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Sommer, Marianne: History Within. The Science, Culture, and Politics of Bones, Organisms, and Molecules. Chicago; London, The University of Chicago Press, 2016. viii+544 p. Ill. $ 50.–. ISBN 978-0-226-34732-5 玛丽安,索默:内在的历史。骨骼、有机体和分子的科学、文化和政治。芝加哥伦敦,芝加哥大学出版社,2016年。viii+544页伊利诺伊州。50美元。国际标准图书编号978-0-226-34732-5
Q4 Arts and Humanities Pub Date : 2018-11-06 DOI: 10.1163/22977953-07501023
J. Bangham
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引用次数: 0
Development Aid and Solidarity Work : East and West German Health Cooperation with Low-Income Countries, 1945 to 1970 发展援助和团结工作:东德和西德与低收入国家的卫生合作,1945年至1970年
Q4 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1163/22977953-07402002
Walter Bruchhausen, Iris Borowy
Between 1949 and 1989, both the Federal Republic of Germany (FRG) in the West and the German Democratic Republic (GDR) in the East, engaged in health-related relations with low-income countries in the global South. The strong position of the churches in West Germany and the dominant position of the state in the East provided the preconditions for diverging international health activities, as did differences in ideology and economic status. Activities entailed similarities (an initial focus on clinical therapy and material donations) and differences (in scale, composition of actors and conceptualization). Programs evolved gradually, reacting to circumstances rather than a master plan. By the late 1960s, international health assistance was mainly organized as a component of “development aid” in the FRG, while regarded as “solidarity” in the GDR, in both cases designed to spur changes in reci pient countries according to the respective Northern models as components of a perceived direct, global East-West confrontation.
1949年至1989年期间,西部的德意志联邦共和国和东部的德意志民主共和国都与全球南方的低收入国家建立了与卫生有关的关系。教会在西德的强势地位和国家在东德的主导地位,以及意识形态和经济地位的差异,为国际卫生活动的分歧提供了先决条件。这些活动有相似之处(最初侧重于临床治疗和物资捐赠)和差异(在规模、参与者组成和概念化方面)。项目逐渐发展,对环境做出反应,而不是一个总体规划。到20世纪60年代末,国际卫生援助在南斯拉夫联邦共和国主要是作为“发展援助”的组成部分组织起来的,而在民主德国则被视为“团结”,在这两种情况下,都是为了根据各自的北方模式刺激受援国的变化,作为被认为是直接的全球东西方对抗的组成部分。
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引用次数: 1
Introduction. Towards a Contemporary Historiography of Amateurs in Science (18th–20th Century). 介绍。走向科学业余爱好者的当代史学(18 - 20世纪)。
Q4 Arts and Humanities Pub Date : 2016-11-06 DOI: 10.1163/22977953-07302001
H. Guillemain, Nathalie Richard
The last few decades have seen considerable growth in the role played by amateurs in the sciences. With the development of new techniques for collecting information, new virtual networks and the emergence of new problematics calling for the participation of citizens, this role has also become more visible, while the modern boundary between professionalism and amateurism, first erected in the 19th century, has been shaken. These contemporary developments have changed our perspective on amateurs in science and brought forth questions and analyses that sometimes coincide with recent inflections in the history of science.Thus it is now possible to take a new approach to the historical study of amateurs in contemporary science. This introduction hopes to demonstrate this, while the essays brought together in this volume, some of which explore extreme cases, reveal the very relative nature of the definition of the “amateur” category and how complex and fertile its implementation has been in the history of science.
在过去的几十年里,业余爱好者在科学领域所起的作用有了相当大的增长。随着收集信息的新技术的发展,新的虚拟网络和要求公民参与的新问题的出现,这一角色也变得更加明显,而19世纪首次建立的专业与业余之间的现代界限已经动摇。这些当代的发展改变了我们对科学爱好者的看法,并提出了一些问题和分析,这些问题和分析有时与科学史上最近的变化不谋而合。因此,现在有可能采取一种新的方法来研究当代科学中的业余爱好者的历史。本引言希望证明这一点,而本卷中汇集的文章,其中一些探讨了极端的案例,揭示了“业余”类别定义的相对性质,以及它的实施在科学史上是多么复杂和丰富。
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引用次数: 7
[Entomology around 1900: an Amateur Science?]. [1900年左右的昆虫学:一门业余科学?]
Q4 Arts and Humanities Pub Date : 2016-01-01
Loïc Casson

