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Duris, Pascal: Quelle révolution scientifique? Les sciences de la vie dans la querelle des Anciens et des Modernes (XVIe–XVIIIe siècles). Paris, Hermann, 2016. 412 p. € 40.–. ISBN 978-2-7056-9179-0 杜里斯,帕斯卡:什么是科学革命?古代和现代争论中的生命科学(16-18世纪)。巴黎,赫尔曼,2016年。412 pp.40欧元ISBN 978-2-7056-9179-0
Q4 Arts and Humanities Pub Date : 2018-11-06 DOI: 10.1163/22977953-07501010
Guillaume Kaufmann
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引用次数: 0
Sommer, Marianne: History Within. The Science, Culture, and Politics of Bones, Organisms, and Molecules. Chicago; London, The University of Chicago Press, 2016. viii+544 p. Ill. $ 50.–. ISBN 978-0-226-34732-5 玛丽安,索默:内在的历史。骨骼、有机体和分子的科学、文化和政治。芝加哥伦敦,芝加哥大学出版社,2016年。viii+544页伊利诺伊州。50美元。国际标准图书编号978-0-226-34732-5
Q4 Arts and Humanities Pub Date : 2018-11-06 DOI: 10.1163/22977953-07501023
J. Bangham
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引用次数: 0
Development Aid and Solidarity Work : East and West German Health Cooperation with Low-Income Countries, 1945 to 1970 发展援助和团结工作:东德和西德与低收入国家的卫生合作,1945年至1970年
Q4 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1163/22977953-07402002
Walter Bruchhausen, Iris Borowy
Between 1949 and 1989, both the Federal Republic of Germany (FRG) in the West and the German Democratic Republic (GDR) in the East, engaged in health-related relations with low-income countries in the global South. The strong position of the churches in West Germany and the dominant position of the state in the East provided the preconditions for diverging international health activities, as did differences in ideology and economic status. Activities entailed similarities (an initial focus on clinical therapy and material donations) and differences (in scale, composition of actors and conceptualization). Programs evolved gradually, reacting to circumstances rather than a master plan. By the late 1960s, international health assistance was mainly organized as a component of “development aid” in the FRG, while regarded as “solidarity” in the GDR, in both cases designed to spur changes in reci pient countries according to the respective Northern models as components of a perceived direct, global East-West confrontation.
1949年至1989年期间,西部的德意志联邦共和国和东部的德意志民主共和国都与全球南方的低收入国家建立了与卫生有关的关系。教会在西德的强势地位和国家在东德的主导地位,以及意识形态和经济地位的差异,为国际卫生活动的分歧提供了先决条件。这些活动有相似之处(最初侧重于临床治疗和物资捐赠)和差异(在规模、参与者组成和概念化方面)。项目逐渐发展,对环境做出反应,而不是一个总体规划。到20世纪60年代末,国际卫生援助在南斯拉夫联邦共和国主要是作为“发展援助”的组成部分组织起来的,而在民主德国则被视为“团结”,在这两种情况下,都是为了根据各自的北方模式刺激受援国的变化,作为被认为是直接的全球东西方对抗的组成部分。
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引用次数: 1
Introduction. Towards a Contemporary Historiography of Amateurs in Science (18th–20th Century). 介绍。走向科学业余爱好者的当代史学(18 - 20世纪)。
Q4 Arts and Humanities Pub Date : 2016-11-06 DOI: 10.1163/22977953-07302001
H. Guillemain, Nathalie Richard
The last few decades have seen considerable growth in the role played by amateurs in the sciences. With the development of new techniques for collecting information, new virtual networks and the emergence of new problematics calling for the participation of citizens, this role has also become more visible, while the modern boundary between professionalism and amateurism, first erected in the 19th century, has been shaken. These contemporary developments have changed our perspective on amateurs in science and brought forth questions and analyses that sometimes coincide with recent inflections in the history of science.Thus it is now possible to take a new approach to the historical study of amateurs in contemporary science. This introduction hopes to demonstrate this, while the essays brought together in this volume, some of which explore extreme cases, reveal the very relative nature of the definition of the “amateur” category and how complex and fertile its implementation has been in the history of science.
