Pub Date : 2021-11-01DOI: 10.5749/movingimage.21.1-2.0171
Joanna Poses
Abstract:Through This Way Out, a film produced by the American Friends Service Committee, this piece considers the possibility of the “activating archive,” a collection that charges us to look at an object that doesn’t make sense and to reevaluate our assumptions. Maybe archival materials—and particularly the accidental or mysterious ones—have the power to politicize us, similarly to how our intentional decisions can politicize collections.
{"title":"This Way Out and the Activating Archive","authors":"Joanna Poses","doi":"10.5749/movingimage.21.1-2.0171","DOIUrl":"https://doi.org/10.5749/movingimage.21.1-2.0171","url":null,"abstract":"Abstract:Through This Way Out, a film produced by the American Friends Service Committee, this piece considers the possibility of the “activating archive,” a collection that charges us to look at an object that doesn’t make sense and to reevaluate our assumptions. Maybe archival materials—and particularly the accidental or mysterious ones—have the power to politicize us, similarly to how our intentional decisions can politicize collections.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76625426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.5749/movingimage.21.1-2.0026
Suárez
Abstract:This article addresses the proliferation of audiovisual centers and cinematheque projects in Latin America, which translates into the construction of new buildings, the renovation of existing ones, or the transformation of old landmark buildings for this purpose. By discussing specific examples, both national and regional, the construction of new cinematecas and audiovisual centers is seen here as an encouraging move that calls for the appropriation of images of the past for a badly needed mobilization of the present and future. Hence the specific circumstances that surround the creation of each project inform the model of services that they can offer, impacting the ability to activate collections and engage citizens. Despite some commonalities, the specificity of each country and region calls for a heterogeneous and informed understanding of the Latin American and Caribbean audiovisual archival context. Looking beyond the generative moment at the turn of the twenty-first century, the discussion reminds us that the societal, political, and administrative enclaves of these institutions are key to illuminating discussions on the complex negotiations that are central to activating archives.
{"title":"New Buildings, New Pathways: Toward Dynamic Archives in Latin America and the Caribbean","authors":"Suárez","doi":"10.5749/movingimage.21.1-2.0026","DOIUrl":"https://doi.org/10.5749/movingimage.21.1-2.0026","url":null,"abstract":"Abstract:This article addresses the proliferation of audiovisual centers and cinematheque projects in Latin America, which translates into the construction of new buildings, the renovation of existing ones, or the transformation of old landmark buildings for this purpose. By discussing specific examples, both national and regional, the construction of new cinematecas and audiovisual centers is seen here as an encouraging move that calls for the appropriation of images of the past for a badly needed mobilization of the present and future. Hence the specific circumstances that surround the creation of each project inform the model of services that they can offer, impacting the ability to activate collections and engage citizens. Despite some commonalities, the specificity of each country and region calls for a heterogeneous and informed understanding of the Latin American and Caribbean audiovisual archival context. Looking beyond the generative moment at the turn of the twenty-first century, the discussion reminds us that the societal, political, and administrative enclaves of these institutions are key to illuminating discussions on the complex negotiations that are central to activating archives.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80731727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.5406/musimoviimag.14.3.0003
R. Sadoff, G. Yared
{"title":"A Conversation with the Composer Gabriel Yared","authors":"R. Sadoff, G. Yared","doi":"10.5406/musimoviimag.14.3.0003","DOIUrl":"https://doi.org/10.5406/musimoviimag.14.3.0003","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88814135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Film Music Bibliography 2020","authors":"Danijela Kulezic-Wilson, Bob Kosovsky","doi":"10.5406/musimoviimag.5.1.0067","DOIUrl":"https://doi.org/10.5406/musimoviimag.5.1.0067","url":null,"abstract":"\u0000 In memory of Danijela Kulezic-Wilson—our beloved colleague, scholar, MaMI journal author and conference presenter.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77727451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.5406/musimoviimag.14.3.0062
Raiman Al-Hamdani
{"title":"About the Authors","authors":"Raiman Al-Hamdani","doi":"10.5406/musimoviimag.14.3.0062","DOIUrl":"https://doi.org/10.5406/musimoviimag.14.3.0062","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88006813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.5406/musimoviimag.14.3.0046
Max Dosser
Abstract:This article argues the original compositions in the romantic comedy Music and Lyrics (2007) and the romantic drama A Star is Born (2018) illustrate the differing depictions of love in the two films—one rooted in the specificity of the on-screen relationship and the other more general and rooted in the emotion of the relationship—which reflect a distinctive positioning within their respective genres.
{"title":"POP! Goes My Heart: The Sound of Specific and General Love in Romantic Comedies and Dramas","authors":"Max Dosser","doi":"10.5406/musimoviimag.14.3.0046","DOIUrl":"https://doi.org/10.5406/musimoviimag.14.3.0046","url":null,"abstract":"Abstract:This article argues the original compositions in the romantic comedy Music and Lyrics (2007) and the romantic drama A Star is Born (2018) illustrate the differing depictions of love in the two films—one rooted in the specificity of the on-screen relationship and the other more general and rooted in the emotion of the relationship—which reflect a distinctive positioning within their respective genres.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74505089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-01DOI: 10.5406/musimoviimag.14.3.0030
Tore Størvold, J. Richardson
Abstract:The acclaimed television miniseries Chernobyl (2019) features an eerie soundtrack that musicalizes the silence of radioactivity. Hildur Guðnadóttir’s score is composed of field recordings from a nuclear power plant, treated and fitted together in ways that blur the lines between music and sound design. The immersive qualities of the soundtrack provide television audiences with new means of sensing the invisible ecological consequences of human activity.
{"title":"Radioactive Music: The Eerie Agency of Hildur Guðnadóttir’s Music for the Television Series Chernobyl","authors":"Tore Størvold, J. Richardson","doi":"10.5406/musimoviimag.14.3.0030","DOIUrl":"https://doi.org/10.5406/musimoviimag.14.3.0030","url":null,"abstract":"Abstract:The acclaimed television miniseries Chernobyl (2019) features an eerie soundtrack that musicalizes the silence of radioactivity. Hildur Guðnadóttir’s score is composed of field recordings from a nuclear power plant, treated and fitted together in ways that blur the lines between music and sound design. The immersive qualities of the soundtrack provide television audiences with new means of sensing the invisible ecological consequences of human activity.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89875713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0156
Richard Abel
{"title":"Digging Into Digital Newspapers in a Dark Time","authors":"Richard Abel","doi":"10.5749/movingimage.20.1-2.0156","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0156","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72933099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0070
Slava Greenberg
{"title":"Drawing The Line: Archiving Feminist Animation","authors":"Slava Greenberg","doi":"10.5749/movingimage.20.1-2.0070","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0070","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81542742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.5749/movingimage.20.1-2.0283
Rachel E. Beattie, Kelli Hix, Mona Jimenez, M. Lascu, Jeff Martin, Yvonne Ng, A. Sloper, Moriah Ulinskas, Pamela Vadakan, Sandra Yates
{"title":"Growth in 2020: 2020 Report from the Committee","authors":"Rachel E. Beattie, Kelli Hix, Mona Jimenez, M. Lascu, Jeff Martin, Yvonne Ng, A. Sloper, Moriah Ulinskas, Pamela Vadakan, Sandra Yates","doi":"10.5749/movingimage.20.1-2.0283","DOIUrl":"https://doi.org/10.5749/movingimage.20.1-2.0283","url":null,"abstract":"","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76653210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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