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Anne Schillig: Hausgeschichten. Materielle Kultur und Familie in der Schweiz (1700–1900) 安妮夏林:瑞士物质文化与家庭(1900年)
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.26
Fabian Brändle
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引用次数: 0
Daniel Morat/Hansjakob Ziemer (Hrsg.): Handbuch Sound. Geschichte – Begriffe – Ansätze
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.29
Jens Wietschorke
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引用次数: 0
Gunther Hirschfelder/Sarah Thanner (Hrsg.): Prekäre Lebenswelten im Prisma der Ernährung. Gunther hirsh费尔/Sarah Thanner(社论):
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.18
Alexander Hammer
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引用次数: 0
Jens Ivo Engels/Nina Janich/Jochen Monstadt/Dieter Schott (Hrsg.): Nachhaltige Stadtentwicklung. Infrastrukturen, Akteure, Diskurse Jens Ivo Engels/Nina /Jochen Monstadt基础设施行动者
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.28
Catharina Lüder
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引用次数: 0
Jan Hardy versus Likwidator. Comics als Medien der gesellschaftlichen Spaltung Polens Jan Hardy和酒死于梅片激发波兰社会分裂的媒体
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.04
Agnieska Balcerzak
This article at the intersection of cultural studies of popular and memory culture deals with the genre of comics as an identity-forming (protest) medium and projection surface for the ideologised “culture war” between traditionalists and modernists in contemporary Poland. The analysis focuses on two historical comics that combine facts and imaginary and refer back to the Second World War, the communist period and the recent history of the Republic of Poland after 1989. The article juxtaposes two title heroes and their comic worlds, which represent opposite ends of the political spectrum and reveal the problem areas of Poland’s dividedness along the underlying canon of values and symbolic worlds: Jan Hardy, the national-conservative “cursed soldier”, and Likwidator, the relentless “anarcho-terrorist”. The characters and their adventures exemplify fundamental memory cultural, religious, nationalist and emancipatory discourses in Poland today. The focus of the analysis lies on the creation context and the (visual) language with its narrative-aesthetic intensifications, which illuminate Poland’s current state of conflict between national egoism and traditional “cultural patriotism” on the one hand and liberal value relativism with its progressive-emancipatory rhetoric on the other.
这篇文章以大众文化与记忆文化的文化研究为交叉点,探讨漫画这一类型作为身份形成(抗议)的媒介,以及当代波兰传统主义者与现代主义者之间意识形态化的“文化战争”的投射面。分析的重点是两个历史漫画,结合了事实和想象,回顾了第二次世界大战,共产主义时期和1989年后波兰共和国的近代史。这篇文章将两位主角和他们的漫画世界并列,他们代表了政治光谱的两端,并揭示了波兰分裂的问题领域,沿着潜在的价值观和象征世界:Jan Hardy是民族保守派的“被诅咒的士兵”,Likwidator是无情的“无政府恐怖分子”。书中的人物和他们的冒险是当今波兰文化、宗教、民族主义和解放话语的基本记忆。分析的重点在于创作语境和(视觉)语言及其叙事审美的强化,揭示了波兰民族利己主义与传统“文化爱国主义”与自由主义价值相对主义及其进步解放修辞之间的冲突现状。
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引用次数: 0
BA: Curriculum und Fachidentität BA:课程与身份
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.06
Regina Bendix
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引用次数: 0
Johannes Müske/Stephan Puille/Peter A. Leitmeyr † (Hrsg.): Die Technisierung der Klangwelt: Phonographen im Deutschen Museum. 约翰Müske / Stephan Puille / Peter a . Leitmeyr†(Hrsg .): Technisierung Klangwelt: Phonographen在德国博物馆.
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.19
M. Jablonowski
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引用次数: 0
Brigitte Heck (Bearb.): Badische Landestrachten. Dargestellt und beschrieben durch den Maler Rudolf Gleichauf in den Jahren 1861 bis 1869 布里吉特·海克[Bearb]由画家鲁道夫平等地绘制和描述于1861—1869年
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.25
K. Weber
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引用次数: 0
Von „Chrut und Uchrut“ zu „Darm mit Charme“. Populäre medizinische Ratgeber zwischen Vermittlung, Unterhaltung und Erzählung 从犹太区p . o . o。很受欢迎的医学顾问
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.03
Malte Völk
The article follows the intertwining of Walter Benjamin’s narrative theory with a Swiss herbal book from 1911 (Johann Künzle: “Chrut und Uchrut”). The resulting findings on the connection between ancient “folk medicine” and narrative art are associated with the enormous popularity of this book, which continues to this day. Benjamin’s definition of a storyteller who takes what he tells from experience is used as a heuristic category to comparatively examine the contemporary book from Giulia Enders: “Gut: The Inside Story of Our Body’s Most Underrated Organ” (German 2014, English 2016). What both books have in common, apart from their extraordinary popularity, is that they elude clear genre definitions. They are both hybrids of medical guide, nutritional guide and entertaining story collection. To answer the question of how medical knowledge is conveyed, the narrative characteristics of the books are analysed and compared. A persistence of patterns of knowledge transfer in connection with the topos of activating the readers’ own experiences is revealed.
这篇文章将沃尔特·本雅明的叙事理论与一本1911年出版的瑞士草药书(Johann k兹勒:《Chrut und Uchrut》)联系在一起。由此产生的关于古代“民间医学”与叙事艺术之间联系的发现与这本书的巨大流行有关,这本书一直持续到今天。本雅明对故事讲述者的定义是从经验中讲述故事的人,这一定义被用作启发式范畴,用来比较研究朱莉娅·恩德斯的当代著作:《内脏:我们身体最被低估的器官的内部故事》(德文2014年,英文2016年)。这两本书除了大受欢迎之外,还有一个共同点,那就是它们都没有明确的类型定义。它们都是医疗指南、营养指南和娱乐故事集的混合体。为了回答如何传达医学知识的问题,分析和比较了这些书的叙事特点。揭示了与激活读者自身经验的主题相关的知识转移模式的持久性。
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引用次数: 0
Sarah May (Hrsg.): PLATZ DA! Praktiken urbaner Verdichtung
IF 0.2 4区 社会学 Q2 Social Sciences Pub Date : 2021-05-26 DOI: 10.31244/ZFVK/2021/01.24
Libuše Hannah Vepřek
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引用次数: 0
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ZEITSCHRIFT FUR VOLKSKUNDE
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