在过去的几十年里,业余爱好者在科学领域所起的作用有了相当大的增长。随着收集信息的新技术的发展,新的虚拟网络和要求公民参与的新问题的出现,这一角色也变得更加明显,而19世纪首次建立的专业与业余之间的现代界限已经动摇。这些当代的发展改变了我们对科学爱好者的看法,并提出了一些问题和分析,这些问题和分析有时与科学史上最近的变化不谋而合。因此,现在有可能采取一种新的方法来研究当代科学中的业余爱好者的历史。本引言希望证明这一点,而本卷中汇集的文章,其中一些探讨了极端的案例,揭示了“业余”类别定义的相对性质,以及它的实施在科学史上是多么复杂和丰富。
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引用次数: 7
Conrad Gessner's Paratexts. Conrad Gessner的Paratexts。
Q4 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.24894/GESN-EN.2016.73004
A. Blair
Throughout his prolific publishing career Conrad Gessner composed abundant paratexts which offer valuable insight into his methods of working. Gessner wrote many dedications, only a minority of which were addressed to major patrons of his day. Instead he used them to thank dozens of physicians and scholars for sending him information, images, and manuscripts for his ongoing projects. Gessner acknowledged new arrivals in successive publications and invited further contributions explicitly. In "to the readers" and other passages Gessner called attention to his future publication plans and his skill in working with printers and in editing manuscripts of recently deceased scholars, thereby also encouraging new commissions. Gessner was also a master indexer and innovated especially in drawing up the first index of authors cited for his edition of Stobaeus in 1543 and a new all-purpose index in his Stobaeus of 1549. Many other aspects of Gessner's paratexts warrant further study.
在他多产的出版生涯中,康拉德·格斯纳创作了大量的文本,这些文本为他的工作方法提供了宝贵的见解。盖斯纳写了许多献词,其中只有少数是写给当时的主要赞助人的。相反,他用它们来感谢几十位医生和学者为他正在进行的项目提供信息、图像和手稿。Gessner在一系列出版物中承认了新来者,并明确邀请了进一步的贡献。在“致读者”和其他段落中,Gessner提醒人们注意他未来的出版计划,以及他与印刷商合作和编辑最近去世的学者手稿的技能,从而也鼓励了新的委托。Gessner也是一个索引大师,特别是在1543年为他的Stobaeus版本绘制了第一个引用作者索引和1549年的Stobaeus版本中一个新的通用索引。格斯纳的准文本的许多其他方面值得进一步研究。
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引用次数: 8
Circulation of images and graphic practices in Renaissance natural history: the example of Conrad Gessner. 文艺复兴时期自然史中图像流通与图形实践:以康拉德·格斯纳为例。
Q4 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.24894/gesn-en.2016.73003
F. Egmond, S. Kusukawa
Conrad Gessner's Historia animalium is a compilation of information from a variety of sources: friends, correspondents, books, broadsides, drawings, as well as his own experience. The recent discovery of a cache of drawings at Amsterdam originally belonging to Gessner has added a new dimension for research into the role of images in Gessner's study of nature. In this paper, we examine the drawings that were the basis of the images in the volume of fishes. We uncovered several cases where there were multiple copies of the same drawing of a fish (rather than multiple drawings of the samefish), which problematizes the notion of unique "original" copies and their copies. While we still know very little about the actual mechanism of, or people involved in, commissioning or generating copies of drawings, their very existence suggests that the images functioned as an important medium in the circulation of knowledge in the early modern period.
