Pub Date : 2024-09-10DOI: 10.1080/01472526.2024.2384976
Chuyun Oh
The rise of K-pop cover dancers worldwide reveals how artists creatively adapt and transform this genre to suit local priorities. This ethnographic analysis examines two K-pop cover dancer influenc...
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Pub Date : 2024-08-19DOI: 10.1080/01472526.2024.2383502
Gonzalo Preciado-Azanza, Marta Vela
This study proposes that the inclusion of the Aragonese jota (a type of folk dance) in The Three-Cornered Hat contributed to interwar transnational modernism. The modern ballet, which opened at the...
{"title":"Cross-cultural Identities: An interdisciplinary analysis of the jota in The Three-Cornered Hat (1919)","authors":"Gonzalo Preciado-Azanza, Marta Vela","doi":"10.1080/01472526.2024.2383502","DOIUrl":"https://doi.org/10.1080/01472526.2024.2383502","url":null,"abstract":"This study proposes that the inclusion of the Aragonese jota (a type of folk dance) in The Three-Cornered Hat contributed to interwar transnational modernism. The modern ballet, which opened at the...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"63 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142235329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-15DOI: 10.1080/01472526.2024.2376458
Chandra Moss-Thorne
In this autoethnographic description of her training and teaching philosophy, Chandra Moss-Thorne offers connections between dance history and pedagogy. Explicitly, the article traces Moss-Thorne's...
{"title":"How Histories and Pedagogies Intertwine: An Educator’s Purpose","authors":"Chandra Moss-Thorne","doi":"10.1080/01472526.2024.2376458","DOIUrl":"https://doi.org/10.1080/01472526.2024.2376458","url":null,"abstract":"In this autoethnographic description of her training and teaching philosophy, Chandra Moss-Thorne offers connections between dance history and pedagogy. Explicitly, the article traces Moss-Thorne's...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"98 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142013896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-12DOI: 10.1080/01472526.2024.2376961
Soo Ryon Yoon
A close examination of the Alvin Ailey American Dance Theater’s 1962 Seoul performance, as well as Ailey’s influence on Korean dancers’ training and choreography, reveals that Ailey’s impact on Kor...
{"title":"Alvin Ailey and Korean Dance: Writing Afro-Asian Relations into Korean Dance History","authors":"Soo Ryon Yoon","doi":"10.1080/01472526.2024.2376961","DOIUrl":"https://doi.org/10.1080/01472526.2024.2376961","url":null,"abstract":"A close examination of the Alvin Ailey American Dance Theater’s 1962 Seoul performance, as well as Ailey’s influence on Korean dancers’ training and choreography, reveals that Ailey’s impact on Kor...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"29 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141992001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-08-12DOI: 10.1080/01472526.2024.2380968
Henia Rottenberg
Via Dolorosa is a procession dance created in 1983 by the Israeli choreographer Amir Kolben with Ramla Dance Theater. A reenactment by Galia Lever in 2019 introduced a new dimension by incorporatin...
Via Dolorosa 是以色列编舞家阿米尔-科尔本 1983 年与拉姆拉舞蹈剧场合作创作的游行舞蹈。Galia Lever 于 2019 年重新演绎了这一舞蹈，并在其中加入了新的元素。
{"title":"The Power of Recollection: A Journey in the Footsteps of Amir Kolben's Via Dolorosa","authors":"Henia Rottenberg","doi":"10.1080/01472526.2024.2380968","DOIUrl":"https://doi.org/10.1080/01472526.2024.2380968","url":null,"abstract":"Via Dolorosa is a procession dance created in 1983 by the Israeli choreographer Amir Kolben with Ramla Dance Theater. A reenactment by Galia Lever in 2019 introduced a new dimension by incorporatin...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"26 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142536835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-24DOI: 10.1080/01472526.2024.2338340
Adrienne Gibbons Oehlers
Published in Dance Chronicle (Vol. 47, No. 2, 2024)
发表于《舞蹈纪事》（第 47 卷第 2 期，2024 年）
{"title":"Casting and Inclusivity in the Broadway Musical","authors":"Adrienne Gibbons Oehlers","doi":"10.1080/01472526.2024.2338340","DOIUrl":"https://doi.org/10.1080/01472526.2024.2338340","url":null,"abstract":"Published in Dance Chronicle (Vol. 47, No. 2, 2024)","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"60 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141730703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-24DOI: 10.1080/01472526.2024.2330280
Zeynep Günsür Yüceil, Özlem Hemiş
For the past twenty-two years, productions by the Hareket Atölyesi Topluluğu (Movement Atelier Company), an all-female ensemble based in Istanbul, have related to spaces such as the country, the ci...
在过去的 22 年里，伊斯坦布尔的全女性乐团 Hareket Atölyesi Topluluğu（运动工作室剧团）的作品涉及国家、城市、文化、艺术、体育、体育运动等空间。
{"title":"Memory Transgressed by Female Bodies: Civil Historiography Contrasted with Official Historiography","authors":"Zeynep Günsür Yüceil, Özlem Hemiş","doi":"10.1080/01472526.2024.2330280","DOIUrl":"https://doi.org/10.1080/01472526.2024.2330280","url":null,"abstract":"For the past twenty-two years, productions by the Hareket Atölyesi Topluluğu (Movement Atelier Company), an all-female ensemble based in Istanbul, have related to spaces such as the country, the ci...","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"38 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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