Pub Date : 2017-07-01DOI: 10.4067/S0717-68482017000100083
Amelina Correa Ramón
espanolResumen: En 1904-1905 la escritora espiritista Amalia Domingo Soler publica la sorprendente obra iTe perdono! Memorias de un espiritu, encuadrada en un genero de dificil clasificacion que se podria denominar biografia de ultratumba, puesto que da forma literaria a las revelaciones recibidas supuestamente a traves de un medium en sesiones espiritistas. En este caso parecerian proceder nada menos que de Teresa de Jesus, ofreciendose una transgresora version de su reforma, experiencias misticas y reacciones de sus contemporaneos, planteandose que su mensaje habria sido manipulado con el fin de desactivar su caracter subversivo. Tan heterodoxa propuesta alcanzara una exitosa vida editorial y unas notables y llamativas repercusiones, olvi dadas hasta la fecha, y de signo ideologico opuesto, por parte de Jose Blanco Coris y el Padre Eusebio del Nino Jesus. EnglishAbstract: From 1904 to 1905, the spiritualist writer Amalia Domingo publishes a surprising work entitled I forgive you! Memories of a spirit, within a genre that is hard to classify and which could belong to the Memories Beyond the Grave one, since they literally shape what are suposed to be revelations given though conducted channeling sessions. In this case, the presumed spiritual entity was Teresa of Avila, offering a transgressive version of her reformism, mystic experiences and reactions to her contemporaries, as her message had been manipulated in order to deactive its subversive nature. This heterodox proposal would accomplish a highly-successful printing and a remarkable repercussion that have been forgotten so far, and that is ideologically oposed, by Jose Blanco Coris and Padre Eusebio del Nino Jesus.
1904-1905年，精神作家阿玛莉亚·多明戈·索莱尔出版了令人惊讶的著作《我原谅!》《灵魂的记忆》，在一个难以分类的流派中，它可以被称为超mba传记，因为它赋予了文学形式的启示，据说是通过灵媒会议收到的。在这种情况下，他们似乎来自耶稣的特蕾莎，提供了一个越界版本的改革，神秘的经验和他们同时代的反应，认为他们的信息被操纵，以消除其颠覆性的特征。这样一个异端的提议实现了一个成功的编辑生活和显著和引人注目的影响，我忘记了给到目前为止，和相反的意识形态标志，由Jose Blanco Coris和神父Eusebio del Nino Jesus。EnglishAbstract:从1904年到1905年,the spiritualist writer Amalia星期天publishes surprising work entitled I forgive you !记忆of a spirit, within a性别that is硬to classify and which可部分地记忆以来严重Beyond the one they literally shape what are suposed to be revelations给予尽管建都channeling会议。在这种情况下，假定的精神实体是阿维拉的特蕾莎，提供了一个越界的版本的改革，神秘的经验和对她的当代的反应，因为她的信息已经被操纵，以使其颠覆性的性质。This heterodox提案会完成highly-successful印刷and a remarkable repercussion that have been遗忘so far, and that is ideologically oposed,何塞白色figari和父亲失之交臂的尼诺耶稣。
{"title":"REVISITACIONES DE TERESA DE JESÚS DESDE EL OTRO LADO: LA DOCTORA MÍSTICA Y EL ESPIRITISMO FINISECULAR","authors":"Amelina Correa Ramón","doi":"10.4067/S0717-68482017000100083","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100083","url":null,"abstract":"espanolResumen: En 1904-1905 la escritora espiritista Amalia Domingo Soler publica la sorprendente obra iTe perdono! Memorias de un espiritu, encuadrada en un genero de dificil clasificacion que se podria denominar biografia de ultratumba, puesto que da forma literaria a las revelaciones recibidas supuestamente a traves de un medium en sesiones espiritistas. En este caso parecerian proceder nada menos que de Teresa de Jesus, ofreciendose una transgresora version de su reforma, experiencias misticas y reacciones de sus contemporaneos, planteandose que su mensaje habria sido manipulado con el fin de desactivar su caracter subversivo. Tan heterodoxa propuesta alcanzara una exitosa vida editorial y unas notables y llamativas repercusiones, olvi dadas hasta la fecha, y de signo ideologico opuesto, por parte de Jose Blanco Coris y el Padre Eusebio del Nino Jesus. EnglishAbstract: From 1904 to 1905, the spiritualist writer Amalia Domingo publishes a surprising work entitled I forgive you! Memories of a spirit, within a genre that is hard to classify and which could belong to the Memories Beyond the Grave one, since they literally shape what are suposed to be revelations given though conducted channeling sessions. In this case, the presumed spiritual entity was Teresa of Avila, offering a transgressive version of her reformism, mystic experiences and reactions to her contemporaries, as her message had been manipulated in order to deactive its subversive nature. This heterodox proposal would accomplish a highly-successful printing and a remarkable repercussion that have been forgotten so far, and that is ideologically oposed, by Jose Blanco Coris and Padre Eusebio del Nino Jesus.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74011984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0717-68482017000100121
