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METROPOLITAN MUSEUM JOURNAL最新文献

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Illustration Credits 插图学分
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707580
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引用次数: 0
Stone Sculpture and Ritual Impersonation in Classic Veracruz 韦拉克鲁斯经典中的石雕与仪式模拟
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707570
Caitlin C. Earley
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引用次数: 0
Passignano, Not Leoni: A New Attribution for A Cardinal’s Procession Passignano,而不是Leoni:红衣主教游行的新归属
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707577
Ian Kennedy
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引用次数: 0
The Cornish Celebration Presentation Plaque by Augustus Saint-Gaudens: Newly Identified Sources 奥古斯都·圣高登斯的康沃尔庆典展示牌匾:新确定的来源
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707579
Thayer Tolles
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引用次数: 0
John Singer Sargent Painting Fashion 约翰·辛格·萨金特绘画时尚
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707575
A. Reynolds
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引用次数: 0
Qian Xuan’s Loyalist Revision of Iconic Imagery in Tao Yuanming Returning Home and Wang Xizhi Watching Geese 钱轩对《陶渊明归家》和《王羲之观雁》中意象的忠诚修正
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707571
Shi-yee Liu
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引用次数: 0
Epigraphic and Art Historical Responses to Presenting the Tripod, by Wang Xuehao (1803) 王学豪(1803)题记与美术史对《献鼎》的回应
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707574
Michael J. Hatch
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引用次数: 0
Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia 安德里亚·德拉·罗比亚的两种建筑浮雕揭示的工作坊实践
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707572
Wendy Walker, C. Riccardelli
architectural reliefs in The Metropolitan Museum of Art revealed fingerprints, tool marks, coded numbering systems, and an apparent nonchalance with handling clay that provided fresh insight into the dynamic human engagement and mastery of the material that is characteristic of the Della Robbia workshop. The backs and sides of reliefs that are often hidden from the viewer— because they are framed, situated in niches, or mortared into a wall or ceiling—contain information that can lead to a deeper understanding of the creative process, perhaps more directly than any other source. During the critical early stages of conservation treatment, which are predominantly activities of observation and examination, conservators may rely on microchemical tests or Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia
大都会艺术博物馆(The Metropolitan Museum of Art)的建筑浮雕展示了指纹、工具标记、编码的编号系统,以及对处理粘土的明显漠不关心,这让我们对Della Robbie工作室特有的动态人类参与和对材料的掌握有了新的了解。浮雕的背面和侧面通常对观众隐藏着——因为它们是框架式的、位于壁龛中的,或者用灰泥砌在墙上或天花板上——其中包含的信息可以让人们更深入地理解创作过程,可能比任何其他来源都更直接。在保护处理的关键早期阶段,主要是观察和检查活动,保护人员可能会依靠微化学测试或Andrea Della Robbia的《两种建筑浮雕揭示的车间实践》
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引用次数: 0
Front Cover 前盖
IF 0.1 2区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.1086/707581
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引用次数: 0
Back Matter Back Matter
IF 0.1 2区 艺术学 0 ART Pub Date : 2018-11-01 DOI: 10.1086/701750
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引用次数: 0
期刊
METROPOLITAN MUSEUM JOURNAL
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