideas, goods and technologies; arabesque became a mainstream European decorative art. The result of these multiple explorations is a major transformation in how we think about the world.
{"title":"Reclaiming History from the Settler Coloniser: A Meditation on Nur Masalha's Palestine across Millennia: A History of Literacy, Learning and Educational Revolutions","authors":"John Docker","doi":"10.3366/hlps.2023.0307","DOIUrl":"https://doi.org/10.3366/hlps.2023.0307","url":null,"abstract":"In this wonderful book, Nur Masalha challenges and transforms world history, as did his earlier Palestine: A Four Thousand Year History (2018). In this meditation I recount some of Nur Masalha's argument — not all, given the extraordinary richness of the material he has uncovered, described, and analysed — but also offer my own reflections prompted by his book. As Masalha relates in his introduction, the work is a passionate response to Zionism's historical claim that Palestinians possess no history of literacy, education, and literary culture. He shows the falsity of such a claim through multiple examples. Masalha explores, for example, the multifaceted history of education in Byzantine Palestine (Third to Early Seventh Century), based on a philosophy of ‘civil society’. Palestine as a cosmopolitan and transnational world inhered in what Masalha refers to as Cities of Learning. There were famous intellectuals, such as in antiquity Josephus (AD 37-c.100) and Origen (AD 185–253). In modernity he highlights Khalil Sakakini (1878–1953), whose remarkable educational reforms, emphasizing a ‘philosophy of joy’, emerged at a similar time to A.S. Neill's Summerhill School in the UK. Women's education is featured, from the time of the Palestinian Madrasas under the Ayyubids and Mamluks (1187–1517) onwards, a powerful tradition which continues into the modern era. When press censorship was relaxed following the Ottoman Young Turk Revolution of 1908, there was a huge growth of newspapers, photography, and photojournalism, a remarkable figure here being the Palestinian photographer Karima ‘Abboud (1893–1940). Masalha draws attention to the importance of translation in Palestinian history, especially in the important figure of Khalil Ibrahim Beidas, a relative of Edward Said, who was interested in the works of Pushkin, Gogol, Dostoevsky, Tolstoy and Gorky. There is a fascinating chapter on the interactions of Palestinian scholars and the Crusaders, with free passages of ideas, goods and technologies; arabesque became a mainstream European decorative art. The result of these multiple explorations is a major transformation in how we think about the world.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44769586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper argues that editors of newspapers in the US, in their capacity to select and arrange news related to tragic events in Palestine/Israel, tend to follow an underlying political agenda largely conforming with US foreign policy towards Israel, the Palestinians and the Arab or Moslem world more generally. This is part of a popular American geopolitical imaginary, now being reconfigured through the primacy of ‘terror’ as the enemy number one of the American way of life, and most certainly, by proxy, of the Israeli way of life or the life of any Washington-oriented democracy. Reportage on cases of Palestinian tragedy and agony were represented as part of or the byproduct of protracted conflict within a kind of historical amnesia or bracketing out: Israeli state policy which victimises the Palestinians tends to be rendered invisible in such manipulation of reported reality. In other words, a deft editorial arrangement deflects possible blame on Israel by removing the events from their broader context and time frame. The reports centre on symptoms of the pathology rather than its underlying causes.
{"title":"The Portrayal of Palestinian and Israeli Suffering and Violent Incidents in Selected US Daily Newspapers","authors":"G. Falah","doi":"10.3366/hlps.2023.0305","DOIUrl":"https://doi.org/10.3366/hlps.2023.0305","url":null,"abstract":"This paper argues that editors of newspapers in the US, in their capacity to select and arrange news related to tragic events in Palestine/Israel, tend to follow an underlying political agenda largely conforming with US foreign policy towards Israel, the Palestinians and the Arab or Moslem world more generally. This is part of a popular American geopolitical imaginary, now being reconfigured through the primacy of ‘terror’ as the enemy number one of the American way of life, and most certainly, by proxy, of the Israeli way of life or the life of any Washington-oriented democracy. Reportage on cases of Palestinian tragedy and agony were represented as part of or the byproduct of protracted conflict within a kind of historical amnesia or bracketing out: Israeli state policy which victimises the Palestinians tends to be rendered invisible in such manipulation of reported reality. In other words, a deft editorial arrangement deflects possible blame on Israel by removing the events from their broader context and time frame. The reports centre on symptoms of the pathology rather than its underlying causes.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41950539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From ‘Virtuous Boy’ to Murderous Fanatic: David Ben-Gurion and the Palestinians","authors":"J. Salt","doi":"10.3366/hlps.2023.0308","DOIUrl":"https://doi.org/10.3366/hlps.2023.0308","url":null,"abstract":"","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42241184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Wafa Al-Khadra, Christina Zacharia Hawatmeh, Ahmad Yacoub Majdoubeh
This article argues that Emile Habiby’s The Pessoptimist (1974) reinvented the Palestinian novel within a new literary genre, post-realism. Habiby’s masterpiece employs a complex, noncommittal narrative that in many ways defies, even eludes understanding, and this is its strength. In order to make the narrative more approachable, this paper attempts to contextualise the novel within a postmodern sub-genre, post-realism, making its more subtle and hidden meanings and dimensions reveal themselves. To this end, the article begins by defining realism and post-realism as literary terms and then pinpoints several key post-realist moments in this highly elusive novel. To deepen the analysis, narrative strategies employed in the novel are compared and contrasted to a similar postmodernist novel, Ralph Waldo Ellison’s Invisible Man (1952). Ultimately, the article contributes to developing a new sub-genre, post-realism, within the main, mother genre of postmodernism, which can not only be seen as a reinvention of the Palestinian novel, but also be used widely in literary studies.