康拉德·格斯纳(Conrad Gessner)的《动物历史》(Historia animal)汇集了各种来源的信息:朋友、通讯员、书籍、海报、绘画,以及他自己的经历。最近在阿姆斯特丹发现了一组原本属于Gessner的画作,这为研究Gessner对自然的研究中图像的作用增加了一个新的维度。在本文中,我们检查的图纸是基础的图像在鱼的体积。我们发现了一些情况,即同一条鱼有多个副本(而不是同一条鱼的多个副本),这就对唯一“原始”副本及其副本的概念提出了质疑。虽然我们对绘画的实际机制或参与其中的人知之甚少,但它们的存在表明,在近代早期,这些图像在知识流通中起着重要的媒介作用。
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引用次数: 7
Gessner Studies: state of the research and new perspectives on 16th-century studies in natural history. 格斯纳研究:16世纪自然史研究的现状与新视角。
Q4 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1163/22977953-07301002
Philippe Glardon
The field of Gesnerian studies is still to a large extent underdeveloped. This statement sums up in a nutshell the state of research on the body of work of the Zurich physician. Yet, no place for pessimism in this succinct conclusion: in what follows we trace some major tendencies and developments in the study of the Gesnerian corpus. On the whole, it is mostly his illustrations that have drawn scholars' attention, providing interesting perspectives on art history and the representation of nature in the 16th century, as well as, through the study of the circulation of images, on the scholarly networks and knowledge communication in the Renaissance. The second part of this article builds on concrete examples to provide possible perspectives on the paratext of Historia animalium, and on the various additions made to it by its author. In conclusion, it appears that numerous aspects of the Renaissance perception of nature remain unexplored, but also that a reading that makes use of precise lexicological and statistical tools is necessary and promising. This conclusion is positive and seeks to highlight the network established between scholars from different domains of the humanities, and also the technical means available at present, which open new possibilities for comparison, exchange and collating of research information.
Gesnerian的研究领域在很大程度上仍然是不发达的。这句话概括地概括了苏黎世医生工作的研究现状。然而,在这个简洁的结论中没有悲观的地方:在接下来的内容中,我们追踪了一些主要的趋势和发展,在格涅尔语料库的研究中。总的来说,他的插图吸引了学者们的注意,为16世纪的艺术史和自然表现提供了有趣的视角,并通过对图像流通的研究,研究了文艺复兴时期的学术网络和知识交流。本文的第二部分以具体的例子为基础,为《动物历史》的文本提供可能的视角,以及作者对其所做的各种补充。总之,文艺复兴时期对自然的感知似乎有许多方面仍未被探索,但也表明,利用精确的词汇学和统计工具进行阅读是必要的,也是有前途的。这一结论是积极的,旨在突出不同人文学科领域的学者之间建立的网络,以及目前可用的技术手段,这为比较、交流和整理研究信息开辟了新的可能性。
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引用次数: 1
Conrad Gessner 1516-2016. Conrad Gessner 1516-2016。
Q4 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.1163/22977953-07301001
Vincent Barras, H. Steinke
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引用次数: 0
Representation of Dangerous Sexuality in Interwar Non-Fiction Sex Hygiene Films: A Franco-German Comparison. 在两次世界大战之间的非虚构性卫生电影中的危险性表现:法德比较。
Q4 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.24894/GESN-EN.2015.72003
Joël Danet
In the interwar period VD prevention films accompanied the introduction of new "permanent" treatments for syphilis. While they still warned the audience about the dangers of infection, these films were primarily designed to inform about these new methods for curing syphilis. These methods could only be effective if the infected patient immediately consulted a certified doctor (as opposed to a charlatan) upon experiencing the first symptoms. The objectives of the commissioners of health education films tended to go beyond simply conveying a propaganda message. They adhere to and act on the educational potential that the film medium offers to an adult audience. In addressing subjects like sexual health, the films speak to the intimate lives of the audience members, faced with characters whose sexual behaviour is meant to echo their own or that of their friends and relatives. In order to properly raise awareness, the film must escort them, help them overcome their disarray, and persuade them that they are morally able to adopt the necessary measures to avoid contagion. This paper consists in an in-depth comparative study of three anti-venereal films produced and shown between 1928 and 1931, a short but pivotal period in the development of continental European syphilis prevention films. The three films illustrate two forms of screenplay action. In the French films, the patient is identified with a tragic hero and the medical institution embodied by a providential man. Contrary to these French films, the German film tends to display a more matter-of-fact-approach, which is not meant to downplay the risks but rather to clearly identify and address the community exposed to danger and to present how the infection is taken care of once it is diagnosed. Here I consider these films together to show how different ways of conveying the same medical discourse were adopted to adjust to national cinematographic environments.
