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Verš raného Karla Tomana
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2021-01-01 DOI: 10.51305/CL.2021.01.02
Robert Kolář
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引用次数: 0
Autonomizace české literatury
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2021-01-01 DOI: 10.51305/CL.2021.01.01
Martin Hrdina
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引用次数: 0
V zájmu zájmů. (Pavel Janáček, Petr Píša, Petr Šámal, Michael Wögerbauer a kol.: V obecném zájmu: Cenzura a sociální regulace literatury v moderní české kultuře 1749–2014.) In: Česká literatura 4/2016, S. 572–580
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2016-01-01 DOI: 10.5167/UZH-126800
Tomáš Glanc
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引用次数: 0
Povaha písma, jeho meze a nosiče : výpisky a poznámky k historickým aspektům mediální dimenze psaní a literární komunikace
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2015-01-01 DOI: 10.5167/UZH-123193
Tomáš Glanc
This article examines literature from the standpoint of mediality, defining medium as an act, i.e. “an apparatus brought into operation”. A new sensitivity towards the media dimension of literary communication, bolstered by new technologies, applies to typeface and writing itself, the media of the work and communication — the treatment of the work as a physical phenomenon. The media dimension of writing is not just conceived as a phenomenon bound to digital data or the internet, but as an age-old element in the treatment of texts and associated both with the meanings of texts and the authority mediated by texts. From these standpoints samizdat also appears to be a noteworthy phenomenon which creates a particular materiality for writing, along with various forms of experimental treatment of typeface, writing and text. One productive tool here appears to be Aarseth’s ergodicity, a term applied to an attribute of a work that involves or creates rules on which its non-linear “usage” is based. On the basis of a number of specific cases it is shown what media-“staged” and variously produced (cf. Kittler) text might be like, and what uncertainties apply to it. From this standpoint avant-garde experiments confront questions raised by theologians, mystics and glossolalia theorists.
本文从媒介的角度考察文学,将媒介定义为一种行为,即“一种投入运行的装置”。在新技术的支持下,对文学传播媒介维度的新敏感性适用于字体和写作本身,作品和传播的媒介-将作品视为一种物理现象。写作的媒体维度不仅被认为是一种与数字数据或互联网相关联的现象,而且是处理文本的一个古老元素,与文本的意义和文本中介的权威相关联。从这些角度来看,地下出版物似乎也是一个值得注意的现象,它为写作创造了一种特殊的物质性,以及各种形式的字体、写作和文本的实验性处理。这里的一个有效工具似乎是Aarseth的遍历性,这个术语适用于涉及或创建其非线性“使用”所基于的规则的作品的属性。在一些具体案例的基础上,展示了媒介-“上演”和各种生产(参见Kittler)文本可能是什么样子,以及适用于它的不确定性。从这个观点出发,前卫实验面对着由神学家、神秘主义者和舌语理论家提出的问题。
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引用次数: 0
Regionalismus, plurikulturalita a vícejazyčnost nové středoevropské literatury
4区 文学 0 LITERATURE, SLAVIC Pub Date : 2014-01-01 DOI: 10.15496/PUBLIKATION-4906
Renata Makarská
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引用次数: 0
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CESKA LITERATURA
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