E. Rodríguez
espanolResumen: Este articulo examina la prosa de divulgacion historica desarrollada por el escritor chileno Daniel Riquelme entre 1893 y 1911 en distintos medios periodisticos. Proponemos que el relato nacional delineado por este recuento historico se aleja significativamente de la version dominante de la Historia de Chile, asumiendo formas, actitudes y valores que la tensionan al punto de revertir su sentido. Para evaluar dicha hipotesis, nos interesa destacar la distancia que el relato de Riquelme logra establecer respecto de sus referentes literario-culturales -la historiografia y la novela nacionales- a partir del examen de sus procedimientos retoricos y de los efectos/afectos de lectura que caracterizan a esta prosa, sugiriendo una explicacion que permita relacionar estas particularidades con el cambio en la percepcion social del tiempo, desde un momento fundacional a uno de integracion, y con el impacto social y cultural que la Guerra Civil de 1891 tuvo en este contexto. EnglishAbstract: This article examines the historical prose published by the Chilean writer Daniel Riquelme between 1893 and 1911 in different media. We propose that the national narrative delineated by this historical account departs significantly from the dominant version of Chilean History, assuming forms, attitudes and values that eventually stress and reverse its meaning. In order to evaluate the validity of this hypothesis, we study the distance that Riquelme's account establishes with respect to its literary-cultural references -national historiography and novel- examining its rhetorical procedures and the effects / affections of Reading that characterize this prose. Finally, we suggest an explanation to relate these textual particularities with the change in the social perception of the time, from a foundational moment to one of integration, and with the social and cultural impact that the Civil War of 1891 had in this context.
摘要:本文考察了智利作家丹尼尔·里克尔梅(Daniel Riquelme)在1893年至1911年间在不同媒体上发表的历史散文。我们认为，这一历史叙述所概述的国家叙述与智利历史的主导版本有很大的不同，采取的形式、态度和价值观使其紧张到扭转其意义的程度。来评估此类hipotesis、我们想突出距离,里克尔梅的故事能够建立对其有关literario-culturales——historiografia和小说国家审查其程序retoricos起/影响感情的特色阅读散文,暗示一个解释,能够将这些特点在社会percepcion天气变化,从一个时刻基本方针integracion之一,以及1891年内战对社会和文化的影响。普罗斯EnglishAbstract:检查这条历史published by the货真价实的writer丹尼尔里克尔梅between 1893年和1911年的传媒。我们认为，这一历史叙述所概述的国家叙事在很大程度上背离了智利历史的主导版本，所采取的形式、态度和价值观最终使其具有压力，并使其意义发生逆转。为了评估这一假设的有效性，我们研究了里克尔梅的叙述与文学文化参考——国家史学和小说——之间的距离，考察其修辞程序和阅读的效果/影响，这是这篇散文的特点。最后，我们提出一种解释，将这些文本特征与社会对时间的看法的变化，从一个立国时刻到一个融合时刻，以及1891年内战在此背景下所产生的社会和文化影响联系起来。
{"title":"DANIEL RIQUELME, O LAS GRIETAS ESCONDIDAS DE LA BRILLANTE HISTORIA NACIONAL","authors":"E. Rodríguez","doi":"10.4067/S0717-68482017000100121","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100121","url":null,"abstract":"espanolResumen: Este articulo examina la prosa de divulgacion historica desarrollada por el escritor chileno Daniel Riquelme entre 1893 y 1911 en distintos medios periodisticos. Proponemos que el relato nacional delineado por este recuento historico se aleja significativamente de la version dominante de la Historia de Chile, asumiendo formas, actitudes y valores que la tensionan al punto de revertir su sentido. Para evaluar dicha hipotesis, nos interesa destacar la distancia que el relato de Riquelme logra establecer respecto de sus referentes literario-culturales -la historiografia y la novela nacionales- a partir del examen de sus procedimientos retoricos y de los efectos/afectos de lectura que caracterizan a esta prosa, sugiriendo una explicacion que permita relacionar estas particularidades con el cambio en la percepcion social del tiempo, desde un momento fundacional a uno de integracion, y con el impacto social y cultural que la Guerra Civil de 1891 tuvo en este contexto. EnglishAbstract: This article examines the historical prose published by the Chilean writer Daniel Riquelme between 1893 and 1911 in different media. We propose that the national narrative delineated by this historical account departs significantly from the dominant version of Chilean