At the turn of the twentieth century, French entomology seemed divided between a multitude of fans and few official scholars. On the one hand, thenetwork of the French Entomological Society, and on the other, a chair at the Muséum national d’histoire naturelle. To illustrate this duality betweenacademic entomology and a more domestic entomology, we present a study based on two men: Charles Janet, a little-known province engineer who could be seen as a mere amateur among the professionals, Eugène-Louis Bouvier who was a scholar at the Muséum national d’histoire naturelle and the Academy of Sciences. The biographical approach developed here will allow us to meet close associates of these two men. Considering their own perceptions we will see how these actors situated themselves within their discipline. This approach will allow us to give a broader picture of French entomologists around 1900: their number, their institutions, their relationships and their means of communication. This text shows that the amateur/professional dichotomy is an unsuitable tool to describe entomology at that time.

在二十世纪之交,法国昆虫学似乎分为众多的爱好者和少数官方学者。一方面是法国昆虫学会的网络,另一方面是国家自然历史学会的主席。为了说明学术昆虫学和更多的家庭昆虫学之间的两重性,我们提出了一项基于两个人的研究:查尔斯·珍妮特(Charles Janet),一位不知名的省工程师,在专业人士中可以被视为业余爱好者;奥格涅-路易斯·布维耶(eug - louis Bouvier),他是法国国家自然历史博物馆和科学院的学者。这里所采用的传记方法将使我们能够认识这两人的亲密伙伴。考虑到他们自己的看法,我们将看到这些演员如何在他们的学科中定位自己。这种方法将使我们对1900年前后的法国昆虫学家有一个更全面的了解:他们的人数、他们的机构、他们的关系和他们的交流方式。这篇文章表明业余/专业的二分法在当时是一个不适合描述昆虫学的工具。
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引用次数: 0
[Scholars and Amateurs in Ornithology around 1800: Sharing Literature]. [1800年左右鸟类学的学者和业余爱好者:共享文献]。
Q4 Arts and Humanities Pub Date : 2016-01-01
Anne-Gaëlle Weber

Ornithology has emerged as a science at the turn of the 18th century. To become a self-sufficient scientific discipline, studies of birds had to distinguish themselves from luxury, trade and poetry. Scholars had to invent new ways of writing, different from the beautiful and ornamented books on birds, even if these books were often published by other scholars who had been expelled from academic institutions and therefore considered as «amateurs». The same scholars needed the help of «amateurs» in order to observe and explain bird migration. First ornithological discourses in Europe and the United States illustrate the relationships between scholars, authors and «amateurs» and show how these words can be used in different meanings.

鸟类学在18世纪初成为一门科学。为了成为一门自给自足的科学学科,鸟类研究必须将自己与奢侈品、贸易和诗歌区分开来。学者们必须发明新的写作方式,不同于那些关于鸟类的美丽和装饰的书,即使这些书通常是由其他被学术机构开除的学者出版的,因此被认为是“业余爱好者”。这些学者需要“业余爱好者”的帮助来观察和解释鸟类的迁徙。欧洲和美国的第一次鸟类学论述说明了学者、作家和“业余爱好者”之间的关系,并展示了这些词如何在不同的意义上使用。
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引用次数: 0
[Amateurism in Geology: the French Reception of the Continental Drift Theory (1920-1950)]. [地质学的业余主义:法国对大陆漂移理论的接受(1920-1950)]。
Q4 Arts and Humanities Pub Date : 2016-01-01
Philippe Le Vigouroux, Gabriel Gohau

At the beginning of the XXth century, Wegener proposed a theory – that of the roaming drift of the continents – unifying the rival theories of the Europeans and the Americans. As the work of a non-specialist who didn’t trouble himself with specific details, it raised numerous criticisms from specialists in various disciplines though others welcomed and supported it. Some even understood that despite its flaws, it started a new research program. Paradoxically, as regards its simplicity, nonspecialists – engineers, popularizers, secondary school teachers and even believers in para-sciences – gave it a favorable reception. Being amateurs, they continued to endorse it when specialists abandoned it.

