Pub Date : 2019-12-01DOI: 10.4067/s0717-68482019000200075
María Fernanda Alle
espanolResumen: El objetivo de este trabajo es rastrear, a partir de algunas afirmaciones puntuales en torno al peronismo que Raul Gonzalez Tunon realiza en la entrevista que mantiene en 1973 con Horacio Salas, la distancia que el poeta plantea respecto de los posicionamientos antiperonistas de Borges y otros representantes politicos del liberalismo argentino. Interesa revisar los diversos argumentos -politicos, literarios, esteticos- que sostienen la oposicion al peronismo en Tunon y en Borges, en la me dida en que esos argumentos ponen a funcionar una concepcion de pueblo distante, diferente y hasta opuesta, que separa y vuelve irreconciliables sus posiciones intelectuales ante el fenomeno peronista. Asimismo, se ubica la posicion antiperonista de Tunon en el marco de los nuevos debates en torno al peronismo que se abren tras su caida en 1955. EnglishAbstract: The objective of this paper is to locate, based on some specific assertions about the Peronism that Tunon makes in the interview that he maintains in 1973 with Horacio Salas, the distance that the poet sets out with respect to the Borges' anti-Peronist positions and other political representatives of the Argentine liberalism. It's interesting to review the various arguments -political, literary, aesthetic- that maintain the opposition to Peronism in Tunon and Borges, according to these arguments put to work a conception of "people" distant, different and even opposite that separates and makes irreconcilable their intellectual positions before the Peronism. As well, is located the Tunon's position of Peronism within the time frame of the new debates around Peronism that are opened after its fall in 1955.
espanolResumen:这份工作的目的是跟踪,根据某些说法点围绕着推出·Gonzalez Tunon霍勒斯进行的面试让1973年与会议室、距离、诗人产生对posicionamientos antiperonistas Borges的自由主义政治和其他代表阿根廷。重新审视各种参数-politicos,文学感兴趣,esteticos -, oposicion Tunon和Borges推出,在这些参数使我dida一家concepcion的城镇之间的距离,不同,甚至相反,重新向酷elisa carrio不可调和的立场的知识分子。同样，图农的反庇隆主义立场也被置于1955年他下台后围绕庇隆主义展开的新辩论的框架内。EnglishAbstract: this paper is to locate The目标based on some具体assertions about The Peronism that Tunon曾在1973年我选定的维持与贺拉斯会议室,对峙that The poet sets out with respect to The Borges‘anti-Peronist职位和其他政治代表阿根廷liberalism。回顾图农和博尔赫斯反对庇隆主义的各种论点——政治的、文学的、美学的——是很有趣的，根据这些论点，他们提出了一个遥远的、不同的甚至对立的“人”的概念，在庇隆主义之前分离并使他们的知识立场不可调和。As well is located the Tunon ' s position of Peronism within the time frame of the new起来讨论Peronism that are opened after its fall in 1955。
{"title":"TUÑÓN CONTRA BORGES: LA DIVISIÓN DEL CAMPO ANTIPERONISTA EN LA SEGUNDA MITAD DE LA DÉCADA DE 1950","authors":"María Fernanda Alle","doi":"10.4067/s0717-68482019000200075","DOIUrl":"https://doi.org/10.4067/s0717-68482019000200075","url":null,"abstract":"espanolResumen: El objetivo de este trabajo es rastrear, a partir de algunas afirmaciones puntuales en torno al peronismo que Raul Gonzalez Tunon realiza en la entrevista que mantiene en 1973 con Horacio Salas, la distancia que el poeta plantea respecto de los posicionamientos antiperonistas de Borges y otros representantes politicos del liberalismo argentino. Interesa revisar los diversos argumentos -politicos, literarios, esteticos- que sostienen la oposicion al peronismo en Tunon y en Borges, en la me dida en que esos argumentos ponen a funcionar una concepcion de pueblo distante, diferente y hasta opuesta, que separa y vuelve irreconciliables sus posiciones intelectuales ante el fenomeno peronista. Asimismo, se ubica la posicion antiperonista de Tunon en el marco de los nuevos debates en torno al peronismo que se abren tras su caida en 1955. EnglishAbstract: The objective of this paper is to locate, based on some specific assertions about the Peronism that Tunon makes in the interview that he maintains in 1973 with Horacio Salas, the distance that the poet sets out with respect to the Borges' anti-Peronist positions and other political representatives of the Argentine liberalism. It's interesting to review the various arguments -political, literary, aesthetic- that maintain the opposition to Peronism in Tunon and Borges, according to these arguments put to work a conception of \"people\" distant, different and even opposite that separates and makes irreconcilable their intellectual positions before the Peronism. As well, is located the Tunon's position of Peronism within the time frame of the new debates around Peronism that are opened after its fall in 1955.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"104 1","pages":"75-92"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75992887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0717-68482019000200093