History, assuming forms, attitudes and values that eventually stress and reverse its meaning. In order to evaluate the validity of this hypothesis, we study the distance that Riquelme's account establishes with respect to its literary-cultural references -national historiography and novel- examining its rhetorical procedures and the effects / affections of Reading that characterize this prose. Finally, we suggest an explanation to relate these textual particularities with the change in the social perception of the time, from a foundational moment to one of integration, and with the social and cultural impact that the Civil War of 1891 had in this context.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81960355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0717-68482017000100051
Pilar Valenzuela Rettig
{"title":"INTERDISCIPLINARIEDAD E INTERCULTURALIDAD EN METALES PESADOS DE YANKO GONZÁLEZ CANGAS","authors":"Pilar Valenzuela Rettig","doi":"10.4067/S0717-68482017000100051","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100051","url":null,"abstract":"","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73243288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.4067/S0717-68482017000100159
María Fukelman
Fil: Fukelman, Maria. Consejo Nacional de Investigaciones Cientificas y Tecnicas; Argentina. Universidad de Buenos Aires. Facultad de Filosofia y Letras. Instituto de Artes del Espectaculo "Dr. Raul H. Castagnino"; Argentina
{"title":"Influencias del teatro europeo en el primer teatro independiente de Buenos Aires","authors":"María Fukelman","doi":"10.4067/S0717-68482017000100159","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100159","url":null,"abstract":"Fil: Fukelman, Maria. Consejo Nacional de Investigaciones Cientificas y Tecnicas; Argentina. Universidad de Buenos Aires. Facultad de Filosofia y Letras. Instituto de Artes del Espectaculo \"Dr. Raul H. Castagnino\"; Argentina","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88073286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-01-12DOI: 10.4067/S0717-68482017000200069
M. Villavicencio
espanolResumen: En el presente ensayo se plantea analizar como se construye el miedo en la urbe quitena representada en las obras Eden y Eva (2013) de Huilo Ruales; Los anos perdidos (2013) de Juan Pablo Castro; y Ecuatox® (2013) de Santiago Paez, bajo el supuesto de que "no es la amenaza la que crea el miedo, sino el miedo el que crea la amenaza" (Lotman). En otras palabras, reflexionar sobre la relacion secre ta que vincula la construccion del miedo en la urbe quitena contemporanea, con el establecimiento de una maquina de relatos que articula dispositivos que generan la amenaza, y como esta controla los cuerpos individuales y colectivos. Pero tambien debemos analizar, como los autores en sus obras tensan esta "realidad", mediante la creacion/ficcion de espacios, historias y personajes (locos, payasos, marginales, poe tas y prostitutas) que habitan una urbe que se resiste a la vision monologica del poder. La risa, la ironia, la memoria, la ciencia ficcion son dispositivos que actuan como cata lizadores del contra-poder. Practicas de resistencia que buscan la "ciudad que falta"; una dialogica, heterogenea, multiple y libre. EnglishAbstract: In the present essay it is proposed to analyze how fear is built in the Quito city represented in the works Eden y Eva (2013) de Huilo Ruales; Los anos perdidos (2013) de Juan Pablo Castro; y Ecuatox® (2013) de Santiago Paez, under the as sumption that "it's not the threat that creates fear, but fear which creates the threat" (Lotman). In other words, to analyze the secret relationship that links the construc tion of fear in the contemporary city of Quito, through the establishment of a story machine that articulates fear-generating devices, and how it controls individual and collective bodies. However, we also have to analyze the way authors stretch this "re ality" in their works, through the creation/fiction of spaces, stories, and characters (lunatics, clowns, marginalized people, poets, prostitutes,...) who live in a city that resist the monological vision of power. Laughter, irony, memory, and science fiction are devices that work as counter-power's agents of change. These practices of resis tance search for the "missing city," a dialogic, heterogeneous, multiple, and free one.
