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Studia et Documenta最新文献

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Fotograf. Een podcast Fotograf。播客
IF 0.3 0 RELIGION Pub Date : 2020-02-27 DOI: 10.21825/documenta.85148
Katharina Smets
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引用次数: 0
Introduction to a phenomenological approach to sound and listening 声音和听力的现象学方法导论
IF 0.3 0 RELIGION Pub Date : 2020-02-27 DOI: 10.21825/documenta.85141
Martine Huvenne
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引用次数: 0
No Time for caution. De geluidswering in Interstellar. 没时间谨慎了。《星际穿越》中的德?
IF 0.3 0 RELIGION Pub Date : 2020-02-27 DOI: 10.21825/documenta.85142
E. Tack
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引用次数: 0
The Luminous Colours of the Magic Lantern: Shedding Light on the Palette of Life Model Slides 神奇灯笼的发光颜色:在生命模型幻灯片的调色板上发光
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.85134
B. Moens
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引用次数: 2
The Double Poetics of Popular Images: A dialogue between Popular Culture and Postdramatic Theatre 大众形象的双重诗学:大众文化与后戏剧戏剧的对话
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.81895
Christel Stalpaert, M. Gross, Hans-Thies Lehmann
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引用次数: 0
Blackface Burlesque: Changing Praxes and Poetics of Blackness in the Dutch Repertoire before Minstrelsy, 1790-1830 黑脸滑稽剧:1790-1830年荷兰唱诗班前黑人的变化实践和诗学
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.81899
S. Adams
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引用次数: 0
VA AA LR: On the Spectacle of Sound VA AA LR:关于声音的奇观
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.85137
Tessa Vannieuwenhuyze
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引用次数: 0
“Unusually superficial”. An Interview with Artistic Duo Mardulier and Deprez “不同寻常的肤浅的”。艺术二人组Mardulier和Deprez访谈
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.85138
Tessa Vannieuwenhuyze
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引用次数: 0
“I got 99 performances and Facebook ain’t the only one": The musical persona revisited: music performance and self-staging on social media “我有99场演出,Facebook不是唯一的”:重新审视音乐人物:在社交媒体上的音乐表演和自我表演
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.81894
Tessa Vannieuwenhuyze
In this article, I will look at three contemporary music artists and how they present their musical personae on social media. Based on theatre, performance and media studies, it is an attempt to shed light on the several colourful elements constituting the total spectacle of music performance in terms of musical persona. The dynamic that arises between the performances being staged online and the simultaneous emergence of a new virtual stage, will be the central focus point. Relying on Hannah Arendt’s theorization on public space in terms of space of appearance and Michel Foucault’s concept of heterotopia, this research introduces a framework that will help to comprehend the current ubiquity of selfies, videoclips and Instagram in the specific context of music performance beyond the live show.
在这篇文章中,我将介绍三位当代音乐艺术家,以及他们如何在社交媒体上展示自己的音乐形象。以戏剧、表演和媒体研究为基础,试图从音乐人格的角度来阐明构成音乐表演整体奇观的几个丰富多彩的元素。在线上演的表演与同时出现的新虚拟舞台之间产生的动态将是中心焦点。本研究依托汉娜·阿伦特(Hannah Arendt)关于外观空间的公共空间理论和米歇尔·福柯(Michel Foucault)的异托邦(heterotopia)概念,引入了一个框架,有助于理解当前在现场表演之外的音乐表演的特定背景下无处不在的自拍、视频剪辑和Instagram。
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引用次数: 0
Grounding Colour 基础颜色
IF 0.3 0 RELIGION Pub Date : 2019-06-30 DOI: 10.21825/documenta.85136
Joost Rekveld
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引用次数: 0
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