C. Bassó
espanolResumen: La Novela de Peron ha sido ampliamente estudiada respecto de las relaciones que presenta en torno a la relacion ficcion/no ficcion, monotema que en general se ha concentrado en su posible vinculo con el llamado "Nuevo Periodismo". Este trabajo explora los inicios de dicha tendencia periodistica, que en realidad radican en America Latina, antes que en los Estados Unidos, amplia esa discusion, explica los cuatro elementos que permean de realidad el trabajo ficcional de Martinez, el cual este calificaba dentro de la categoria de "ficciones verdaderas", y concluye que esta novela no puede ser calificada como una obra periodistica. EnglishAbstract: La Novela de Peron has been widely studied regarding the relationship it presents around the relation between fiction and non fiction, monothema that has generally focused on its possible link with the so-called "New Journalism". This work explores the beginnings of this journalistic tendency, which actually lies in Latin America, rather than in the United States, broadens that discussion and explains the four elements that impregnates Martinez's fictional work, which he qualified within the category of "true fictions", concluding that this book has nothing to do with journalism.
在这篇文章中，我们将重点介绍Peron的小说，以及它与虚构/非虚构关系的关系，这是一个单一的主题，通常集中在它与所谓的“新新闻”的可能联系上。这个工作探索自该periodistica趋势实际上在于在拉丁美洲,美国之前,广泛讨论,四元素说遍及虚构现实工作的马丁内斯,称该类别中的“实际的”,并认为这部小说不能像熟练periodistica的作品。英语stract: Peron的小说已经被广泛研究了小说和非小说之间的关系，这一主题通常集中在它与所谓的“新新闻”的可能联系上。This work explores the beginnings笔名of This涉tendency, which actually在于in Latin America, than in the United States, broadens讨论和explains the four物质impregnates马丁内斯的虚构的work, which我qualified within the category of true kill”,concluding that This book to do with journalism你继续。
{"title":"LA NOVELA DE PERÓN, NUEVO PERIODISMO Y FICCIONES VERDADERAS","authors":"C. Bassó","doi":"10.4067/s0717-68482019000200093","DOIUrl":"https://doi.org/10.4067/s0717-68482019000200093","url":null,"abstract":"espanolResumen: La Novela de Peron ha sido ampliamente estudiada respecto de las relaciones que presenta en torno a la relacion ficcion/no ficcion, monotema que en general se ha concentrado en su posible vinculo con el llamado \"Nuevo Periodismo\". Este trabajo explora los inicios de dicha tendencia periodistica, que en realidad radican en America Latina, antes que en los Estados Unidos, amplia esa discusion, explica los cuatro elementos que permean de realidad el trabajo ficcional de Martinez, el cual este calificaba dentro de la categoria de \"ficciones verdaderas\", y concluye que esta novela no puede ser calificada como una obra periodistica. EnglishAbstract: La Novela de Peron has been widely studied regarding the relationship it presents around the relation between fiction and non fiction, monothema that has generally focused on its possible link with the so-called \"New Journalism\". This work explores the beginnings of this journalistic tendency, which actually lies in Latin America, rather than in the United States, broadens that discussion and explains the four elements that impregnates Martinez's fictional work, which he qualified within the category of \"true fictions\", concluding that this book has nothing to do with journalism.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"77 1","pages":"93-106"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74828245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0717-68482019000200141
Naín Nómez
