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The Tenant of Wildfell Hall. 怀尔德费尔庄园的房客。
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/14748932.2021.1952789
Bob Duckett
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引用次数: 0
‘Happiness is not a potato’: Plant-Thinking in Charlotte Brontë’s Villette and The Professor “幸福不是土豆”:夏洛特·勃朗特的《维莱特与教授》中的植物思维
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/14748932.2021.1951525
Sarah Yoon
This article explores the significance of plants and vegetal growth in Charlotte Brontë’s Villette (1853) and its earlier draft The Professor (1857). While the pensionnat garden is a memorable space in Villette, plants also figure as a model of thought for Brontë to explore growth, regeneration, and heterogeneity in her novel. Thinking about plants allows Brontë to explore contradictions between life and death, difference and conjunction, emotional nourishment and material vulnerability. In particular, the plant highlights the susceptibility of life-forms to external conditions, at a time when Brontë was mourning the deaths of her brother and sisters. Through reading Villette alongside Michael Marder’s philosophical book Plant-Thinking (2013), this article traces how the plant allowed Brontë to imagine inner growth during a particularly lonely period.
本文探讨了夏洛特Brontë的《维莱特》(1853)及其早期草稿《教授》(1857)中植物和植物生长的意义。虽然养老金花园是维莱特一个令人难忘的空间,但植物也是Brontë在小说中探索生长、再生和异质性的思维模式。对植物的思考让Brontë得以探索生与死、差异与结合、情感滋养与物质脆弱之间的矛盾。特别是,这种植物突出了生命形式对外部条件的敏感性,当时Brontë正在哀悼她的兄弟姐妹的死亡。通过阅读维莱特和迈克尔·马德尔(Michael Marder)的哲学著作《植物思考》(2013),本文追溯了在一个特别孤独的时期,植物是如何让Brontë想象内心成长的。
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引用次数: 0
A New Chapter for Brontë Studies Brontë研究的新篇章
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-10-02 DOI: 10.1080/14748932.2021.1952781
R. Yorke
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引用次数: 0
Unveiling the Blue Plaque: The Brontë birthplace, 30 July 2021 揭开蓝色牌匾的面纱:勃朗特出生地,2021年7月30日
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-09-30 DOI: 10.1080/14748932.2021.1982546
Michael Stewart
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引用次数: 0
Thank you, Amber Adams 谢谢你,Amber Adams
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-09-15 DOI: 10.1080/14748932.2021.1951462
Patsy Stoneman
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引用次数: 0
The Brontë Mysteries series by Bella Ellis 贝拉·埃利斯的Brontë神秘系列
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-07-27 DOI: 10.1080/14748932.2021.1952787
G. Watson
discussed in the volume is the style of correlative and comparative writing that recurs in almost all chapters. Be it comparing two great Bront€e novels likeWuthering Heights and Jane Eyre, or realism and modernism in Shakespeare’s Hamlet and King Lear, or Keats’ Ode to Nightingale and Ode to Autumn, the literary interrelationships between different authors, and between works by the same author pieced together in this volume hold particularly intriguing scholarly importance and also paint a resourceful picture of authors’ literary career transitions. In chapter five, Charles Dickens’ Great Expectations is used as a platform to understand unconscious intertextuality in Victorian era literary works. Drawing profoundly from the book’s impactful Dickensian narrative, Jacobs makes some crucial observations hinting at incestuous relationships in Victorian novels like Wuthering Heights and even Great Expectations, while also touching on concepts like ‘othering’ as was visible in characters like Bertha Mason in Jane Eyre, or ‘notions of human-making and self-making’ (p. 57), as is central to relationship-building in Victorian bildungsromane. Identifying queering of text in Oscar Wilde’s novel The Picture of Dorian Gray, chapter eight brings out examples from the novel that represent queerness as ‘at once invisible and obvious’ (p. 81), leaving readers to revisit and tackle the many homo-erotic descriptors in the novel and opening up a nuanced discussion of queer reading of texts. Revisiting this novel in today’s day and age in which LGBTQþ awareness and inclusion has gained more momentum than ever before is a testament to the universality and classical quality of literary interpretation, an idea that is advanced through this volume of lectures. Another telling characteristic in the book is the multitude of unheard stories that are strewn about the chapters for the reader to discover – like the story of how Jean Rhys’ rather neglected work Good Morning, Midnight borrows its title from an Emily Dickinson poem, and how ‘it’s heartening to think that Rhys was reading Dickinson in the 1930s’ (p. 153). Being a collection of lectures, the tone of the book right from the introduction is one that nurtures an interaction, a lively engagement between the author and the readers, and more deeply with its literary subjects. From lesser-known scholarly interpretations, to Jacobs’ personal experiences of reading and the rhetoric of reading, there is a very prominent, almost celebratory appreciation of literature and its power to influence critical, societal thought. While it may be out of the scope of this review to discuss all seventeen chapters from the book in detail, it can be said with certainty that this fascinatingly detailed, accessible, wide-ranging volume is of immense scholarly value for students, academics, and any lover of literature, and shall remain so for years to come.
