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Redact to React: Deconstructing Justice with Erasure Poetry 从编辑到反应:用擦除诗解构正义
Q3 LAW Pub Date : 2023-09-16 DOI: 10.1007/s10991-023-09346-6
Sarah-Jane Coyle
Abstract The purpose of this article is to consider the philosophy, form and function underpinning erasure poetry. Erasure is a creative practice involving redaction or the striking through of certain words, phrases, or paragraphs in found documents and materials. The poetic form is comprised of what is left behind. The form has grown in popularity in recent years due to the advent of social media and the fact that erasure poems’ pictorial format is easily shared online. This article suggests that the poststructuralist philosophy underpinning the form is also key to its traction insofar as it enables poets to expose the fallacy of justice communicated by official documents such as court transcripts and government reports. In examining traditional conceptions of the page as interface and the authority of inscription, I will explore the extent to which erasure poetry heralds a new collaborative and democratic form of poetics. By conducting a close reading of two erasure texts—M NourbeSe Philip’s Zong! and Nicole Sealey’s ‘Pages 1–4’, an excerpt from The Ferguson Report: An Erasure —I will argue that erasure poetry has the potential to reinvigorate postcolonial studies, drawing parallels between erasure and the censorship of black lives.
摘要本文的目的是探讨支撑擦除诗的哲学、形式和功能。擦除是一种创造性的做法,涉及对发现的文件和材料中的某些单词、短语或段落进行编辑或擦除。诗歌的形式是由留下的东西组成的。近年来,由于社交媒体的出现,这种形式越来越受欢迎,而且擦除诗的图片形式很容易在网上分享。本文认为,支撑这种形式的后结构主义哲学也是其吸引力的关键,因为它使诗人能够揭露官方文件(如法庭记录和政府报告)传达的正义谬误。在考察页面作为界面和铭文权威的传统观念时,我将探讨擦除诗歌在多大程度上预示着一种新的合作和民主的诗学形式。通过仔细阅读诺贝斯和菲利普的《宗!》以及妮可·西利的《第1-4页》,摘自《弗格森报告:一种抹除》我认为,抹除诗歌有可能重振后殖民研究,并将抹除与对黑人生活的审查联系起来。
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引用次数: 0
Social Justice Tropes in Law and Literature: Rights Narratives, Legal Fictions, and (Un)Writable Wrongs? 法律与文学中的社会正义修辞:权利叙事、法律虚构与(不可)书写的错误?
Q3 LAW Pub Date : 2023-09-09 DOI: 10.1007/s10991-023-09351-9
Alice Diver
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引用次数: 0
The Ontological Indifference of Rights of Nature 自然权利的本体论冷漠
IF 1 Q3 LAW Pub Date : 2023-08-17 DOI: 10.1007/s10991-023-09344-8
B. Jansen
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引用次数: 0
Online Disinformation and Populist Approaches to Freedom of Expression: Between Confrontation and Mimetism 网络虚假信息和民粹主义的言论自由途径:在对抗和模仿之间
IF 1 Q3 LAW Pub Date : 2023-08-12 DOI: 10.1007/s10991-023-09343-9
Giuseppe Martinico, M. Monti
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引用次数: 0
The Use of Competition Law as a Mechanism of Corporate Governance in India 竞争法作为公司治理机制在印度的运用
IF 1 Q3 LAW Pub Date : 2023-08-04 DOI: 10.1007/s10991-023-09328-8
Anuradha Roy Chowdhury
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引用次数: 0
The Legal and the Literary: Cultural Perspectives on Brexit 法律与文学:英国脱欧的文化视角
IF 1 Q3 LAW Pub Date : 2023-07-21 DOI: 10.1007/s10991-023-09330-0
M. Nicolini, S. Fiorato
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引用次数: 0
Equal Pay and the Equality Act 2010: An Accidental Paradox in Need of Change? 2010年同工同酬与平等法案:需要改变的偶然悖论?
IF 1 Q3 LAW Pub Date : 2023-07-18 DOI: 10.1007/s10991-023-09339-5
James Hand, Victoria E. Hooton
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引用次数: 0
The Role of Artificial Intelligence in Healthcare and Medical Negligence 人工智能在医疗保健和医疗过失中的作用
IF 1 Q3 LAW Pub Date : 2023-07-17 DOI: 10.1007/s10991-023-09340-y
Dhruv Mehta
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引用次数: 0
Correction to: Fragmentation and Relationality in Brexit Narratives: Linda Grant’s a Stranger City 更正:英国脱欧叙事中的碎片化与关联性:琳达-格兰特的《陌生的城市
IF 1 Q3 LAW Pub Date : 2023-07-13 DOI: 10.1007/s10991-023-09341-x
Silvia Pellicer-Ortín
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引用次数: 0
Unwriting Brexit? Bridging Fictions and Liminal Aesthetics Within the UK’s Hostile Environment Unwriting Brexit吗?在英国的敌对环境中架起小说与阈限美学的桥梁
IF 1 Q3 LAW Pub Date : 2023-07-12 DOI: 10.1007/s10991-023-09333-x
Laura A. Zander
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引用次数: 1
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Liverpool Law Review
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