Journal Article Reviewing May 1968: The Wider Lenses of the Cultural Review Get access Emma Wagstaff Emma Wagstaff University of Birmingham, UK e.r.wagstaff@bham.ac.uk https://orcid.org/0000-0002-6700-6509 Search for other works by this author on: Oxford Academic Google Scholar Forum for Modern Language Studies, cqad045, https://doi.org/10.1093/fmls/cqad045 Published: 13 October 2023
{"title":"Reviewing May 1968: The Wider Lenses of the Cultural Review","authors":"Emma Wagstaff","doi":"10.1093/fmls/cqad045","DOIUrl":"https://doi.org/10.1093/fmls/cqad045","url":null,"abstract":"Journal Article Reviewing May 1968: The Wider Lenses of the Cultural Review Get access Emma Wagstaff Emma Wagstaff University of Birmingham, UK e.r.wagstaff@bham.ac.uk https://orcid.org/0000-0002-6700-6509 Search for other works by this author on: Oxford Academic Google Scholar Forum for Modern Language Studies, cqad045, https://doi.org/10.1093/fmls/cqad045 Published: 13 October 2023","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135854397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract During the tumultuous period in Italy between 1968 and 1977, known as the ‘long 68’, myriad alternative publications focusing on the narratives and the experiences of avant-garde groups, marginal communities, labour organizers and political activist circles gained widespread popularity. Among these, two significant literary and political reviews, I Quindici and Contropiano, played a pivotal role in these movements. My paper aims to analyse the aesthetic and textual makeup of these publications by examining the significance of these journals in the context of the explosive political climate that led to the cycle of protests in streets, schools and factories.
{"title":"The Italian Collective Project in Literature, Architecture and the Visual Arts, 1968–77","authors":"Sabrina Ovan","doi":"10.1093/fmls/cqad051","DOIUrl":"https://doi.org/10.1093/fmls/cqad051","url":null,"abstract":"Abstract During the tumultuous period in Italy between 1968 and 1977, known as the ‘long 68’, myriad alternative publications focusing on the narratives and the experiences of avant-garde groups, marginal communities, labour organizers and political activist circles gained widespread popularity. Among these, two significant literary and political reviews, I Quindici and Contropiano, played a pivotal role in these movements. My paper aims to analyse the aesthetic and textual makeup of these publications by examining the significance of these journals in the context of the explosive political climate that led to the cycle of protests in streets, schools and factories.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135854411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article explores the importance of periodicals for the 1960s protest movements in West Germany. It opens with the significance of both mainstream news media and New Left journals. Attention then turns to a different class of periodical, the anti-authoritarian underground newspaper, examined here through one emblematic example, linkeck [leftangle], which was produced in a centre of revolt, West Berlin, in 1968–69. While linkeck had limited circulation and was short-lived, it achieved notoriety and gave rise to a series of successors. To understand linkeck’s impact and meanings, this article comments on its origins in an anti-authoritarian commune and its philosophy on work, politics and relationships; its ephemerality; its influences and interests; its distinctive style and its conflicts with the law. In conclusion, the essay argues that linkeck epitomizes anti-authoritarian themes and form, and that periodicals were the movements’ most characteristic genre. Throughout, the essay also considers key resonances between linkeck and earlier twentieth-century (anti-)artistic avant-gardes, notably Dada.
{"title":"Dada in the Underground: <i>Linkeck</i> and West Berlin’s Anti-Authoritarian Newspapers, 1968–69","authors":"Mererid Puw Davies","doi":"10.1093/fmls/cqad043","DOIUrl":"https://doi.org/10.1093/fmls/cqad043","url":null,"abstract":"Abstract This article explores the importance of periodicals for the 1960s protest movements in West Germany. It opens with the significance of both mainstream news media and New Left journals. Attention then turns to a different class of periodical, the anti-authoritarian underground newspaper, examined here through one emblematic example, linkeck [leftangle], which was produced in a centre of revolt, West Berlin, in 1968–69. While linkeck had limited circulation and was short-lived, it achieved notoriety and gave rise to a series of successors. To understand linkeck’s impact and meanings, this article comments on its origins in an anti-authoritarian commune and its philosophy on work, politics and relationships; its ephemerality; its influences and interests; its distinctive style and its conflicts with the law. In conclusion, the essay argues that linkeck epitomizes anti-authoritarian themes and form, and that periodicals were the movements’ most characteristic genre. Throughout, the essay also considers key resonances between linkeck and earlier twentieth-century (anti-)artistic avant-gardes, notably Dada.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136062644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT This article offers an overview of the Romanian echoes of the French social turbulence of May 68. It also explains the conservatism of Romanian cultural and political institutions at that moment. The article addresses the question of why Nicolae Ceaușescu’s nationalist communist regime prevented Romanian May 68 upheavals from taking place. It argues that the events of May 1968 cannot be separated from August 1968 (the Soviet invasion of Czechoslovakia) and from the two previous decades of Soviet control over Romanian culture. In such a context, nationalism was perceived as an emancipation compared to the previous Stalinist era, and any favourable echo of the French 1968 social movements would have challenged it. The article argues that the view of Romania’s 1968 that emerges in periodicals challenges the perspective that May 68 represented youthful revolt against capitalist systems. Instead, a more nuanced picture is required, one that is specific to Romania at that time.
