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The natural history of musical rhythm: functional and mechanistic theories on the evolution of human rhythm cognition and the relevance of rhythmic animal behaviors 音乐节奏的自然史:人类节奏认知进化的功能和机制理论与有节奏动物行为的相关性
Pub Date : 2021-11-23 DOI: 10.31219/osf.io/3v4dr
Gabriela-Alina Sauciuc, Tomas Persson, E. Madsen
There has recently been a growing interest to investigate rhythm cognition in nonhuman animals as a way of tracking the evolutionary origins of human musicality - i.e., the ability to perceive, enjoy and produce music. During the last two decades, there has been an explosion of theoretical proposals aimed at explaining why and how humans have evolved into musical beings, and the empirical comparative research has also gained momentum. In this paper, we focus on the rhythmic component of musicality, and review functional and mechanistic theoretical proposals on abilities regarded as prerequisites for perceiving and producing rhythmic structures similar to those encountered in music. For each theoretical proposal we also review supporting and contradictory empirical findings. To acknowledge that the evolutionary study of musicality requires an interdisciplinary approach, our review strives to cover perspectives and findings from as many disciplines as possible. We conclude with a research agenda that highlights relevant, yet thus far neglected topics in the comparative and evolutionary study of rhythm cognition. Specifically, we call for a widened research focus that will include additional rhythmic abilities besides entrainment, additional channels of perception and production besides the auditory and vocal ones, and a systematic focus on the functional contexts in which rhythmic signals spontaneously occur. With this expanded focus, and drawing from systematic observation and experimentation anchored in multiple disciplines, animal research is bound to generate many important insights into the adaptive pressures that forged the component abilities of human rhythm cognition and their (socio-)cognitive and (neuro-)biological underpinnings.
最近,人们对研究非人类动物的节奏认知越来越感兴趣,这是一种追踪人类音乐性进化起源的方式——即感知、享受和创作音乐的能力。在过去的二十年里,有大量的理论建议旨在解释人类为什么以及如何进化成音乐生物,实证比较研究也获得了动力。在本文中,我们关注音乐性的节奏成分,并回顾了功能和机制的理论建议,这些能力被认为是感知和产生类似于音乐中遇到的节奏结构的先决条件。对于每一个理论建议,我们也回顾了支持和矛盾的实证结果。为了承认音乐性的进化研究需要跨学科的方法,我们的综述努力涵盖尽可能多的学科的观点和发现。我们总结了一个研究议程,强调了节奏认知的比较和进化研究中相关但迄今为止被忽视的主题。具体来说,我们呼吁扩大研究重点,包括除了娱乐之外的其他节奏能力,除了听觉和声乐之外的其他感知和产生渠道,以及系统地关注节奏信号自发发生的功能背景。有了这个扩展的焦点,并从多学科的系统观察和实验中提取,动物研究必然会产生许多重要的见解,以适应压力,锻造人类节奏认知的组成能力及其(社会)认知和(神经)生物学基础。
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引用次数: 1
In Celebration of the 30th Meeting of the Conference on Comparative Cognition 庆祝比较认知大会第30届会议
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2023.180001
T. Zentall, Ralph R. Miller
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引用次数: 0
Eye Tracking in Dogs: Achievements and Challenges 狗的眼动追踪:成就和挑战
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2023.180005
L. Huber, Lucrezia Lonardo, C. Völter
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引用次数: 0
Theoretical Mechanisms of Paradoxical Choices Involving Information 涉及信息的矛盾选择的理论机制
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2023.180002
Valeria V. González, Alicia Izquierdo, A. Blaisdell
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引用次数: 1
A Letter From the Incoming Editor 新任编辑的来信
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2023.180007
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引用次数: 0
ManyDogs Project: A Big Team Science Approach to Investigating Canine Behavior and Cognition 多狗项目:研究犬类行为和认知的大团队科学方法
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2023.180004
ManyDogs Project ManyDogs Project, D. Alberghina, Emily E. Bray, D. Buchsbaum, Sarah-Elizabeth Byosiere, Julia Espinosa, Gitanjali E. Gnanadesikan, C. A. Guran, Elizabeth Hare, Daniel J. Horschler, L. Huber, V. Kuhlmeier, E. MacLean, Madeline H. Pelgrim, Bryan Perez, Dana Ravid-Schurr, Liza G. Rothkoff, Courtney L. Sexton, Zachary A. Silver, J. Stevens