{"title":"Emile Habiby and the Reinvention of the Palestinian Novel: The Pessoptimist in a Post-Realist Context","authors":"Wafa Al-Khadra, Christina Zacharia Hawatmeh, Ahmad Yacoub Majdoubeh","doi":"10.3366/hlps.2023.0302","DOIUrl":"https://doi.org/10.3366/hlps.2023.0302","url":null,"abstract":"This article argues that Emile Habiby’s The Pessoptimist (1974) reinvented the Palestinian novel within a new literary genre, post-realism. Habiby’s masterpiece employs a complex, noncommittal narrative that in many ways defies, even eludes understanding, and this is its strength. In order to make the narrative more approachable, this paper attempts to contextualise the novel within a postmodern sub-genre, post-realism, making its more subtle and hidden meanings and dimensions reveal themselves. To this end, the article begins by defining realism and post-realism as literary terms and then pinpoints several key post-realist moments in this highly elusive novel. To deepen the analysis, narrative strategies employed in the novel are compared and contrasted to a similar postmodernist novel, Ralph Waldo Ellison’s Invisible Man (1952). Ultimately, the article contributes to developing a new sub-genre, post-realism, within the main, mother genre of postmodernism, which can not only be seen as a reinvention of the Palestinian novel, but also be used widely in literary studies.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44753320","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article studies the account of travels in Palestine by one of the most controversial travel writers in early nineteenth century Britain, James Silk Buckingham, whose life, career, and writings sparked a political storm. Buckingham criticised British imperial and missionary activities in the East through his journalism and travel books which reached large audiences. He was the first writer in nineteenth century Britain to use a travel narrative about Palestine as a medium to develop and express liberal, anti-colonial attitudes at a time when Britain’s imperial stock in the Middle East was on the rise. While in Palestine, Buckingham uncovered evidence that confirmed and justified his liberal views. He exposed the hypocrisy of missionary activities and undermined the rising calls in Britain for restoring the Jews. He did not call for possessing the land and reconstituting it anew; nor did he see it, as his countryman the Earl of Shaftesbury did, as an empty land needing the restoration of its original Jewish possessors. Yet the fact that he saw the land as a repository of religious fanaticism to which all religions contributed indicate his limited understanding of the diverse communities of Palestine. As this article shows, Palestine, in Buckingham’s travelogue, constituted a test case, a laboratory for testing anti-colonial and liberal ideals rather than a land of invested identities and ways of life of equal worth to those in Europe.
{"title":"Nineteenth-Century Palestine and the British Imperial Imagination: James Silk Buckingham and the Politics of Private Dissent","authors":"Mohammad Sakhnini","doi":"10.3366/hlps.2023.0304","DOIUrl":"https://doi.org/10.3366/hlps.2023.0304","url":null,"abstract":"This article studies the account of travels in Palestine by one of the most controversial travel writers in early nineteenth century Britain, James Silk Buckingham, whose life, career, and writings sparked a political storm. Buckingham criticised British imperial and missionary activities in the East through his journalism and travel books which reached large audiences. He was the first writer in nineteenth century Britain to use a travel narrative about Palestine as a medium to develop and express liberal, anti-colonial attitudes at a time when Britain’s imperial stock in the Middle East was on the rise. While in Palestine, Buckingham uncovered evidence that confirmed and justified his liberal views. He exposed the hypocrisy of missionary activities and undermined the rising calls in Britain for restoring the Jews. He did not call for possessing the land and reconstituting it anew; nor did he see it, as his countryman the Earl of Shaftesbury did, as an empty land needing the restoration of its original Jewish possessors. Yet the fact that he saw the land as a repository of religious fanaticism to which all religions contributed indicate his limited understanding of the diverse communities of Palestine. As this article shows, Palestine, in Buckingham’s travelogue, constituted a test case, a laboratory for testing anti-colonial and liberal ideals rather than a land of invested identities and ways of life of equal worth to those in Europe.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48667458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Front matter","authors":"","doi":"10.3366/hlps.2023.0301","DOIUrl":"https://doi.org/10.3366/hlps.2023.0301","url":null,"abstract":"","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134987349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article scrutinises the disastrous impacts of Israeli occupation on Palestinians in the Palestinian-Irish playwright Hannah Khalil’s Plan D (2010) by decoding the diacritics of the Palestine Nakba of 1948. Plan Dalet was a Zionist master plan for the military occupation of Palestine and the plan became central to the Zionist expulsion of the Palestinians and Palestine Nakba in 1948. Khalil’s play ( Plan D) portrays a rustic family undergoing a crisis against a background of enforced mass deportation and ethnic cleansing of Palestine in 1948. The playwright gives a voice to the victimised Palestinians as the play represents an indictment of ecological imperialism which weighs upon Palestinians who are crammed into unlivable ghettos. Khalil’s attachment to her native environment shapes the portrayal of her characters and their environment which is exposed to demographical changes and distortion by reason of the Nakba. Psychologically, the play delves deeply into the tragedy of Palestinians who are forcibly deported from their farm houses to live in other ecological units such as the woods and outskirt camps and how they adapt to the new-found ecology as a survival mechanism aloof from the unscrupulous aggression of occupation. Put differently, it dismantles the diacritics of the plight of Palestinians and deconstructs projections of otherness in order to find an ecological outlet for them to rethink their life-threatening crisis.