{"title":"CEAUȘESCU, BARTHES AND A FEW BORING HIPPIES: MAY AND AUGUST 1968 IN ROMANIA","authors":"Alexandru Matei","doi":"10.1093/fmls/cqad050","DOIUrl":"https://doi.org/10.1093/fmls/cqad050","url":null,"abstract":"ABSTRACT This article offers an overview of the Romanian echoes of the French social turbulence of May 68. It also explains the conservatism of Romanian cultural and political institutions at that moment. The article addresses the question of why Nicolae Ceaușescu’s nationalist communist regime prevented Romanian May 68 upheavals from taking place. It argues that the events of May 1968 cannot be separated from August 1968 (the Soviet invasion of Czechoslovakia) and from the two previous decades of Soviet control over Romanian culture. In such a context, nationalism was perceived as an emancipation compared to the previous Stalinist era, and any favourable echo of the French 1968 social movements would have challenged it. The article argues that the view of Romania’s 1968 that emerges in periodicals challenges the perspective that May 68 represented youthful revolt against capitalist systems. Instead, a more nuanced picture is required, one that is specific to Romania at that time.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"158 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135141734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article discusses the role of translation in three French reviews active in the 1968 period in France: Europe, Action poétique and Change. It considers not only decisions made by the translators of individual texts, but also the choice of texts published, the status of the translator as writer, support for writers overseas and a new interest in France from the late 1960s in theories of translation. The reviews are read alongside the archive of the Union des Écrivains, founded in the wake of the Paris Events in May–June 1968, in which the reviews’ editors were active. Having identified values espoused by the Union on the basis of archival research, the article argues that the reviews’ translation practices informed Union activities and were influenced in turn by those activities. The article aims to demonstrate that the literary review represents an important, and previously underexamined, transnational dimension of the 1968 era.
摘要本文探讨了翻译在1968年活跃于法国的三篇法国评论:《欧洲》、《自由行动》和《变革》中的作用。它不仅考虑了译者对个别文本的决定，还考虑了出版文本的选择、译者作为作家的地位、对海外作家的支持以及20世纪60年代末法国对翻译理论的新兴趣。这些评论与Union des Écrivains的档案一起阅读，该档案是在1968年5 - 6月巴黎事件之后成立的，评论的编辑们在其中很活跃。文章在档案研究的基础上确定了国际电联所信奉的价值观，认为审稿人的翻译实践为国际电联的活动提供了信息，并反过来受到这些活动的影响。本文旨在证明，文学评论代表了1968年时代一个重要的、以前未被充分研究的跨国维度。
{"title":"1968 and Translation in Three French Reviews: <i>Europe</i>, <i>Action Poétique</i> and <i>Change</i>","authors":"Emma Wagstaff","doi":"10.1093/fmls/cqad047","DOIUrl":"https://doi.org/10.1093/fmls/cqad047","url":null,"abstract":"Abstract This article discusses the role of translation in three French reviews active in the 1968 period in France: Europe, Action poétique and Change. It considers not only decisions made by the translators of individual texts, but also the choice of texts published, the status of the translator as writer, support for writers overseas and a new interest in France from the late 1960s in theories of translation. The reviews are read alongside the archive of the Union des Écrivains, founded in the wake of the Paris Events in May–June 1968, in which the reviews’ editors were active. Having identified values espoused by the Union on the basis of archival research, the article argues that the reviews’ translation practices informed Union activities and were influenced in turn by those activities. The article aims to demonstrate that the literary review represents an important, and previously underexamined, transnational dimension of the 1968 era.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135739890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract Using the recent publication in English translation of an anthology of texts from the Moroccan journal Souffles (Stanford University Press, 2016), this article is part of a wider project that links the journal’s moves to question Négritude with its postcolonial critique of folklorism. It considers the Moroccan journal as an archetypal May 1968 publication; first, by tracing the dramatic shift that Souffles makes between 1966 and 1969 from literary and cultural journal to revolutionary mouthpiece of Marxist anti-Zionism, and which takes place in a period of pan-Arabist crisis and during the social unrest of 1968–1971 in Morocco; and second, by looking closely at the theoretical and philosophical innovations of Abraham Serfaty, alongside the agitational poetry of Abdellatif Laâbi and the political theories emerging in sub-Saharan Africa and the Francophone Caribbean, that appear in Souffles in the wake of May 1968 in France. Finally, it locates an incipient Maoism in the radicalization of Souffles.