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引用次数: 4
A social history of the founding of the Conference on Comparative Cognition and the Comparative Cognition Society 比较认知会议和比较认知学会成立的社会史
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2015.100006
R. Weisman, M. Bouton, M. Spetch, E. Wasserman
faculty members were encouraged to do likewise. However, in practice, faculty give 10-minute talks, or, less commonly, 20-minute talks. Other more pragmatic, but important, decisions dealt with providing snacks and drinks at the meetings and when to schedule sessions. Most important, the steering committee discussed what the meeting was going to be about. They decided that CO3 was to be about comparative cognition in the broadest sense, with encouragement to report on the standard laboratory species and on more naturally occurring species. By defining cognition broadly, they were able to avoid the squabbles then current between more behaviorally oriented and more cognitively oriented scientists. CO3 first met March 17–20, 1994, at the Holiday Inn on the Ocean in Melbourne. Slightly fewer than three dozen scientists attended, but CO3 was off to a promising start. The attendees liked the meeting, and more than half said they would attend often if not every year. In those early years, more pelicans attended, and more alcohol was consumed. Noise issues in the normal meeting rooms prompted the hotel to move us to a swank, oceanfront, two-story, glass-walled penthouse. For a time, the luxurious penthouse was perfect for meetings and great evening parties. But eventually rising room rates and noise from the Holiday Inn’s oceanfront entertainment drove CO3 a few miles north to the Hilton Hotel, which served CO3 well until the This memoir is a brief history of the founding of the Conference on Comparative Cognition and the Comparative Cognition Society. The text represents the best recollections of the authors, who together founded the Conference. In the 1980s, Ron Weisman visited Melbourne, Florida, regularly to enjoy the warm weather in March and to visit friends at Florida Tech. Over time, he began thinking about sharing the Melbourne experience with other comparative cognition scientists. He discussed the idea with Mark Bouton, Marcia Spetch, and Ed Wasserman in the late 1980s: it is probably no accident that all four taught on campuses that experience harsh winters. By the early 1990s, the group began planning the meetings in earnest. Together, all four became known as the steering committee—or “steers” for short. The steering committee began meeting as a group and in pairs over the next few years to plan the conference. They decided on a name (the Conference on Comparative Cognition), and Ed Wasserman provided the acronym, CO3. Suzy Bouton did the wonderful logo. The committee discussed the lengths of the talks (5, 10, and 20 minutes). Mark Bouton suggested including very short, 5-minute talks, borrowed from the Winter Conference on the Neurobiology of Learning and Memory (Park City, Utah). At CO3, the 5-minute talks evolved into “spoken posters,” complete in themselves, practiced, polished, and informative. Graduate students were allowed to present these brief talks from the beginning, and Ronald G. Weisman