本书讨论的是几乎所有章节中反复出现的关联和比较写作风格。无论是比较勃朗特的两部伟大小说《呼啸山庄》和《简·爱》,还是比较莎士比亚的《哈姆雷特》和《李尔王》中的现实主义和现代主义,抑或是比较济慈的《夜莺颂》和《秋颂》,本书将不同作者之间以及同一作者作品之间的文学相互关系拼合在一起,都具有特别有趣的学术意义,也为作者的文学生涯转型描绘了一幅丰富多彩的画面。第五章以狄更斯的《远大前程》为平台,理解维多利亚时代文学作品中的无意识互文性。雅各布斯深刻地借鉴了该书颇具影响力的狄更斯式叙事,对维多利亚时代的小说(如《呼啸山庄》、甚至《远大前程》)中的乱伦关系做出了一些重要的观察,同时也触及了诸如《简·爱》中的伯莎·梅森等人物身上可见的“他人”概念,或“人类创造和自我创造的概念”(第57页),这是维多利亚时代成长小说中建立关系的核心。在奥斯卡·王尔德的小说《多里安·格雷的画像》中,第八章从小说中引出了一些例子,这些例子代表了“既看不见又明显”的酷儿性(第81页),让读者重新审视和处理小说中许多同性恋的描述,并开启了对文本的酷儿阅读的微妙讨论。在今天这个对lgbtq的认识和包容比以往任何时候都更有动力的时代,重新审视这部小说是对文学解释的普遍性和古典性的证明,这一观点是通过这一卷讲座提出的。这本书的另一个引人注目的特点是,章节中散落着大量闻未闻的故事,让读者去发现——比如吉恩·里斯(Jean Rhys)被忽视的作品《早安,午夜》(Good Morning, Midnight)的标题是如何借用艾米丽·狄金森(Emily Dickinson)的一首诗的故事,以及“想到里斯在20世纪30年代读过狄金森的书,这是多么令人振奋”(第153页)。作为一本讲座集,这本书的基调从引言开始就培养了一种互动,一种作者和读者之间的生动互动,更深入地探讨了它的文学主题。从鲜为人知的学术解释,到雅各布斯的个人阅读经历和阅读修辞,对文学及其影响批判性社会思想的力量有一种非常突出的、近乎庆祝的欣赏。虽然详细讨论这本书的所有17章可能超出了本文的范围,但可以肯定的是,这本书非常详细,易于理解,内容广泛,对学生,学者和任何文学爱好者都具有巨大的学术价值,并且在未来的几年里仍将如此。
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引用次数: 0
Promiscuity Instead of Inherited Insanity: Jane Eyre’s Bertha in Early Stage Adaptations 滥交而非遗传精神错乱:早期改编的简·爱的伯莎
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-07-27 DOI: 10.1080/14748932.2021.1951027
Veronika Larsen
Although some criticism exists regarding Jane Eyre’s character on stage, early theatrical versions of Bertha’s character are largely unexamined. In this article I offer a twofold analysis of three stage scripts based on Charlotte Brontë’s Jane Eyre (1847) (premiering in 1867, 1870, and 1877). I show how each play contains drastic plot changes that deemphasize Bertha’s madness in favour of rendering her a promiscuous deviant. Simultaneously, the scripts cleanse Rochester’s character of sexual and marital scandal. The emergent plot alterations ultimately polarize Bertha’s and Rochester’s moral profiles and reduce feminist aspects that we have come to associate with Charlotte Brontë’s original novel.
尽管在舞台上对简·爱的角色存在一些批评,但伯莎角色的早期戏剧版本在很大程度上是未经审查的。在这篇文章中,我对基于夏洛特·勃朗特的《简·爱》(1847年)(1867年、1870年和1877年首演)的三个舞台剧本进行了双重分析。我展示了每部剧都包含了激烈的情节变化,这些变化淡化了伯莎的疯狂,反而使她成为一个滥交的离经叛道者。同时,剧本净化了罗切斯特的性丑闻和婚姻丑闻。突然出现的情节变化最终使伯莎和罗切斯特的道德形象两极分化,并减少了我们与夏洛特·勃朗特原著联系在一起的女权主义方面。
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引用次数: 0
House of Fiction: From Pemberley to Brideshead, Great Houses in English Literature 小说之家:从彭伯里到布赖兹海德,英国文学中的伟大之家
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-07-27 DOI: 10.1080/14748932.2021.1952784
Josephine Smith
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引用次数: 1
Lies and The Brontës: The Quest for the Jenkins Family. 谎言和Brontës:詹金斯家族的追求。
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-07-27 DOI: 10.1080/14748932.2021.1952785
Peter Cook
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引用次数: 0
Literature in Our Lives: Talking About Texts from Shakespeare to Philip Pullman 我们生活中的文学:从莎士比亚到菲利普·普尔曼的文本
IF 0.1 3区 文学 Q3 Arts and Humanities Pub Date : 2021-07-27 DOI: 10.1080/14748932.2021.1952786
A. Shastri
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引用次数: 0
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Bronte Studies
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