本文使用了最近出版的摩洛哥期刊《舒弗尔斯》(Stanford University Press, 2016)文本选集的英文翻译，是一个更广泛的项目的一部分，该项目将该期刊质疑nsamicitude的举动与后殖民时期对民俗学的批评联系起来。它认为摩洛哥杂志是1968年5月出版物的原型;首先，追溯《舒弗莱》在1966年至1969年间从文学和文化杂志转变为马克思主义反犹太复国主义的革命喉舌的戏剧性转变，这一转变发生在泛阿拉伯主义危机时期和摩洛哥1968年至1971年的社会动荡时期;其次，通过仔细研究亚伯拉罕·塞尔法蒂的理论和哲学创新，以及阿卜杜拉提夫·拉比的激动人心的诗歌，以及撒哈拉以南非洲和法语加勒比海地区出现的政治理论，这些理论出现在法国1968年5月之后的苏弗斯。最后，它在蛋奶酥的激进化中找到了一种早期的毛主义。
{"title":"‘Writing is an act, the poem a weapon and discussion an assembly’: The Political Turn in <i>Souffles</i> during Morocco’s 1968","authors":"Andy Stafford","doi":"10.1093/fmls/cqad049","DOIUrl":"https://doi.org/10.1093/fmls/cqad049","url":null,"abstract":"Abstract Using the recent publication in English translation of an anthology of texts from the Moroccan journal Souffles (Stanford University Press, 2016), this article is part of a wider project that links the journal’s moves to question Négritude with its postcolonial critique of folklorism. It considers the Moroccan journal as an archetypal May 1968 publication; first, by tracing the dramatic shift that Souffles makes between 1966 and 1969 from literary and cultural journal to revolutionary mouthpiece of Marxist anti-Zionism, and which takes place in a period of pan-Arabist crisis and during the social unrest of 1968–1971 in Morocco; and second, by looking closely at the theoretical and philosophical innovations of Abraham Serfaty, alongside the agitational poetry of Abdellatif Laâbi and the political theories emerging in sub-Saharan Africa and the Francophone Caribbean, that appear in Souffles in the wake of May 1968 in France. Finally, it locates an incipient Maoism in the radicalization of Souffles.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"171 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135966417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article examines the articulation of Situationist perspectives on art and politics with reference to the cycle of protest, surveillance, detention, scandal, repression and violence which accompanied the theoretical writings and practical activities of the Situationists. The Situationist International (SI) was, by design, a mercurial organization whose existence was marked by clandestine activity, conflict – internally and externally – scandal and subversion in multiple guises. The twin concepts of détournement [hijacking] and récupération [recovery] will be explored to show why the recourse to the terminology of war was more than a commonplace rhetorical trope for the SI. The group’s deployment of militaristic language reflects, first, the real-life attention the Situationists received from the forces of order and, secondly, an antagonism which underpinned their conception of political action. Their eponymous journal or review was not itself a privileged organ of the Situationist International, intellectually or aesthetically, but ‘heavy artillery’ which provided a convenient platform to become known to an active readership.
{"title":"‘BY EVERY HYPER-POLITICAL MEANS’: <i>INTERNATIONALE SITUATIONNISTE</i> AND THE REVIEW AS WEAPON","authors":"Alex Corcos","doi":"10.1093/fmls/cqad044","DOIUrl":"https://doi.org/10.1093/fmls/cqad044","url":null,"abstract":"Abstract This article examines the articulation of Situationist perspectives on art and politics with reference to the cycle of protest, surveillance, detention, scandal, repression and violence which accompanied the theoretical writings and practical activities of the Situationists. The Situationist International (SI) was, by design, a mercurial organization whose existence was marked by clandestine activity, conflict – internally and externally – scandal and subversion in multiple guises. The twin concepts of détournement [hijacking] and récupération [recovery] will be explored to show why the recourse to the terminology of war was more than a commonplace rhetorical trope for the SI. The group’s deployment of militaristic language reflects, first, the real-life attention the Situationists received from the forces of order and, secondly, an antagonism which underpinned their conception of political action. Their eponymous journal or review was not itself a privileged organ of the Situationist International, intellectually or aesthetically, but ‘heavy artillery’ which provided a convenient platform to become known to an active readership.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136071390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines how the Nuovo Canzoniere Italiano (NCI) – a leftist collective founded in Milan in 1962 by Gianni Bosio and Roberto Leydi – used their journal to theorize oral cultures as instruments of class consciousness. By doing so, they contributed to the political movements of the 1960s in Italy. The NCI worked to construct a culture of protest through recorded albums, live performances and field research into oral practices. Despite their prominence as the ‘music of 1968’ in Italy, the NCI first came together as a journal. The ten issues of the group’s journal, Il Nuovo Canzoniere Italiano, published between 1962 and 1968, provided materialist and ethnomusicological analysis of oral cultures, as well as the repertoires of rural singers like Giovanna Daffini, and nourished the work of young songwriters. I argue that this journal fostered new militant approaches to culture, documented the artistic vitality of the labouring classes and helped foment the revolutionary sentiments of 1968.