{"title":"Plan Dalet, the Palestine Nakba and Theatre: Decoding the Diacritics of the 1948 Nakba in Hannah Khalil’s Plan D","authors":"Mahmoud El Bagoury","doi":"10.3366/hlps.2023.0306","DOIUrl":"https://doi.org/10.3366/hlps.2023.0306","url":null,"abstract":"This article scrutinises the disastrous impacts of Israeli occupation on Palestinians in the Palestinian-Irish playwright Hannah Khalil’s Plan D (2010) by decoding the diacritics of the Palestine Nakba of 1948. Plan Dalet was a Zionist master plan for the military occupation of Palestine and the plan became central to the Zionist expulsion of the Palestinians and Palestine Nakba in 1948. Khalil’s play ( Plan D) portrays a rustic family undergoing a crisis against a background of enforced mass deportation and ethnic cleansing of Palestine in 1948. The playwright gives a voice to the victimised Palestinians as the play represents an indictment of ecological imperialism which weighs upon Palestinians who are crammed into unlivable ghettos. Khalil’s attachment to her native environment shapes the portrayal of her characters and their environment which is exposed to demographical changes and distortion by reason of the Nakba. Psychologically, the play delves deeply into the tragedy of Palestinians who are forcibly deported from their farm houses to live in other ecological units such as the woods and outskirt camps and how they adapt to the new-found ecology as a survival mechanism aloof from the unscrupulous aggression of occupation. Put differently, it dismantles the diacritics of the plight of Palestinians and deconstructs projections of otherness in order to find an ecological outlet for them to rethink their life-threatening crisis.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46686518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Drawing on the notion of aesthetic camouflage the uses and abuses of memory and forgetfulness, this article seeks to examine and interrogate the ways in which Israel’s ‘national poet’ Yehuda Amichai (born ‘Ludwig Pfeuffer’, 1924–2000) relies heavily on the imperialist Zionist ideology to justify and legitimise the settler-colonial existence of Israel from a European and Zionist hegemonic perspective. The postcolonial image of Jerusalem, as mystified by Amichai’s poetry, signifies an apolitical and ahistorical Orientalist image of Jerusalem as being ‘a troubled sacred and mythical city’ claimed by clashing monolithic religions including Islam, Judaism, and Christianity. In other words, the systematic and historical absence of Palestinian people in Amichai’s poetry is ostensibly bound up with what Edward Said calls ‘the functional absence of ‘native people’ in Palestine’.
{"title":"The Politics of Yehuda Amichai's Aesthetic Camouflage: Jerusalem and the Settler-Colonial Gaze","authors":"Tayseer Abu Odeh","doi":"10.3366/hlps.2022.0295","DOIUrl":"https://doi.org/10.3366/hlps.2022.0295","url":null,"abstract":"Drawing on the notion of aesthetic camouflage the uses and abuses of memory and forgetfulness, this article seeks to examine and interrogate the ways in which Israel’s ‘national poet’ Yehuda Amichai (born ‘Ludwig Pfeuffer’, 1924–2000) relies heavily on the imperialist Zionist ideology to justify and legitimise the settler-colonial existence of Israel from a European and Zionist hegemonic perspective. The postcolonial image of Jerusalem, as mystified by Amichai’s poetry, signifies an apolitical and ahistorical Orientalist image of Jerusalem as being ‘a troubled sacred and mythical city’ claimed by clashing monolithic religions including Islam, Judaism, and Christianity. In other words, the systematic and historical absence of Palestinian people in Amichai’s poetry is ostensibly bound up with what Edward Said calls ‘the functional absence of ‘native people’ in Palestine’.","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41845085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Explaining Historical Theology while Losing the Thread of History: A Critical Review of A Short History of Christian Zionism by Donald M. Lewis","authors":"David M. Crump","doi":"10.3366/hlps.2022.0297","DOIUrl":"https://doi.org/10.3366/hlps.2022.0297","url":null,"abstract":"","PeriodicalId":41690,"journal":{"name":"Journal of Holy Land and Palestine Studies","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46338009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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