摘要:本文旨在分析Huilo Ruales的作品Eden y Eva(2013)中quitena城市的恐惧是如何构建的;胡安·巴勃罗·卡斯特罗的《失落的岁月》(2013);Santiago Paez的Ecuatox®(2013)假设“不是威胁制造了恐惧，而是恐惧制造了威胁”(Lotman)。从这个意义上说，本文的目的是反思当代quitena城市中恐惧的构建与一个故事机器的建立之间的秘密关系，这个故事机器阐明了产生威胁的装置，以及它如何控制个人和集体的身体。但我们也必须分析，正如作者在他们的作品中紧张这种“现实”，通过创造/虚构空间、故事和人物(疯子、小丑、边缘、坡和妓女)，居住在一个抵制单一权力愿景的城市。笑声、反讽、记忆和科幻小说都是充当反力量催化剂的装置。寻找“失踪城市”的抵抗实践;对话，异质，多元和自由。EnglishAbstract:本文旨在分析Huilo Ruales的作品Eden y Eva(2013)中所代表的基多城市的恐惧是如何形成的;胡安·巴勃罗·卡斯特罗的《失落的岁月》(2013);圣地亚哥·派兹(Santiago Paez)的Ecuatox®(2013)，假设“不是威胁造成了恐惧，而是恐惧造成了威胁”(Lotman)。换句话说，分析当代基多市的恐惧建构与此之间的秘密关系，通过建立一个阐明产生恐惧的装置的故事机器，以及它如何控制个人和集体身体。然而，我们也必须分析作者如何在他们的作品中延伸这种“现实”，通过空间、故事和人物(疯子、小丑、边缘化的人、诗人、妓女……)的创造/虚构，他们生活在一个抵制单一权力愿景的城市。Laughter irony、memory and science低俗小说devices that work as counter-power’s制剂of change。这些practices of resis tance search for the派城”、“dialogic heterogeneous multiple, and free one。
{"title":"NARRAR EL MIEDO: REPRESENTACIÓN DE LA CIUDAD DE QUITO EN TRES NOVELAS ECUATORIANAS DE LOS ÚLTIMOS AÑOS","authors":"M. Villavicencio","doi":"10.4067/S0717-68482017000200069","DOIUrl":"https://doi.org/10.4067/S0717-68482017000200069","url":null,"abstract":"espanolResumen: En el presente ensayo se plantea analizar como se construye el miedo en la urbe quitena representada en las obras Eden y Eva (2013) de Huilo Ruales; Los anos perdidos (2013) de Juan Pablo Castro; y Ecuatox® (2013) de Santiago Paez, bajo el supuesto de que \"no es la amenaza la que crea el miedo, sino el miedo el que crea la amenaza\" (Lotman). En otras palabras, reflexionar sobre la relacion secre ta que vincula la construccion del miedo en la urbe quitena contemporanea, con el establecimiento de una maquina de relatos que articula dispositivos que generan la amenaza, y como esta controla los cuerpos individuales y colectivos. Pero tambien debemos analizar, como los autores en sus obras tensan esta \"realidad\", mediante la creacion/ficcion de espacios, historias y personajes (locos, payasos, marginales, poe tas y prostitutas) que habitan una urbe que se resiste a la vision monologica del poder. La risa, la ironia, la memoria, la ciencia ficcion son dispositivos que actuan como cata lizadores del contra-poder. Practicas de resistencia que buscan la \"ciudad que falta\"; una dialogica, heterogenea, multiple y libre. EnglishAbstract: In the present essay it is proposed to analyze how fear is built in the Quito city represented in the works Eden y Eva (2013) de Huilo Ruales; Los anos perdidos (2013) de Juan Pablo Castro; y Ecuatox® (2013) de Santiago Paez, under the as sumption that \"it's not the threat that creates fear, but fear which creates the threat\" (Lotman). In other words, to analyze the secret relationship that links the construc tion of fear in the contemporary city of Quito, through the establishment of a story machine that articulates fear-generating devices, and how it controls individual and collective bodies. However, we also have to analyze the way authors stretch this \"re ality\" in their works, through the creation/fiction of spaces, stories, and characters (lunatics, clowns, marginalized people, poets, prostitutes,...) who live in a city that resist the monological vision of power. Laughter, irony, memory, and science fiction are devices that work as counter-power's agents of change. These practices of resis tance search for the \"missing city,\" a dialogic, heterogeneous, multiple, and free one.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75295029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-01-07DOI: 10.4067/S0717-68482017000100067
Martina Bortignon
