Pub Date : 2021-12-06DOI: 10.2979/blackcamera.13.1.01
Gaston Kaboré, Michael T. Martin
{"title":"On Decoloniality and Cultural [Cinema] Policy in Africa and the Black Diaspora: Considerations","authors":"Gaston Kaboré, Michael T. Martin","doi":"10.2979/blackcamera.13.1.01","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.01","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46662565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-06DOI: 10.2979/blackcamera.13.1.0573
Keith M. Harris
{"title":"\"Black Is …\" and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture","authors":"Keith M. Harris","doi":"10.2979/blackcamera.13.1.0573","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0573","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49402681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-06DOI: 10.2979/blackcamera.13.1.0111
B. Boucher
{"title":"An Outlook on FEPACI: Report submitted to Mr. Gaston Kaboré, Secretary General, Pan-African Federation of Filmmakers (FEPACI)","authors":"B. Boucher","doi":"10.2979/blackcamera.13.1.0111","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0111","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49358854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-06DOI: 10.2979/blackcamera.13.1.0477
Jeferson De
{"title":"The Genesis of Black Brazilian Cinema, or \"Dogma Feijoada\"","authors":"Jeferson De","doi":"10.2979/blackcamera.13.1.0477","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0477","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48360227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-06DOI: 10.2979/blackcamera.13.1.0592
S. Paulo.
{"title":"Manifesto of the Workers of the Cinemateca Brasileira","authors":"S. Paulo.","doi":"10.2979/blackcamera.13.1.0592","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0592","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47440018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.2979/blackcamera.13.2.24
Elena Razlogova
Abstract:Based on previously unexamined documents in Soviet archives, this essay shows Paulin S. Vieyra's key role as a "cinematic internationalist" who used the socialist and Cold War film networks to advance African cinema. As a filmmaker, producer, scholar, and Senegalese government official, Vieyra took part in Soviet film life, beginning with the 1957 International Youth Festival in Moscow. Vieyra participated in the making of the Soviet documentary about the First Negro Arts Festival in Dakar, African Rhythms; represented the Pan-African Federation of Filmmakers at the Tashkent Festival for African, Asian, and Latin American Cinema; and advocated for African films on the Moscow International Film Festival jury in 1971, 1973, and 1985. He also traveled to the United States, as a member of a FEPACI delegation in 1973 and as a participant in a major Senegalese cinema retrospective at the Museum of American Art in New York and the Pacific Film Archive at Berkeley in 1978. Vieyra's advocacy connected two politically disparate film cultures that supported African cinema during the decolonization era—Soviet cinema and militant Third Cinema. He used Cold War infrastructures in the Soviet Union and the United States to promote and establish African cinemas internationally.
{"title":"Paulin Soumanou Vieyra, the Soviet Union, and Cold War Circuits for African Cinema, 1958–1978","authors":"Elena Razlogova","doi":"10.2979/blackcamera.13.2.24","DOIUrl":"https://doi.org/10.2979/blackcamera.13.2.24","url":null,"abstract":"Abstract:Based on previously unexamined documents in Soviet archives, this essay shows Paulin S. Vieyra's key role as a \"cinematic internationalist\" who used the socialist and Cold War film networks to advance African cinema. As a filmmaker, producer, scholar, and Senegalese government official, Vieyra took part in Soviet film life, beginning with the 1957 International Youth Festival in Moscow. Vieyra participated in the making of the Soviet documentary about the First Negro Arts Festival in Dakar, African Rhythms; represented the Pan-African Federation of Filmmakers at the Tashkent Festival for African, Asian, and Latin American Cinema; and advocated for African films on the Moscow International Film Festival jury in 1971, 1973, and 1985. He also traveled to the United States, as a member of a FEPACI delegation in 1973 and as a participant in a major Senegalese cinema retrospective at the Museum of American Art in New York and the Pacific Film Archive at Berkeley in 1978. Vieyra's advocacy connected two politically disparate film cultures that supported African cinema during the decolonization era—Soviet cinema and militant Third Cinema. He used Cold War infrastructures in the Soviet Union and the United States to promote and establish African cinemas internationally.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44961442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.2979/blackcamera.13.2.27
T. Francis
Abstract:This essay documents animating moments and key concepts in Stéphane Vieyra's donation of Paulin Soumanou Vieyra's papers to the Black Film Center & Archive at Indiana University. Speaking as the BFCA director at the time of the donation, the author brings to light philosophical, archival, and administrative aspects of the donation process that are often unseen by researchers but that impact their access to materials, particularly in our digital age. The author presents crucial questions of location and access to the donated materials during the years-long funding, cataloging, and preservation process to come.
{"title":"Welcoming Paulin Vieyra's Papers to Indiana University's Black Film Center & Archive","authors":"T. Francis","doi":"10.2979/blackcamera.13.2.27","DOIUrl":"https://doi.org/10.2979/blackcamera.13.2.27","url":null,"abstract":"Abstract:This essay documents animating moments and key concepts in Stéphane Vieyra's donation of Paulin Soumanou Vieyra's papers to the Black Film Center & Archive at Indiana University. Speaking as the BFCA director at the time of the donation, the author brings to light philosophical, archival, and administrative aspects of the donation process that are often unseen by researchers but that impact their access to materials, particularly in our digital age. The author presents crucial questions of location and access to the donated materials during the years-long funding, cataloging, and preservation process to come.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49277864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.1007/978-1-349-92502-5_8
T. Rice
{"title":"From the Inside: The Colonial Film Unit and the Beginning of the End","authors":"T. Rice","doi":"10.1007/978-1-349-92502-5_8","DOIUrl":"https://doi.org/10.1007/978-1-349-92502-5_8","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50923830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.2979/BLACKCAMERA.12.2.04
Shaka
{"title":"Politics of Cultural Conversion in Colonialist African Cinema","authors":"Shaka","doi":"10.2979/BLACKCAMERA.12.2.04","DOIUrl":"https://doi.org/10.2979/BLACKCAMERA.12.2.04","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69685485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-01DOI: 10.2979/blackcamera.13.1.0222
{"title":"Accra Declaration on Public Service Broadcasting in West Africa","authors":"","doi":"10.2979/blackcamera.13.1.0222","DOIUrl":"https://doi.org/10.2979/blackcamera.13.1.0222","url":null,"abstract":"","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69687915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：