{"title":"Gesta de lobos de Tomás Harris","authors":"Naín Nómez","doi":"10.4067/s0717-68482019000200141","DOIUrl":"https://doi.org/10.4067/s0717-68482019000200141","url":null,"abstract":"","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"9 1","pages":"141-144"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83141425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0717-68482019000200029
Biviana Hernández
espanolResumen: Desde la reescritura como recurso dialogico-relacional de produccion textual, el articulo aborda dos textos poeticos del campo cultural chileno y peruano publicados entre 1971 y 2000, con el proposito de analizar de que manera este recurso implica en ellos una operacion de estilizacion que permite actualizar, resignificandolo, un texto anterior, modelo o fuente, como reflexionar sobre los alcances politicos e ideologicos de la palabra. EnglishAbstract: From the rewriting as a dialogical-relational resource of textual production, this article focuses on two poetic texts of the Chilean and Peruvian cultural field published between 1971 and 2000, with the purpose of analyzing how this resource implies a stylization operation in them which allows updating, resignifying it, an earlier text, model or source, such as reflecting on the political and ideological scope of the word.
recurso项目espanolResumen: Desde la reescritura科莫dialogico-relacional de produccion文本el危象aborda dos textos poeticos del campo文化chileno y peruano publicados之间1971 y 2000,反对el proposito de analizar de, manera recurso项目埃斯特implica en嗨una operacion de estilizacion, permite actualizar, resignificandolo,联合国texto前,莫德罗一起阿,科莫reflexionar尤其洛杉矶alcances政客e ideologicos de la palabra。摘要:本文从作为文本生产对话关系资源的改写出发，聚焦于1971年至2000年间出版的智利和秘鲁文化领域的两篇诗歌文本，目的是分析这种资源如何隐含着一种风格化操作，这种操作允许更新，重新定义它，更早的文本，模式或来源，例如反思这个词的政治和意识形态范围。
{"title":"ENRIQUE VERÁSTEGUI Y JUAN CAMERON: EJERCICIOS DE REESCRITURA","authors":"Biviana Hernández","doi":"10.4067/s0717-68482019000200029","DOIUrl":"https://doi.org/10.4067/s0717-68482019000200029","url":null,"abstract":"espanolResumen: Desde la reescritura como recurso dialogico-relacional de produccion textual, el articulo aborda dos textos poeticos del campo cultural chileno y peruano publicados entre 1971 y 2000, con el proposito de analizar de que manera este recurso implica en ellos una operacion de estilizacion que permite actualizar, resignificandolo, un texto anterior, modelo o fuente, como reflexionar sobre los alcances politicos e ideologicos de la palabra. EnglishAbstract: From the rewriting as a dialogical-relational resource of textual production, this article focuses on two poetic texts of the Chilean and Peruvian cultural field published between 1971 and 2000, with the purpose of analyzing how this resource implies a stylization operation in them which allows updating, resignifying it, an earlier text, model or source, such as reflecting on the political and ideological scope of the word.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"11 1","pages":"29-53"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88204356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.4067/s0717-68482019000200013
Christian Anwandter
espanolResumen: En este trabajo exploramos las relaciones entre lo personal y lo impersonal a traves de la figura del lector y de un sujeto marcado por deseos y frustraciones. Analizando una serie de afectos, proponemos que la apropiacion de textos cientificos opera como una subjetividad extima. Se esboza asi una poetica en que el plagio responde a la necesidad de romper la inmediatez entre memoria y expresion. Cocina de esta forma desdibuja formas esencialistas de pertenencia, articulando nuevas relaciones entre la comunidad y la subjetividad. EnglishAbstract: In this work we explore relationships between the personal and the impersonal through the figure of the reader and a subject characterized by desires and frustrations. Analyzing a series of affects, we propose that the appropriation of scientific texts works as a form of extimity. Cocina elaborates a poetic in which plagiarism responds to the need of breaking an immediate relationship between memory and expression. This way, Cocina blurs essencialist ways of belonging, articulating new relationships between community and subjectivity.