在两次世界大战之间的时期,性病预防电影伴随着对梅毒的新的“永久”治疗的引入。虽然他们仍然警告观众关于感染的危险,这些电影主要是为了告知这些治疗梅毒的新方法。这些方法只有在被感染的病人在出现第一个症状时立即咨询有资格的医生(而不是骗子)时才有效。卫生教育影片制作专员的目标往往不仅仅是传达宣传信息。他们坚持并发挥电影媒介提供给成人观众的教育潜力。在讨论性健康等主题时,这些电影讲述了观众的私密生活,面对的角色的性行为是为了呼应他们自己或他们的朋友和亲戚。为了适当地提高人们的意识,影片必须为他们护航,帮助他们克服混乱,并说服他们,他们在道德上能够采取必要的措施来避免传染。本文对1928年至1931年间制作和放映的三部反性电影进行了深入的比较研究,这是欧洲大陆预防梅毒电影发展的一个短暂但关键的时期。这三部电影说明了剧本动作的两种形式。在法国电影中,病人被认为是一个悲剧英雄,而医疗机构则被认为是一个有天意的人。与这些法国电影相反,德国电影倾向于展示一种更实事求是的方法,这不是为了淡化风险,而是为了清楚地识别和解决面临危险的社区,并展示一旦确诊感染是如何处理的。在这里,我将这些电影放在一起考虑,以展示如何采用不同的方式传达相同的医学话语来适应国家电影环境。
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引用次数: 1
Listen and Watch: The Practice of Lecturing and the Epistemological Status of Sex Education Films in Germany. 听与看:德国性教育电影的讲授实践与认识论地位。
Q4 Arts and Humanities Pub Date : 2015-01-01 DOI: 10.1163/22977953-07201004
Anja Laukötter
This article takes as its starting point Frauennot-Frauenglück (Women's Misery--Women's Happiness), a film representative of health education films on sex hygiene in Weimar Germany. This paper opens by situating the film in the landscape of German health education films from World War I to the Weimar era. I document the evolution of interest in sexual health education films in the early decades of the twentieth century and show how their narratives changed as a result of the increasing popularity of feature films in the Weimar period. The article then focuses on the lectures which accompanied health education films. I argue that an analysis of these under-investigated lectures can raise new stimulating epistemological questions on the historical status of health education films, as these lectures changed the filmic dispositive. I show how this common practice served as a technique of rhetorical reworking in efforts to adjust or orient the visuality of what was shown to the public. Drawing on two very different lectures which accompanied Frauennot-Frauenglück, the article identifies two approaches to lecturing. While one consisted in enabling controversial films to be screened to the public, the other (socialist) approach transforms initial censorial intentions, allowing the speaker stress his personal or new positions.
本文以德国魏玛时期性卫生健康教育片的代表电影《frauennot - frauengl ck》(Women’s Misery—Women’s Happiness)为切入点。本文首先将影片置于从第一次世界大战到魏玛时期的德国健康教育片的大环境中。我记录了二十世纪初人们对性健康教育电影的兴趣的演变,并展示了它们的叙事是如何随着魏玛时期故事片的日益普及而发生变化的。然后,文章重点介绍了健康教育电影的讲座。我认为,对这些未被充分调查的讲座的分析可以提出关于健康教育电影历史地位的新的令人兴奋的认识论问题,因为这些讲座改变了电影的决定性。我展示了这种常见的做法是如何作为一种修辞改造的技术来调整或定向向公众展示的视觉效果。借鉴了伴随frauennot - frauengl ck的两个非常不同的讲座,文章确定了两种讲课方法。一种是允许有争议的电影向公众放映,另一种(社会主义)方法改变了最初的审查意图,允许演讲者强调他的个人或新的立场。
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引用次数: 4
期刊
Gesnerus-Swiss Journal of the History of Medicine and Sciences
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