espanolResumen: Este articulo se centra en algunos poemas del chileno German Carrasco con el objetivo de explorar las implicancias del despliegue de la visualidad filmica en su poesia, tanto a nivel de la respuesta estetica en una lectura concebida como experiencia corporea y multisensorial, como a nivel de la apreciacion del lazo entre el lenguaje y la realidad sensorial. El analisis, fundamentado en la reciente teoria de la multisensorialidad en el cine y en autores clasicos como Merleau-Ponty y Lyotard, se aplica a tres momentos de la produccion del autor, correspondientes a los poemarios La insidia del sol sobre las cosas, Calas, Clavados, iluminando asi la evolucion de la vocacion visual de su poetica en las primeras etapas de su produccion. EnglishAbstract: This essay analyses some poems by the Chilean author German Carrasco, in order to explore the consequences of the presence of cinematic visuality in his po etry. The study addresses the aesthetic response in a reading conceived as a multisen-sorial and bodily experience, as well as the link between language and perceptual real ity. The analysis is grounded in the recent theory of multisensoriality in movie studies and in classic authors such as Merleau-Ponty and Lyotard, and it helps understand the evolution of the author's poetic in his first epoch, since it spans through his books La insidia del sol sobre las cosas, Calas, Clavados.
espanolResumen智利:这篇侧重一些诗德国Carrasco目的探索影响的部署visualidad filmica的诗,因此答案estetica旨在成为corporea经验和阅读等多感官层面apreciacion感觉语言和现实之间的纽带。”近期的理论分析,根据作者multisensorialidad在电影院和clasicos Merleau-Ponty Lyotard等,适用于三个时期的提交,poemarios对应太阳阴毒、礁石、松动,点燃这样的事情得到了一个职业的evolucion可视其poetica在早期阶段的。这篇文章分析了智利作家德国作家Carrasco的一些诗歌，以探索在他的诗歌中电影视觉的存在的结果。该研究解决了阅读中的审美反应，认为阅读是一种多感官和身体体验，以及语言和知觉现实之间的联系。最近analysis is grounded in The theory of multisensoriality in电影studies and in classic Merleau-Ponty and Lyotard authors,如and it helps明白The evolution of The限额poetic in his first epoch, it spans through books太阳的阴毒的事情上,礁石,板上钉钉了。
{"title":"LEER ES MIRAR: IMAGEN, PERCEPCIONES Y LENGUAJE EN LA POESÍA DE GERMÁN CARRASCO","authors":"Martina Bortignon","doi":"10.4067/S0717-68482017000100067","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100067","url":null,"abstract":"espanolResumen: Este articulo se centra en algunos poemas del chileno German Carrasco con el objetivo de explorar las implicancias del despliegue de la visualidad filmica en su poesia, tanto a nivel de la respuesta estetica en una lectura concebida como experiencia corporea y multisensorial, como a nivel de la apreciacion del lazo entre el lenguaje y la realidad sensorial. El analisis, fundamentado en la reciente teoria de la multisensorialidad en el cine y en autores clasicos como Merleau-Ponty y Lyotard, se aplica a tres momentos de la produccion del autor, correspondientes a los poemarios La insidia del sol sobre las cosas, Calas, Clavados, iluminando asi la evolucion de la vocacion visual de su poetica en las primeras etapas de su produccion. EnglishAbstract: This essay analyses some poems by the Chilean author German Carrasco, in order to explore the consequences of the presence of cinematic visuality in his po etry. The study addresses the aesthetic response in a reading conceived as a multisen-sorial and bodily experience, as well as the link between language and perceptual real ity. The analysis is grounded in the recent theory of multisensoriality in movie studies and in classic authors such as Merleau-Ponty and Lyotard, and it helps understand the evolution of the author's poetic in his first epoch, since it spans through his books La insidia del sol sobre las cosas, Calas, Clavados.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-01-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75277792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-01-01DOI: 10.4067/S0717-68482017000100187
C. Fernández-Cozman