这篇文章探讨了新意大利人协会(NCI)——一个由Gianni Bosio和Roberto Leydi于1962年在米兰创立的左翼团体——如何利用他们的期刊将口头文化理论化，作为阶级意识的工具。通过这样做，他们促进了20世纪60年代意大利的政治运动。NCI致力于通过录制专辑、现场表演和对口头练习的实地研究来构建一种抗议文化。尽管他们在意大利被称为“1968年的音乐”，但NCI最初是以期刊的形式聚集在一起的。该组织在1962年至1968年间出版的十期杂志《Il Nuovo Canzoniere Italiano》提供了对口头文化的唯物主义和民族音乐学分析，以及乔凡娜·达菲尼(Giovanna Daffini)等乡村歌手的曲目，并为年轻词曲作者的作品提供了营养。我认为，这本杂志培养了新的激进的文化方法，记录了劳动阶级的艺术活力，并帮助煽动了1968年的革命情绪。
{"title":"Il Nuovo Canzoniere Italiano: The Songbook of 1968 in Italy","authors":"Rachel E Love","doi":"10.1093/fmls/cqad046","DOIUrl":"https://doi.org/10.1093/fmls/cqad046","url":null,"abstract":"\u0000 This article examines how the Nuovo Canzoniere Italiano (NCI) – a leftist collective founded in Milan in 1962 by Gianni Bosio and Roberto Leydi – used their journal to theorize oral cultures as instruments of class consciousness. By doing so, they contributed to the political movements of the 1960s in Italy. The NCI worked to construct a culture of protest through recorded albums, live performances and field research into oral practices. Despite their prominence as the ‘music of 1968’ in Italy, the NCI first came together as a journal. The ten issues of the group’s journal, Il Nuovo Canzoniere Italiano, published between 1962 and 1968, provided materialist and ethnomusicological analysis of oral cultures, as well as the repertoires of rural singers like Giovanna Daffini, and nourished the work of young songwriters. I argue that this journal fostered new militant approaches to culture, documented the artistic vitality of the labouring classes and helped foment the revolutionary sentiments of 1968.","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46565739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<scp>Toribio Vazquez, Juan Luis</scp>. <i>Circular Narratives in Modern European Literature</i>","authors":"Dong Xia","doi":"10.1093/fmls/cqad037","DOIUrl":"https://doi.org/10.1093/fmls/cqad037","url":null,"abstract":"","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135856214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Strakhov, Elizaveta. Continental England: Form, Translation, and Chaucer in the Hundred Years’ War Get access Elizaveta Strakhov. Continental England: Form, Translation, and Chaucer in the Hundred Years’ War. Columbus: The Ohio State University Press (Interventions: New Studies in Medieval Culture), 2022. 252 pp. $99.95. 978–0–8142–1497–8 [hardcover]. Ruth Evans Ruth Evans Saint Louis University ruth.evans@slu.edu Search for other works by this author on: Oxford Academic Google Scholar Forum for Modern Language Studies, Volume 59, Issue 3, July 2023, Pages 466–467, https://doi.org/10.1093/fmls/cqad036 Published: 25 October 2023
{"title":"<scp>Strakhov, Elizaveta</scp>. <i>Continental England: Form, Translation, and Chaucer in the Hundred Years’ War</i>","authors":"Ruth Evans","doi":"10.1093/fmls/cqad036","DOIUrl":"https://doi.org/10.1093/fmls/cqad036","url":null,"abstract":"Journal Article Strakhov, Elizaveta. Continental England: Form, Translation, and Chaucer in the Hundred Years’ War Get access Elizaveta Strakhov. Continental England: Form, Translation, and Chaucer in the Hundred Years’ War. Columbus: The Ohio State University Press (Interventions: New Studies in Medieval Culture), 2022. 252 pp. $99.95. 978–0–8142–1497–8 [hardcover]. Ruth Evans Ruth Evans Saint Louis University ruth.evans@slu.edu Search for other works by this author on: Oxford Academic Google Scholar Forum for Modern Language Studies, Volume 59, Issue 3, July 2023, Pages 466–467, https://doi.org/10.1093/fmls/cqad036 Published: 25 October 2023","PeriodicalId":42991,"journal":{"name":"FORUM FOR MODERN LANGUAGE STUDIES","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135856706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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