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Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies 古石器与奇石:从深层时间的发现到埃洛石之争的摄影与考古石采集
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-04-17 DOI: 10.1080/17514517.2024.2336361
Helen Wickstead
Photography played an important part in the revelation of deep time in the later nineteenth century, leading to the invention of a new epoch – the palaeolithic. This article investigates how photog...
十九世纪后期,摄影在揭示深层时间方面发挥了重要作用,从而发明了一个新的时代--旧石器时代。这篇文章探讨了摄影是如何...
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引用次数: 0
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs 我们将如何被铭记?艾琳-舒瓦赫曼的西区摄影作品
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-04-04 DOI: 10.1080/17514517.2024.2318007
Lauren Graves
This article examines The Boston Document, a documentary photography project that chronicled urban renewal in Boston from 1959–1968. The project was created by a largely unknown yet crucial documen...
本文探讨了《波士顿文件》,这是一个记录 1959-1968 年波士顿城市重建的纪实摄影项目。该项目由一位名不见经传但却至关重要的纪实摄影师创作。
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引用次数: 0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman 通过摄影展 "离开和挥手 "处理不舒服的情绪,作者:Deanna Dikeman
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-03-27 DOI: 10.1080/17514517.2024.2324507
Simona Palladino, Mariangela D'Ambrosio, Paola Mitra
Photography conveys emotions. However, while a great deal of attention has been given to the artists’ point of view, only rarely these have been explored from the perspective of the viewers of phot...
摄影传达情感。然而,尽管人们对艺术家的视角给予了大量关注,却很少从摄影观众的角度来探讨这些问题。
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引用次数: 0
#Ingrid #Ingrid
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-03-21 DOI: 10.1080/17514517.2024.2323897
Emma Godfrey Pigott
Published in Photography and Culture (Ahead of Print, 2024)
发表于《摄影与文化》(2024 年,提前出版)
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引用次数: 0
Photography and 21st-Century Migration 摄影与 21 世纪移民
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-02-28 DOI: 10.1080/17514517.2024.2313910
Sarah Bassnett, Blessy Augustine
Published in Photography and Culture (Vol. 16, No. 3, 2023)
发表于《摄影与文化》(第 16 卷第 3 期,2023 年)
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引用次数: 0
The Francis Effect and the Significance of Gestures and Images 弗朗西斯效应与手势和图像的意义
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-02-28 DOI: 10.1080/17514517.2024.2313911
Blessy Augustine
Published in Photography and Culture (Vol. 16, No. 3, 2023)
发表于《摄影与文化》(第 16 卷第 3 期,2023 年)
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引用次数: 0
Nadar’s Aerial Photography: Science, Ecstasy, Projection 纳达尔的航空摄影:科学、狂喜、投影
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-02-27 DOI: 10.1080/17514517.2024.2306774
Sangwoo Park
Félix Nadar is the legendary inventor of aerial photography, the origin of the aerial images which are widely used today in various fields. Focusing on his aerial photography and aerial experience,...
费利克斯-纳达尔(Félix Nadar)是航空摄影的传奇发明者,也是今天广泛应用于各个领域的航空图像的起源。以他的航空摄影和航拍经验为重点,...
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引用次数: 0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity 现代主义眼中的美:作为现代主义和现代性体验的桂御苑
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-02-27 DOI: 10.1080/17514517.2024.2305539
Sa Xiao
This article explores a 1960 book project on the Japanese Imperial Palace and Garden complex Katsura, entitled Katsura: Tradition and Creation in Japanese Architecture (1960), in collaboration with...
这篇文章探讨了 1960 年日本皇宫和桂花园建筑群的图书项目,题为《桂:日本建筑中的传统与创造》(1960 年)。
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引用次数: 0
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography 海滩、大海、栅栏:西班牙的死亡边疆与人道主义摄影
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-01-26 DOI: 10.1080/17514517.2024.2303212
Juan F. Egea
The maritime border separating Europe from Africa has become the backdrop for a photojournalism that bears witness to the suffering and death of thousands of migrants since the early 1980s. The bea...
自 20 世纪 80 年代初以来,欧洲与非洲之间的海上边界已成为新闻摄影的背景,见证了成千上万移民的痛苦和死亡。这些照片...
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引用次数: 0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain "这就是展览20 世纪 70 年代英国作为画廊空间的洗衣店、公共汽车和食堂
IF 0.3 4区 艺术学 Q2 Arts and Humanities Pub Date : 2024-01-23 DOI: 10.1080/17514517.2024.2302721
Mathilde Bertrand
In the absence of photographic galleries in Britain in the early 1970s, aspiring documentary photographers turned to ordinary places to show their work, transforming launderettes, buses, canteens a...
20 世纪 70 年代初,由于英国没有摄影画廊,有抱负的纪实摄影师转而在普通场所展示他们的作品。
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引用次数: 0
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