{"title":"EL ESTILO SEPARATIVO, LA INTELIGENCIA FIGURAL Y EL ETNOCENTRISMO EN LA CIVILIZACIÓN DEL ESPECTÁCULO DE MARIO VARGAS LLOSA","authors":"C. Fernández-Cozman","doi":"10.4067/S0717-68482017000100187","DOIUrl":"https://doi.org/10.4067/S0717-68482017000100187","url":null,"abstract":"","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77945966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-12-01DOI: 10.4067/S0717-68482016000200009
J. Rodríguez, José Quidel Lincoleo
espanolResumen: La bruja durante siglos fue cruelmente perseguida en Europa. Mujeres de todas las edades estuvieron acusadas de practicar las artes hechicenles, incluso por sus mas cercanos. Torturarlas, colgarlas y quemarlas eran solo algunos de los castigos que las amenazaban. En nuestra discusion mostraremos como la imagen de la bruja europea contamina las caracteristicas de la machi en un relato de Brunet, igualandola a la mujer que hace pactos con el demonio, sin considerar la radical diferencia. Mostraremos, ademas, con que tipo de practicas chamanicas se identifica realmente la machi del relato, ademas de indagar en las tensiones de genero que lo recorren. EnglishAbstract: The witch was for centuries strongly chased in Europe. Women of all the ages were accused of practicing witchcraft, even for some of their closest. They were tortured, hung and burnt, and those were only some of the punishments that were threatening them. In our comment we will show how the image of the European witch contaminates the characteristics of the Machi, based on a short story by Brunet, emulating to the woman who does pact with the demon, without considering the radical difference. In addition, we will show, with which type of shamanic practices the machi identifies herself, besides indagate in the tensions of genre that through it.
{"title":"DISCUSIÓN SOBRE LA PRESENCIA DE LA BRUJERÍA EUROPEA Y DEL CHAMANISMO MAPUCHE EN UN RELATO DE MARTA BRUNET","authors":"J. Rodríguez, José Quidel Lincoleo","doi":"10.4067/S0717-68482016000200009","DOIUrl":"https://doi.org/10.4067/S0717-68482016000200009","url":null,"abstract":"espanolResumen: La bruja durante siglos fue cruelmente perseguida en Europa. Mujeres de todas las edades estuvieron acusadas de practicar las artes hechicenles, incluso por sus mas cercanos. Torturarlas, colgarlas y quemarlas eran solo algunos de los castigos que las amenazaban. En nuestra discusion mostraremos como la imagen de la bruja europea contamina las caracteristicas de la machi en un relato de Brunet, igualandola a la mujer que hace pactos con el demonio, sin considerar la radical diferencia. Mostraremos, ademas, con que tipo de practicas chamanicas se identifica realmente la machi del relato, ademas de indagar en las tensiones de genero que lo recorren. EnglishAbstract: The witch was for centuries strongly chased in Europe. Women of all the ages were accused of practicing witchcraft, even for some of their closest. They were tortured, hung and burnt, and those were only some of the punishments that were threatening them. In our comment we will show how the image of the European witch contaminates the characteristics of the Machi, based on a short story by Brunet, emulating to the woman who does pact with the demon, without considering the radical difference. In addition, we will show, with which type of shamanic practices the machi identifies herself, besides indagate in the tensions of genre that through it.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87987231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-12-01DOI: 10.4067/S0717-68482016000200003
Claudio Guerrero Valenzuela