教师们也被鼓励这样做。然而,在实践中,教师的演讲是10分钟,或者不太常见的是20分钟。其他更为务实但重要的决定涉及在会议上提供零食和饮料以及何时安排会议。最重要的是,指导委员会讨论了会议的内容。他们决定,CO3是关于最广泛意义上的比较认知,鼓励报告标准的实验室物种和更自然发生的物种。通过广义地定义认知,他们能够避免当时行为导向和认知导向科学家之间的争论。CO3于1994年3月17日至20日在墨尔本的海洋假日酒店首次会面。参加会议的科学家略少于36人,但CO3有了一个充满希望的开端。与会者喜欢这次会议,超过一半的人表示,如果不是每年都参加,他们也会经常参加。在最初的几年里,更多的鹈鹕参加了会议,也喝了更多的酒。普通会议室的噪音问题促使酒店把我们搬到了一间豪华的、海滨的、两层玻璃墙的顶层公寓。有一段时间,豪华的顶层公寓非常适合举行会议和盛大的晚会。但最终,不断上涨的房价和假日酒店海滨娱乐活动的噪音驱使CO3向北搬到了几英里外的希尔顿酒店,直到这本回忆录是比较认知会议和比较认知学会成立的简要历史。案文是共同创立会议的作者的最佳回忆。20世纪80年代,罗恩·韦斯曼(Ron Weisman)定期前往佛罗里达州墨尔本,享受3月份温暖的天气,并拜访佛罗里达理工学院(Florida Tech)的朋友。随着时间的推移,他开始考虑与其他比较认知科学家分享在墨尔本的经历。在20世纪80年代末,他与马克·伯顿、玛西娅·斯佩奇和埃德·沃瑟曼讨论了这个想法:这四位教授都在经历严冬的校园任教,这可能并非偶然。到20世纪90年代初,该组织开始认真规划会议。这四个人一起被称为指导委员会,或者简称为“舵手”。指导委员会开始在接下来的几年里以小组和成对的形式开会,计划这次会议。他们决定了一个名称(比较认知会议),Ed Wasserman提供了首字母缩略词CO3。苏西·伯顿设计了一个很棒的标志。委员会讨论了会谈时间(5分钟、10分钟、20分钟)。Mark Bouton建议包括非常短的,5分钟的演讲,借鉴了学习和记忆神经生物学冬季会议(犹他州帕克城)。在CO3会议上,5分钟的演讲演变成了“口头海报”,它们本身就很完整,经过练习、润色,内容丰富。研究生从一开始就被允许做这些简短的演讲,罗纳德·g·韦斯曼
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引用次数: 4
The Links Between Pitch, Timbre, Musicality, and Social Bonding From Cross-Species Research 跨物种研究:音高、音色、音乐性和社会关系之间的联系
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2022.170002
Bernhard Wagner, M. Hoeschele
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引用次数: 4
Elephants and Sirenians: A Comparative Review across Related Taxa in Regard to Learned Vocal Behavior 大象和海象:关于习得发声行为的跨相关分类群的比较回顾
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2022.170004
Anton Baotic, Beth Brady, E. Ramos, Angela S. Stoeger
Vocal production learning is the ability to modify a vocal output in response to auditory experience. It is essential for human speech production and language acquisition. Vocal learning evolved independently several times in vertebrates, indicating evolutionary pressure in favor of this trait. This enables cross-species comparative analysis to be used to test evolutionary hypotheses. Humans share this ability with a versatile but limited group of species: songbirds, parrots and hummingbirds, bats, cetaceans, seals, and elephants. Although case studies demonstrate that African savanna and Asian elephants are capable of heterospecific imitation, including imitation of human words, our under standing of both the underlying mechanisms and the adaptive relevance within the elephant’s natural communication system is limited. Even though comparing phylogenetically distant species is intriguing, it is also worthwhile to investigate whether and to what extent learned vocal behavior is apparent in species phylogenetically close to an established vocal learner. For elephants, this entails determining whether their living relatives share their special ability for (complex) vocal learning. In this review, we address vocal learning in Elephantidea and Sirenia, sister groups within the Paenungulata. So far, no research has been done on vocal learning in Sirenians. Because of their aquatic lifestyle, vocalization structure, and evolutionary relationship to elephants, we believe Sirenians are a particularly interesting group to study. This review covers the most important acoustic aspects related to vocal learning in elephants, manatees, and dugongs, as well as knowledge gaps that must be filled for one to fully comprehend why vocal learning evolved (or did not) in these distinctive but phylogenetically related taxa. intellectual into the design of Figure 5, illustrating the manatee and elephant vocal apparatus.
发声学习是根据听觉经验修改发声输出的能力。它对人类语言的产生和语言习得至关重要。声音学习在脊椎动物中独立进化了几次,表明进化压力有利于这一特征。这使得跨物种比较分析可以用来检验进化假说。人类与多种多样但数量有限的物种共享这种能力:鸣禽、鹦鹉和蜂鸟、蝙蝠、鲸目动物、海豹和大象。尽管案例研究表明,非洲草原象和亚洲象具有异种模仿能力,包括模仿人类语言,但我们对大象自然交流系统的潜在机制和适应性相关性的理解有限。尽管比较系统发育上遥远的物种是有趣的,但研究在系统发育上接近已建立的发声学习者的物种中习得的发声行为是否明显以及在多大程度上明显也是值得的。对于大象来说,这需要确定它们的现存亲戚是否拥有(复杂的)声音学习的特殊能力。在这篇综述中,我们讨论了象科和Sirenia的声乐学习,它们是Paenungulata的姐妹群体。到目前为止,还没有对塞雷纳人的声乐学习进行过研究。由于它们的水生生活方式、发声结构以及与大象的进化关系,我们认为Sirenians是一个特别有趣的研究群体。这篇综述涵盖了与大象、海牛和儒艮的声乐学习相关的最重要的声学方面,以及必须填补的知识空白,以便充分理解为什么声乐学习在这些独特但系统发育相关的分类群中进化(或没有)。图5,说明了海牛和大象的发声器官。
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引用次数: 1
Probability Learning by Perceptrons and People 感知机和人的概率学习
Pub Date : 1900-01-01 DOI: 10.3819/ccbr.2019.140011
Michael R.W. Dawson
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引用次数: 1
期刊
Comparative Cognition & Behavior Reviews
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