摘要:在这部作品中，我们通过读者的形象和一个以欲望和挫折为标志的主体来探索个人与非个人之间的关系。在这篇文章中，我们提出了一种假设，即对科学文本的挪用是一种极端的主观性。在这篇文章中，作者提出了一种诗意的方法，在这种方法中，剽窃回应了打破记忆和表达之间的直接性的需要。这种烹饪方式模糊了归属的本质形式，阐明了社区和主体性之间的新关系。英语说明:在这部作品中，我们通过读者的形象和以欲望和挫折为特征的主体来探讨个人与非个人之间的关系。在分析一系列影响时，我们建议采用科学文本作为一种精确的形式。厨房elaborates a poetic in which plagiarism responds to the of an立即打破relationship between memory and expression。因此，厨房模糊了归属的本质主义方式，阐明了社区与主体性之间的新关系。
{"title":"LECTURA, MEMORIA Y EXPRESIÓN EN PLAGIO DEL AFECTO DE CARLOS COCIÑA","authors":"Christian Anwandter","doi":"10.4067/s0717-68482019000200013","DOIUrl":"https://doi.org/10.4067/s0717-68482019000200013","url":null,"abstract":"espanolResumen: En este trabajo exploramos las relaciones entre lo personal y lo impersonal a traves de la figura del lector y de un sujeto marcado por deseos y frustraciones. Analizando una serie de afectos, proponemos que la apropiacion de textos cientificos opera como una subjetividad extima. Se esboza asi una poetica en que el plagio responde a la necesidad de romper la inmediatez entre memoria y expresion. Cocina de esta forma desdibuja formas esencialistas de pertenencia, articulando nuevas relaciones entre la comunidad y la subjetividad. EnglishAbstract: In this work we explore relationships between the personal and the impersonal through the figure of the reader and a subject characterized by desires and frustrations. Analyzing a series of affects, we propose that the appropriation of scientific texts works as a form of extimity. Cocina elaborates a poetic in which plagiarism responds to the need of breaking an immediate relationship between memory and expression. This way, Cocina blurs essencialist ways of belonging, articulating new relationships between community and subjectivity.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"7 14 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83710726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-04-24DOI: 10.4067/S0717-68482013000100007
David F. Richter
Este trabajo investiga las variaciones del surrealismo espanol tomando como modelo de anclaje la contingencia intelectual del pensador frances Georges Bataille, y asi ofrece una nueva lectura del poemario lorquiano Poeta en Nueva York. Los conceptos batailleanos de lo informe y el materialismo bajo subrayan una estetica surrealista disidente que considera la angustia del sujeto poetico y los viles instintos de la realidad. En la obra de Lorca la representacion del ente fragmentado y decaido demuestra una preocupacion surrealista humanizada que rompe con las postulaciones del automatismo del pensador “oficial” del surrealismo, Andre Breton.
