DANCE CHRONICLE最新文献

{"title":"A Rare Case of Hyoid Osteoma.","authors":"Shivani Arora, Ajit Mahale, Suja S Sreedharan, Shikhar Mathur","doi":"10.1007/s12070-023-04024-5","DOIUrl":"10.1007/s12070-023-04024-5","url":null,"abstract":"<p><p>Solid primary tumors of the hyoid bone are extremely rare. Osteomas are benign, slow-growing, usually asymptomatic, and well-circumscribed tumors broadly attached to the bone surface composed of mature lamellar/cortical-type bone with unknown etiology. Osteomas commonly occur in bones formed by membranous ossification, almost exclusively occurring in the head and commonly involving the paranasal sinus, skull vault, mandible, and nasal bone. We discuss a rare case of osteoma involving the hyoid bone.</p>","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"34 1","pages":"4057-4059"},"PeriodicalIF":0.1,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10645878/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81148837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Visibility and Values: A Compelling Analysis of Dancing and Why It Matters","authors":"Priya Vashist","doi":"10.1080/01472526.2023.2251650","DOIUrl":"https://doi.org/10.1080/01472526.2023.2251650","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 24","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies","authors":"Juan Manuel Aldape Muñoz","doi":"10.1080/01472526.2023.2249288","DOIUrl":"https://doi.org/10.1080/01472526.2023.2249288","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"3 11","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"In Memoriam: Naomi Mindlin (1948-2022)","authors":"Olive Demar","doi":"10.1080/01472526.2023.2220623","DOIUrl":"https://doi.org/10.1080/01472526.2023.2220623","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 27","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Expanding Butoh Studies: Now We Have a Chronicle","authors":"Tanya Calamoneri","doi":"10.1080/01472526.2023.2173942","DOIUrl":"https://doi.org/10.1080/01472526.2023.2173942","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 25","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Baladi and Beyond","authors":"Leila Mire","doi":"10.1080/01472526.2023.2191581","DOIUrl":"https://doi.org/10.1080/01472526.2023.2191581","url":null,"abstract":"Published in Dance Chronicle (Vol. 46, No. 3, 2023)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"3 12","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Broken Promises: Developing a Practice of Listening and Attuning to Feminists in Breaking","authors":"Jason “J-Sun” Noer","doi":"10.1080/01472526.2023.2248846","DOIUrl":"https://doi.org/10.1080/01472526.2023.2248846","url":null,"abstract":"Breaking prioritizes the value of respect, which is connected to the physical movements of the dance practice. However, despite promoting this value, Breaking faces a threat from within: unaddresse...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"68 10","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"How “modern” has German Modern Dance Remained?—The Case with the 2022 UNESCO Inscription","authors":"Filip Petkovski","doi":"10.1080/01472526.2023.2248851","DOIUrl":"https://doi.org/10.1080/01472526.2023.2248851","url":null,"abstract":"This research focuses on the process of heritagization and how it functions to both legitimize a dance practice and generate a new set of values for the practice. More specifically, I explore how t...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"3 2","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Fate of <i>La Feste</i> : An Affective Reading of Maximilien Gardel’s Mirsa Ballets","authors":"Amanda Danielle Moehlenpah","doi":"10.1080/01472526.2023.2251364","DOIUrl":"https://doi.org/10.1080/01472526.2023.2251364","url":null,"abstract":"AbstractIn 1781, ballet master Maximilien Gardel presented La Feste de Mirsa, a sequel to his 1779 ballet en action Mirza. Given the latter’s success, Opéra audiences anticipated another evening of praiseworthy entertainment, but the La Feste proved a total failure, disappearing after one performance. Critics denounced the ballet for its disappointing lack of finesse, but a close reading of the two ballets and