{"title":"Margaret and the Warburg Institute","authors":"P. Mack","doi":"10.3366/drs.2022.0374","DOIUrl":"https://doi.org/10.3366/drs.2022.0374","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41540587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial Introduction: Tributes to Margaret McGowan and Clement Crisp","authors":"R. Ralph","doi":"10.3366/drs.2022.0370","DOIUrl":"https://doi.org/10.3366/drs.2022.0370","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45593466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Margaret and the Festival Book: The French Royal Entry in the Renaissance: the Status of the Printed Text","authors":"R. Cooper","doi":"10.3366/drs.2022.0377","DOIUrl":"https://doi.org/10.3366/drs.2022.0377","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48001567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Publications of Margaret M. McGowan from 2007–2022","authors":"","doi":"10.3366/drs.2022.0379","DOIUrl":"https://doi.org/10.3366/drs.2022.0379","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44135156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Margaret in the Community of Renaissance and Early Modern Scholarship","authors":"M. Canova-Green","doi":"10.3366/drs.2022.0375","DOIUrl":"https://doi.org/10.3366/drs.2022.0375","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47938652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Martin Engelbrecht’s hand-coloured engraving Das Tantzen / La Danse c. 1730 depicts a dance lesson where the dancing master is teaching five students. The engraving is detailed and accurate in what it portrays: the clothes of the six gentlemen, the room itself with an expensive and luxurious mirror and large glass windows, the dance being taught and the posture of the dancing master and his students. The wealth of detail reveals a great deal about the social mores of the period, and the cultural expectations that surrounded dance teaching. This article, therefore, begins with an overview of the state of print publishing in Augsburg and the place Martin Engelbrecht had in it, who might have been the potential buyers for such a print, and their reasons for purchasing it, before examining the image itself, and the elements that make up the image and their significance: the glass windows and mirrors, the French and German texts in praise of dancing, the clothes worn by the dance master and his students, and finally the dance information depicted in the engraving.
马丁·恩格尔布莱希特(Martin Engelbrecht)于1730年创作的手工彩色版画《舞蹈》(Das Tantzen / La Danse)描绘了一节舞蹈课，舞蹈大师正在教五个学生。雕刻的细节和准确描绘:六个绅士的衣服，房间本身有一个昂贵而豪华的镜子和大玻璃窗，正在教授的舞蹈和舞蹈老师和他的学生的姿势。大量的细节揭示了那个时期的社会习俗，以及围绕舞蹈教学的文化期望。因此，本文首先概述了奥格斯堡的印刷出版状况，以及马丁·恩格尔布雷希特(Martin Engelbrecht)在奥格斯堡的地位，谁可能是这种印刷品的潜在买家，以及他们购买它的原因，然后再研究图像本身，以及构成图像的元素及其意义:玻璃窗和镜子，赞扬舞蹈的法语和德语文本，舞蹈老师和他的学生穿的衣服，最后是雕刻中描绘的舞蹈信息。
{"title":"Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse","authors":"J. Nevile","doi":"10.3366/drs.2022.0369","DOIUrl":"https://doi.org/10.3366/drs.2022.0369","url":null,"abstract":"Martin Engelbrecht’s hand-coloured engraving Das Tantzen / La Danse c. 1730 depicts a dance lesson where the dancing master is teaching five students. The engraving is detailed and accurate in what it portrays: the clothes of the six gentlemen, the room itself with an expensive and luxurious mirror and large glass windows, the dance being taught and the posture of the dancing master and his students. The wealth of detail reveals a great deal about the social mores of the period, and the cultural expectations that surrounded dance teaching. This article, therefore, begins with an overview of the state of print publishing in Augsburg and the place Martin Engelbrecht had in it, who might have been the potential buyers for such a print, and their reasons for purchasing it, before examining the image itself, and the elements that make up the image and their significance: the glass windows and mirrors, the French and German texts in praise of dancing, the clothes worn by the dance master and his students, and finally the dance information depicted in the engraving.","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48612145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rebecca L. Farinas and Julie Van Camp (eds.), The Bloomsbury Handbook of Dance and Philosophy","authors":"P. Rothfield","doi":"10.3366/drs.2022.0383","DOIUrl":"https://doi.org/10.3366/drs.2022.0383","url":null,"abstract":"","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44912753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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