本文以法国思想家乔治·巴塔耶(Georges Bataille)的知识偶然性为基础，探讨西班牙超现实主义的变化，从而对洛尔卡诗歌《纽约诗人》(Poeta en nueva York)进行了新的解读。巴塔耶的报告和低唯物主义的概念强调了一种不同的超现实主义美学，它考虑了诗意主体的痛苦和现实的邪恶本能。在洛尔卡的作品中，对支离破碎和衰落的实体的表现表现出一种人性化的超现实主义关注，打破了超现实主义“官方”思想家安德烈·布雷顿(Andre Breton)的自动主义假设。
{"title":"Diálogos sobre lo informe: Trayectoria de Bataille a Poeta en Nueva York","authors":"David F. Richter","doi":"10.4067/S0717-68482013000100007","DOIUrl":"https://doi.org/10.4067/S0717-68482013000100007","url":null,"abstract":"Este trabajo investiga las variaciones del surrealismo espanol tomando como modelo de anclaje la contingencia intelectual del pensador frances Georges Bataille, y asi ofrece una nueva lectura del poemario lorquiano Poeta en Nueva York. Los conceptos batailleanos de lo informe y el materialismo bajo subrayan una estetica surrealista disidente que considera la angustia del sujeto poetico y los viles instintos de la realidad. En la obra de Lorca la representacion del ente fragmentado y decaido demuestra una preocupacion surrealista humanizada que rompe con las postulaciones del automatismo del pensador “oficial” del surrealismo, Andre Breton.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"24 2","pages":"85-106"},"PeriodicalIF":0.1,"publicationDate":"2019-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72570729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.4067/s0717-68482019000100013
C. Maiz
{"title":"CORRESPONDENCIA DE DELMIRA AGUSTINI CON RUBÉN DARÍO, MANUEL UGARTE Y ENRIQUE REYES. PASIONES Y SENSIBILIDADES EN EL NOVECIENTOS URUGUAYO","authors":"C. Maiz","doi":"10.4067/s0717-68482019000100013","DOIUrl":"https://doi.org/10.4067/s0717-68482019000100013","url":null,"abstract":"","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"111 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73953934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.4067/s0717-68482019000100129
P. Retamal, Yasna Burich Oyarzún
{"title":"LA RELEVANCIA DEL PORMENOR NARRATIVO EN LOS DÍAS DEL ARCOÍRIS DE ANTONIO SKÁRMETA","authors":"P. Retamal, Yasna Burich Oyarzún","doi":"10.4067/s0717-68482019000100129","DOIUrl":"https://doi.org/10.4067/s0717-68482019000100129","url":null,"abstract":"","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":"3 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75979363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-01-01DOI: 10.4067/s0717-68482019000100057
Victoria Cóccaro
espanolResumen: El poemario Hacer sapito de Veronica Viola Fisher publicado en 1995 se enmarca en el horizonte de una epoca en que las practicas artisticas interrogan o ponen de manifiesto los modos en que el poder/discurso, siguiendo perspectivas foucaulteanas, produce los cuerpos. Nos interesa reflexionar sobre los modos en que Hacer sapito dialoga con la caida de la representacion de un cuerpo estable y definible, aborda la cuestion de la infancia y la identidad de la mujer y se interroga por la posibilidad de escribir sobre lo femenino con una lengua que no le pertenece, la lengua del padre. EnglishAbstract: Veronica Viola Fisher's book of poems, Hacer sapito, published in 1995, is framed in the horizon of an era in which artistic practices interrogate or reveal the ways in which power/discourse, following Foucauldian perspectives, produces bodies. We are interested in reflecting on the ways in which Hacer sapito talks with the fall of the representation of a stable and definable body, addresses the issue of childhood and the identity of women, and wonders about the possibility of writing about the feminine with a language that does not belong to her, the language of the "father".
维罗妮卡·维奥拉·费舍尔(Veronica Viola Fisher) 1995年出版的诗集《做sapito》(Hacer sapito)是一个时代的框架，在这个时代，艺术实践质疑或揭示了权力/话语产生身体的方式，遵循福柯的观点。反思方式感兴趣,让我们sapito公约与稳定下降,机体第八条作为一个可定义,阐述一个母亲的儿童和妇女的身份并查问与语言写对女性不属于他,父亲的语言。《维罗妮卡·维奥拉·费雪诗集》，出版于1995年，是一个时代的框架，在这个时代，艺术实践质疑或揭示了权力/话语的方式，遵循福柯的观点，产生了主体。We are准入in”,摘自《途径in which做sapito talks with the fall of the representation of a瘀青和definable body, it the issue of儿童and the identity of women and奇迹about the possibility of writing about the协会with a language that并不属于谁to her, the language of the“父亲”。
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Pub Date : 2019-01-01DOI: 10.4067/s0717-68482019000100077
Alí Calderón Farfán
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