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Your Emergency Contact Has Experienced An Emergency; Imperium 您的紧急联络人遇到紧急情况;绝对权
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238418
Jennifer Wong
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
On the Edge: Fate and Flourishing in the Fringes 《边缘:边缘的命运与繁荣
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2237769
Theophilus Kwek
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
Tale of the Dreamer’s Son 梦想者之子的故事
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238421
Dina Zaman
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
The Sand Man 沙人
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238416
William Jamieson
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
Mediating Aotearoa: Essays on Māori Culture; Wow 调解Aotearoa: Māori文化论文集哇
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238429
Yingjie M Cheng
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
A Space for Freedom of Thought and Expression: An Interview with The Mekong Review’s Kirsten Han 一个思想和表达自由的空间:专访《湄公河评论》的韩克尔斯滕
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238405
Sudhir Vadaketh
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
The Great Reclamation; The Age of Goodbyes 大开垦;告别的时代
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238425
Kwan Ann Tan
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
People Everywhere: Three Books on Authoritarianism and Resistance 人民无处不在:三本关于威权主义和抵抗的书
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1080/02690055.2023.2238417
Reuven Pinnata
Published in Wasafiri (Vol. 38, No. 4, 2023)
发表于《Wasafiri》(第38卷第4期,2023年)
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引用次数: 0
People of Nowhere; Burma, 2021; The Fall of Revolution 无处可去的人》;《缅甸,2021 年》;《革命的陨落
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-10-02 DOI: 10.1080/02690055.2023.2238412
Maung Htike Aung
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引用次数: 0
Eruptions: Poulomi Basu and the art of renewal 火山喷发:波罗米巴苏和复兴的艺术
IF 0.3 4区 社会学 Q2 Arts and Humanities Pub Date : 2023-07-03 DOI: 10.1080/02690055.2023.2208959
L. Hingley
This paper considers the vision and practice of Indian born transmedia artist Poulomi Basu. It takes Basu's exhibition ‘Eruptions: a decade of creation' (SIDE Gallery 2021) as a starting point to explore her use of analogue and digital photography, film, print, and virtual reality (VR) as tools for collaboration and storytelling with women in India and Nepal. The artist's interview and accompanying images showcase the evolution of Basu’s work and imagination through the projects To Conquer Her Land (2009-12); Blood Speaks: A Ritual of Exile (2013-18) and Centralia (2010-21). Exposing the contemporary injustices and the disinheritance brought by British colonial divisions of land and power, including those along religious lines, the multifaceted stories within these works respond to an important critical juncture. They look back to the past as well as to the present post-colonial struggles in which the complexities and contradictions of tradition are brought firmly into question.
本文考察了印度裔跨媒体艺术家Poulomi Basu的视野和实践。它以巴苏的展览“喷发:十年创作”(SIDE Gallery 2021)为起点,探索她使用模拟和数字摄影、电影、印刷和虚拟现实(VR)作为与印度和尼泊尔女性合作和讲故事的工具。艺术家的采访和随附的图片展示了巴苏在“征服她的土地”(2009-12)项目中的工作和想象力的演变;《血在说话:流放的仪式》(2013-18)和《Centralia》(2010-21)。这些作品揭露了当代的不公正,以及英国殖民时期对土地和权力的划分所带来的剥夺继承权,包括宗教方面的划分,这些作品中的多面故事回应了一个重要的关键时刻。他们回顾了过去,也回顾了目前的后殖民斗争,在这些斗争中,传统的复杂性和矛盾受到了坚决的质疑。
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引用次数: 0
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