{"title":"Freewheeling Through Film History: The Green Fog and the Vertigo of Time","authors":"Russell Banfield","doi":"10.3998/fc.2709","DOIUrl":"https://doi.org/10.3998/fc.2709","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45393469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press)","authors":"D. Moore","doi":"10.3998/fc.2718","DOIUrl":"https://doi.org/10.3998/fc.2718","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45145498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020)","authors":"Josh Heaps","doi":"10.3998/fc.2717","DOIUrl":"https://doi.org/10.3998/fc.2717","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45232680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Of People and Giants: The 74° Locarno Film Festival","authors":"Pascal M. Cicchetti","doi":"10.3998/fc.2720","DOIUrl":"https://doi.org/10.3998/fc.2720","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46476897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames","authors":"Mohammad Mehdi Kimiagari","doi":"10.3998/fc.2713","DOIUrl":"https://doi.org/10.3998/fc.2713","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43385259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trotz alledem: The 72nd Berlin Film Festival","authors":"G. Gemünden","doi":"10.3998/fc.2471","DOIUrl":"https://doi.org/10.3998/fc.2471","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49002492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay examines the modern temporization of labor to ask: what happens to the human subject that, in signing the labor contract, resigns their "self" to time? It begins by considering comments made by the "actors" in Jean-Luc Godard's Six fois deux / Sur et sous la communication (1976) as an interstice between labor, subjectivity, and capital, to argue for a confluence between all forms of inscription. It then shows how iterability, the infinite interpretability of inscription, offers a possibility of irrepressible difference, one that can never be timed out of laboring subjectivities or the writing that gives them.
摘要:本文考察了现代劳动的时间化，并提出了一个问题:人类主体在签订劳动合同时，把“自我”交给了时间，会发生什么?本文首先从戈达尔(Jean-Luc Godard)的《Six fois deux / Sur et sous la communication》(1976)中“演员”的评论出发，将其视为劳动、主体性和资本之间的间隙，以论证各种形式的铭文之间的融合。然后，它展示了可迭代性，铭文的无限可解释性，如何提供了一种无法抑制的差异的可能性，这种差异永远不会被劳动的主体性或给予它们的文字所限制。
{"title":"Look Busy: Chrematistics, Simulated Labor, and Signing for Time","authors":"JA Dutton","doi":"10.1353/crt.2022.0010","DOIUrl":"https://doi.org/10.1353/crt.2022.0010","url":null,"abstract":"Abstract:This essay examines the modern temporization of labor to ask: what happens to the human subject that, in signing the labor contract, resigns their \"self\" to time? It begins by considering comments made by the \"actors\" in Jean-Luc Godard's Six fois deux / Sur et sous la communication (1976) as an interstice between labor, subjectivity, and capital, to argue for a confluence between all forms of inscription. It then shows how iterability, the infinite interpretability of inscription, offers a possibility of irrepressible difference, one that can never be timed out of laboring subjectivities or the writing that gives them.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"32 1","pages":"185 - 210"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72916298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Detective stories feature prominently in Leslie Scalapino's innovative novels Orion, Defoe, Orchid Jetsam, and Dahlia's Iris. The novels combine narratives of crimes and investigations typical of the detective genre with formal and linguistic disruptions developed and theorized by writers associated with Language Writing. This essay traces Scalapino's experimentation with the detective genre back to her confrontation with Language Writing's exclusionary emphasis on formal disruption, articulated most fully in her 1991 Poetics Journal dialogue with Ron Silliman. Drawing on Nel Noddings's and Judith Butler's theories of interdependence and care, it argues that Scalapino's detective stories foreground the constitutive nature of human vulnerability. In so doing, the essay extends Joan Retallack's, Małgorzata Myk's, and Michael Cross's recent studies of Scalapino's philosophical poetics. It proposes that Scalapino's critical engagement with the conventions of the detective genre informs her layered conceptions of being, experiencing, and conscious subjectivity and argues that her detective novels pursue a series of questions posed by Gertrude Stein and Walter Benjamin decades earlier: What roles do stories play in inspiring or inhibiting care? Given that vulnerability is a shared condition, who deserves care, and who is responsible for providing it? At what cost?
{"title":"Detectives and Storytellers: On Vulnerability and Care in Leslie Scalapino's Genre Fiction","authors":"Nate Mickelson","doi":"10.1353/crt.2022.0009","DOIUrl":"https://doi.org/10.1353/crt.2022.0009","url":null,"abstract":"Abstract:Detective stories feature prominently in Leslie Scalapino's innovative novels Orion, Defoe, Orchid Jetsam, and Dahlia's Iris. The novels combine narratives of crimes and investigations typical of the detective genre with formal and linguistic disruptions developed and theorized by writers associated with Language Writing. This essay traces Scalapino's experimentation with the detective genre back to her confrontation with Language Writing's exclusionary emphasis on formal disruption, articulated most fully in her 1991 Poetics Journal dialogue with Ron Silliman. Drawing on Nel Noddings's and Judith Butler's theories of interdependence and care, it argues that Scalapino's detective stories foreground the constitutive nature of human vulnerability. In so doing, the essay extends Joan Retallack's, Małgorzata Myk's, and Michael Cross's recent studies of Scalapino's philosophical poetics. It proposes that Scalapino's critical engagement with the conventions of the detective genre informs her layered conceptions of being, experiencing, and conscious subjectivity and argues that her detective novels pursue a series of questions posed by Gertrude Stein and Walter Benjamin decades earlier: What roles do stories play in inspiring or inhibiting care? Given that vulnerability is a shared condition, who deserves care, and who is responsible for providing it? At what cost?","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"12 1","pages":"161 - 184"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83361157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing through the Body","authors":"Eileen DiPofi","doi":"10.1353/crt.2022.0013","DOIUrl":"https://doi.org/10.1353/crt.2022.0013","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"77 1","pages":"225 - 230"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74440401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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