20世纪初,韦格纳提出了一种学说——大陆漫游漂移学说——统一了欧洲人和美国人的对立学说。作为一个非专业人士的工作,他没有为自己的具体细节烦恼,尽管有人欢迎和支持,但它引起了各个学科专家的许多批评。有些人甚至明白,尽管它有缺陷,但它启动了一个新的研究项目。矛盾的是,由于它的简单性,非专业人士- -工程师、普及工作者、中学教师,甚至是超科学的信徒- -都给予它良好的接受。作为业余爱好者,当专家们抛弃它时,他们继续支持它。
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引用次数: 0
Conrad Gessner's Paratexts. Conrad Gessner的Paratexts。
Q4 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.24894/GESN-EN.2016.73004
A. Blair
Throughout his prolific publishing career Conrad Gessner composed abundant paratexts which offer valuable insight into his methods of working. Gessner wrote many dedications, only a minority of which were addressed to major patrons of his day. Instead he used them to thank dozens of physicians and scholars for sending him information, images, and manuscripts for his ongoing projects. Gessner acknowledged new arrivals in successive publications and invited further contributions explicitly. In "to the readers" and other passages Gessner called attention to his future publication plans and his skill in working with printers and in editing manuscripts of recently deceased scholars, thereby also encouraging new commissions. Gessner was also a master indexer and innovated especially in drawing up the first index of authors cited for his edition of Stobaeus in 1543 and a new all-purpose index in his Stobaeus of 1549. Many other aspects of Gessner's paratexts warrant further study.
在他多产的出版生涯中,康拉德·格斯纳创作了大量的文本,这些文本为他的工作方法提供了宝贵的见解。盖斯纳写了许多献词,其中只有少数是写给当时的主要赞助人的。相反,他用它们来感谢几十位医生和学者为他正在进行的项目提供信息、图像和手稿。Gessner在一系列出版物中承认了新来者,并明确邀请了进一步的贡献。在“致读者”和其他段落中,Gessner提醒人们注意他未来的出版计划,以及他与印刷商合作和编辑最近去世的学者手稿的技能,从而也鼓励了新的委托。Gessner也是一个索引大师,特别是在1543年为他的Stobaeus版本绘制了第一个引用作者索引和1549年的Stobaeus版本中一个新的通用索引。格斯纳的准文本的许多其他方面值得进一步研究。
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引用次数: 8
Circulation of images and graphic practices in Renaissance natural history: the example of Conrad Gessner. 文艺复兴时期自然史中图像流通与图形实践:以康拉德·格斯纳为例。
Q4 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.24894/gesn-en.2016.73003
F. Egmond, S. Kusukawa
Conrad Gessner's Historia animalium is a compilation of information from a variety of sources: friends, correspondents, books, broadsides, drawings, as well as his own experience. The recent discovery of a cache of drawings at Amsterdam originally belonging to Gessner has added a new dimension for research into the role of images in Gessner's study of nature. In this paper, we examine the drawings that were the basis of the images in the volume of fishes. We uncovered several cases where there were multiple copies of the same drawing of a fish (rather than multiple drawings of the samefish), which problematizes the notion of unique "original" copies and their copies. While we still know very little about the actual mechanism of, or people involved in, commissioning or generating copies of drawings, their very existence suggests that the images functioned as an important medium in the circulation of knowledge in the early modern period.
康拉德·格斯纳(Conrad Gessner)的《动物历史》(Historia animal)汇集了各种来源的信息:朋友、通讯员、书籍、海报、绘画,以及他自己的经历。最近在阿姆斯特丹发现了一组原本属于Gessner的画作,这为研究Gessner对自然的研究中图像的作用增加了一个新的维度。在本文中,我们检查的图纸是基础的图像在鱼的体积。我们发现了一些情况,即同一条鱼有多个副本(而不是同一条鱼的多个副本),这就对唯一“原始”副本及其副本的概念提出了质疑。虽然我们对绘画的实际机制或参与其中的人知之甚少,但它们的存在表明,在近代早期,这些图像在知识流通中起着重要的媒介作用。
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引用次数: 7
[Neither Pedants nor Amateurs? Psychological Journals in Germany in the last three Decades of the 18th Century]. 既不是学究也不是业余爱好者?18世纪后30年德国的心理学期刊[j]。
Q4 Arts and Humanities Pub Date : 2016-01-01
Claire Gantet