their reviews uncovers more aesthetic and narrative similarities than differences. What does distinguish them is the role of affect: Mirza inspiring sympathetic connections to imperial hegemony and white masculinity, La Feste to diversity, femininity, and human equality.Key words: AffectballetMirzaFrancerace AcknowledgmentsThe author would like to thank Olivia Sabee and the anonymous reviewers for their insightful comments on initial versions of this article and the New York Public Library (Grant ID: 2431) for their support and assistance in the research process.Notes1 “Spectacles: Opéra,” Journal de Paris, February 23, 1781, 217, Gallica.2 “Spectacles: Académie royale de musique,” Mercure de France, March 3, 1781, 84, Google Books.3 “Spectacles,” Mercure, March 3, 1781, 84.4 “Spectacles,” Mercure, March 3, 1781, 29.5 “Spectacles,” Mercure, March 3, 1781, 29.6 Joseph Harris, Inventing the Spectator: Subjectivity and the Theatrical Experience in Early Modern France (Oxford, New York: Oxford University Press, 2014), 137.7 Harris, Inventing, 137.8 “Spectacles,” Mercure, March 3, 1781, 30.9 Charles Altieri, The Particulars of Rapture: An Aesthetics of the Affects (Ithaca, London: Cornell University Press, 2003), 120.10 Altieri, Particulars, 125-26.11 Altieri, Particulars, 223.12 Altieri, Particulars, 228.13 Altieri, “Interpreting Emotions,” chap. 3 in Particulars, 72-108; Altieri, Particulars, 109-11.14 “Spectacles: Académie royale de musique,” Mercure de France, November 27, 1779, 177, Google Books.15 “Spectacles,” Mercure, November 27, 1779, 181.16 “Spectacles,” Mercure, November 27, 1779, 182.17 “Spectacles,” Mercure, November 27, 1779, 182.18 “Spectacles,” Mercure, November 27, 1779, 182.19 “Spectacles,” Mercure, November 27, 1779, 182.20 “Spectacles,” Mercure, November 27, 1779, 182.21 Maximilien Gardel, Mirza, ballet en action, de la Composition de M. Gardel l’aîné, Maître des Dallets du Roi, en survivance, Représenté devant Leurs Majestés, à Versailles en Mars 1779, score by François-Joseph Gossec, Paris, 1779, 6, *MGTZ-Res. (Mirsa), Cia Fornaroli Collection, Performing Arts Research Collections-Dance, New York Public Library.22 Gardel, Mirza, 6.23 Gardel, Mirza, 8.24 Gardel, Mirza, 8-9.25 “Spectacles,” Mercure, November 27, 1779, 181.26 “Spectacles,” Mercure, March 3, 1781, 31.27 Louis Petit de Bachaumont, Mémoires secrets pour servir à l’histoire de la république des lettres en France depuis MDCCLXII jusquà nos jours; ou, Journal d’un observateur (London, 1784), 17:69, Google Books.28 “Spectacles,” Mercure, March 3, 1781, 30.29 “Specta","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134968402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections <i>Screendance from Film to Festival: Celebration and Curatorial Practice</i> By Cara Hagan. 207pp. Illustrated. North Carolina: McFarland &amp; Company, Inc, 2022. $39.95 softcover, $23.99 e-book. ISBN 9781476669847, ISBN 9781476645452.","authors":"Jennifer Petuch","doi":"10.1080/01472526.2023.2254554","DOIUrl":"https://doi.org/10.1080/01472526.2023.2254554","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsJennifer PetuchJENNIFER AKALINA PETUCH is a dancer, digital choreographer, multimedia artist, and an Instructional Assistant Professor of Dance at Texas A&M University in the School of Performance, Visualization, and Fine Arts. She graduated from Florida State University’s School of Dance Program with her Master of Fine Arts in Choreography and Performance with a focus in Dance Technology. Her MFA thesis resulted in a two-year collaboration with FSU Computer Science faculty and students creating and publishing an original interactive Augmented Reality software for the stage called ViFlow. Petuch served for four years as Adjunct Faculty and Staff at FSU’s School of Dance teaching tech classes ranging from Dance on Camera and Projection Design. Petuch has created numerous dance films and was Co-Director with Annali Rose on their underwater dance film, Liminality, which has received national and international recognition and been screened in over 55 film festivals since 2020.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134969664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}