espanolResumen: Este articulo propone que la infancia en la poesia de Quezada forma parte de un proyecto que intenta reescribir la historia hogarena de ninos y ninas a partir de la denuncia y destruccion del falso principio social en el cual se insertan para construir sobre sus ruinas una fabula que es signo de rebeldia, disidencia y libertad. Representandose a si mismo como un nino agredido, huerfano e ilegitimo discursea sobre su infancia, desde la intrahistoria, para plantear alternativas a las normas y costumbres que la Historia oficial dicta, no trata o apenas soslaya. De este modo, su fabula adquiere sentido practico, en cuanto el mensaje moralizante que deja es un acto de justicia para esta infancia doblemente vulnerada, al estar tambien fuera de la ley del lenguaje. EnglishAbstract: This article proposes that the childhood in Quezada's poetry forms a part of a project that tries to rewrite the homeloving history of kids from the report and destruction of the false social principle in which they are inserted to construct on his ruins a fable that is a sign of rebelliousness, dissent and freedom. Being represented to his self as an attacked, orphan and illegitimate child speech about his childhood, from the personal history, to raise alternatives to the procedure and customs that the official History dictates, it does not treat or scarcely has it ignored. Thus, his fable acquires practical sense, in all that the moralizing message that stops is an act of justice for this doubly damaged childhood, on having been also out of the law of the language.
espanolResumen:这篇建议把儿童Quezada诗的一个项目的一部分,试图改写历史hogarena孩子和孩子必须从社会投诉和破坏的原则在该推来建造,其废墟fabula是rebeldia,分歧的迹象和自由。他把自己描绘成一个被虐待的孩子，孤儿和非法的谈论他的童年，从内部历史，提出替代规范和习俗的官方历史规定，没有处理或几乎没有回避。通过这种方式，她的神话获得了实际意义，因为她留下的道德信息是对这个双重被侵犯的童年的一种正义行为，也超出了语言的法则。Quezada EnglishAbstract:这条政见that the儿童in’s poetry forms a part of a project that tries to rewrite the homeloving history of儿童from the report and destruction of the false社会原则in which they are的to construct on his ruins fable that is a登录rebelliousness、dissent和自由。作为一个受攻击的孤儿和文盲儿童的代言人，从个人历史的角度，提高了官方历史规定的程序和习俗的替代方案，它不对待或忽视它。因此，他的寓言获得了实用的意义，所有的道德信息，停止是一个正义的行为，这双重损害的儿童，也在语言的法律之外。
{"title":"JAIME QUEZADA: NACER FUERA DE LA LEY. ILEGITIMIDAD Y JUSTICIA","authors":"Claudio Guerrero Valenzuela","doi":"10.4067/S0717-68482016000200003","DOIUrl":"https://doi.org/10.4067/S0717-68482016000200003","url":null,"abstract":"espanolResumen: Este articulo propone que la infancia en la poesia de Quezada forma parte de un proyecto que intenta reescribir la historia hogarena de ninos y ninas a partir de la denuncia y destruccion del falso principio social en el cual se insertan para construir sobre sus ruinas una fabula que es signo de rebeldia, disidencia y libertad. Representandose a si mismo como un nino agredido, huerfano e ilegitimo discursea sobre su infancia, desde la intrahistoria, para plantear alternativas a las normas y costumbres que la Historia oficial dicta, no trata o apenas soslaya. De este modo, su fabula adquiere sentido practico, en cuanto el mensaje moralizante que deja es un acto de justicia para esta infancia doblemente vulnerada, al estar tambien fuera de la ley del lenguaje. EnglishAbstract: This article proposes that the childhood in Quezada's poetry forms a part of a project that tries to rewrite the homeloving history of kids from the report and destruction of the false social principle in which they are inserted to construct on his ruins a fable that is a sign of rebelliousness, dissent and freedom. Being represented to his self as an attacked, orphan and illegitimate child speech about his childhood, from the personal history, to raise alternatives to the procedure and customs that the official History dictates, it does not treat or scarcely has it ignored. Thus, his fable acquires practical sense, in all that the moralizing message that stops is an act of justice for this doubly damaged childhood, on having been also out of the law of the language.","PeriodicalId":41785,"journal":{"name":"Acta Literaria","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88096216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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