Neither pedants nor amateurs? Psychological journals in Germany in the last three decades of the 18th century The Magazin zur Erfahrungsseelenkunde introduced a new tone in the evolving field of psychology. For the first time, attention was paid not to the abstract relationships between body and soul, but to suffering individuals from the «common folk». The collection and systematic publication ofaccounts of readers should eventually allow the formulation of an empirical «science of the soul». The readers would eventually send accounts of personal and experienced «cases». By 1800, this conception of the science of psychology was called into question by educated philosophers who, in journals opened only to specialists, endeavored to develop a more professional psychology. They nevertheless failed in formulating general criteria of scientificity. The main argument of this article is that the distinction between amateurs and scientists was not an outcome of the inner evolution of the field of psychology, but that it developed through practices of communication in which periodicals play a major role.

既不是学究也不是业余爱好者?18世纪后30年德国的心理学期刊《Magazin zur Erfahrungsseelenkunde》为不断发展的心理学领域引入了一种新的基调。这是第一次,人们不再关注身体和灵魂之间的抽象关系,而是关注“普通人”中受苦的个体。收集和系统地出版读者的资料,最终将形成一种经验性的“灵魂科学”。读者们最终会寄来个人和亲身经历的“案例”。到1800年,这种心理学的概念受到了受过教育的哲学家的质疑,他们在只对专家开放的期刊上努力发展一种更专业的心理学。然而,他们未能制定出科学的一般标准。这篇文章的主要论点是,业余爱好者和科学家之间的区别不是心理学领域内部进化的结果,而是通过期刊发挥主要作用的交流实践发展起来的。
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引用次数: 0
[The "Chacornac Affair": the Rise and Stigmatizatin of a State Astronomer]. [“查科纳克事件”:一位国家天文学家的崛起和耻辱]。
Q4 Arts and Humanities Pub Date : 2016-01-01
Volny Fages

This article traces the unusual astronomical career of Jean Chacornac (1823–1873) during the French Second Empire. This clerk in a bazaar in Marseille became in just a few years astronomer at the Paris imperial observatory, and was then brutally expelled from this prestigious institution. The «Chacornac affair», largely forgotten, was an asymmetric struggle between a self-taught astronomer and the most famous professional French astronomer of the time, Urbain Le Verrier. Through the study of this case, we want to shed a light on people and practices kept on the margins of science by the process of professionalization of astronomy. Although he was excluded from the institution, Chacornac tried to continue to be an astronomer, independently, «from below». But the construction of a new social identity for State astronomy, in particular by Le Verrier, was inseparable from the attribution of indelible social stigma, which made Chacornac an «obligatory amateur».

本文追溯了法国第二帝国时期让·夏科纳(1823-1873)不寻常的天文学生涯。这个马赛市集的职员,短短几年就成了巴黎皇家天文台的天文学家,后来又被这个著名的机构粗暴地开除了。“夏科纳克事件”基本上被遗忘了,它是一位自学成才的天文学家与当时最著名的法国专业天文学家乌尔本·勒维耶之间的不对称斗争。通过对这个案例的研究,我们想要揭示在天文学专业化的过程中被置于科学边缘的人和实践。虽然他被排除在该机构之外,但查科纳克试图继续做一名独立的天文学家,“从下面开始”。但是,国家天文学的新社会身份的构建,特别是勒维耶,与不可磨灭的社会耻辱的归属是分不开的,这使得夏科纳克成为“必须的业余爱好者”。
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引用次数: 0
期刊
Gesnerus-Swiss Journal of the History of Medicine and Sciences
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