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The Realms of Gold 黄金王国
Pub Date : 2019-09-24 DOI: 10.23943/princeton/9780691196855.003.0005
Averil M. Cameron
This chapter focuses on Byzantine art and architecture. Not all Byzantine art was a luxury art. However, the lasting appeal of its use of gold, silver, enamel, and precious stones is evident from the choice of objects in blockbuster exhibitions and in the admiring reactions of their visitors. The latter represent a response to Byzantine art and architecture that also found expression among the Byzantines themselves, who composed many lengthy and detailed literary descriptions of art works or buildings. Light and color, as well as gold and glitter, are key features in these works, and light is the dominant feature in the description of the newly built Justinianic Hagia Sophia by Procopius of Caesarea—when Byzantines described marble, what they emphasized was its sheen and brilliance. Moreover, a high proportion of surviving Byzantine art is religious. This does not mean that the Byzantines were all religious themselves; rather, it reveals something about patronage and how art was commissioned.
本章的重点是拜占庭艺术和建筑。并非所有的拜占庭艺术都是奢侈艺术。然而,它使用金、银、珐琅和宝石的持久吸引力,从重磅展品的选择和参观者的赞赏反应中可以明显看出。后者代表了对拜占庭艺术和建筑的回应,也在拜占庭人自己中找到了表达,他们对艺术作品或建筑进行了许多冗长而详细的文学描述。光线和色彩,以及黄金和闪光,是这些作品的主要特征,在凯撒利亚的普罗科匹厄斯对新建成的查士丁尼圣索菲亚大教堂的描述中,光线是主要特征——当拜占庭人描述大理石时,他们强调的是它的光泽和光辉。此外,幸存的拜占庭艺术中有很大一部分是宗教的。这并不意味着拜占庭人自己都是宗教信徒;相反,它揭示了赞助和艺术是如何被委托的。
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引用次数: 0
The Very Model of Orthodoxy? 正统的真正模式?
Pub Date : 2019-09-24 DOI: 10.23943/princeton/9780691196855.003.0006
Averil M. Cameron
This chapter examines whether Byzantium was an “Orthodox society.” Orthodoxy in Byzantium was always vaunted but also always contested. The constant performance of Orthodoxy took many forms: they included imperial ceremonial, liturgical repetition and display, visual representation, public debates, formal anathemas and recantations, declarations of deposition, and the public reading of documents. Yet the actual evidence for the various councils that supported or condemned religious images shows clearly that in Byzantium as elsewhere ecclesiastics changed sides, negotiated their positions, and adapted their views. In many areas under Byzantine rule a practical multiculturalism prevailed, especially where populations had moved or political control fluctuated, and this too is part of the story of Byzantine religion. Yet the very word “orthodoxy” means correct belief, and the articulation of correct doctrine remained a central issue throughout Byzantine history. Indeed, rules and prescriptions characterized Byzantine Orthodoxy.
本章考察拜占庭是否是一个“东正教社会”。东正教在拜占庭一直受到吹捧,但也一直受到质疑。东正教的持续表现有多种形式:包括帝国仪式、礼拜仪式的重复和展示、视觉表现、公开辩论、正式的诅咒和撤回、宣誓作证和公开阅读文件。然而,各种支持或谴责宗教形象的会议的实际证据清楚地表明,在拜占庭,与其他地方一样,神职人员改变了立场,谈判他们的立场,并调整了他们的观点。在拜占庭统治下的许多地区,一种实际的多元文化盛行,特别是在人口流动或政治控制波动的地方,这也是拜占庭宗教故事的一部分。然而,“正统”这个词意味着正确的信仰,而正确教义的表达在拜占庭历史上一直是一个中心问题。事实上,拜占庭东正教的特点就是规则和规定。
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引用次数: 0
Empire 帝国
Pub Date : 2019-09-24 DOI: 10.2307/j.ctvd1c9j2.21
Averil M. Cameron
This chapter assesses whether Byzantium was an empire. The characteristics of empires, once they have come into existence by the conquest of territory and established a unified central administrative system, have been expressed by one scholar as consisting of their capacity to administer and exploit diversity; the existence of a transportation system designed to serve the imperial center militarily and economically and of systems of communication allowing administration of the subject areas from the center; the assertion of a monopoly of force within their territories; and an “imperial project” that imposed some type of unity throughout the system. One might add to this list the existence of a legal framework. Byzantium had all of these, even though it grew out of an earlier imperial system, and its territorial extent varied greatly over time. It also demonstrated a remarkable determination to maintain itself, through the continuity of imperial office and ideology, sustained by a learned culture, access to which the emperors themselves sought to control. It maintained this symbolic continuity even in the face of the constant instability of the throne itself. The chapter then addresses how the consideration of Byzantium as an empire has been complicated by the model of a “Byzantine commonwealth,” put forward by Dimitri Obolensky in his well-known book published with that title in 1971.
本章评估拜占庭是否是一个帝国。帝国一旦通过征服领土和建立统一的中央行政体系而形成,其特征就被一位学者描述为管理和利用多样性的能力;为了在军事和经济上服务于帝国中心而设计的运输系统的存在以及允许从中心管理臣民地区的通信系统;在其领土内主张对武力的垄断;还有一个“帝国计划”,在整个体系中强加了某种形式的统一。除此之外,还有一个法律框架的存在。拜占庭拥有所有这些,尽管它是从一个更早的帝国体系中发展出来的,而且它的领土范围随着时间的推移变化很大。它还表现出了一种非凡的决心,通过延续帝国的官职和意识形态,通过学术文化来维持自己,皇帝自己寻求控制。即使面对王位本身的不断不稳定,它也保持着这种象征性的连续性。然后,这一章阐述了“拜占庭联邦”的模型如何使拜占庭作为一个帝国的考虑变得复杂,“拜占庭联邦”是由迪米特里·奥波伦斯基在他1971年出版的同名著作中提出的。
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引用次数: 0
Absence 没有
Pub Date : 2019-09-24 DOI: 10.23943/princeton/9780691196855.003.0002
Averil M. Cameron
This chapter examines Byzantium's absence from the wider historical discourse. Part of the reason for this absence is that it has been relegated to the sphere of negativity. The very name that people use today—“Byzantium”—was a derogatory coinage of the early modern period, and Byzantium has traditionally been the subject of adverse comparisons with Rome and with everything classical. Autocracy, bureaucracy, deviousness, and a stultifying lack of originality—all still seem to go together with the word “Byzantium,” underpinned by the ever-present awareness that in the end Byzantium “fell.” In general historiography, Byzantium is either nonexistent or in between. In many Anglo-Saxon history departments, Byzantium is regarded as a niche specialization, while among books intended for the general reader, many of the most successful continue to emphasize court intrigue or a romanticized view of Orthodoxy. The chapter then looks at the role played by Orthodoxy in Byzantium. It also studies Byzantine literature.
本章考察了拜占庭在更广泛的历史话语中的缺席。这种缺席的部分原因是它已经被降级到消极的领域。人们今天使用的“拜占庭”这个名字是近代早期的一个贬义词,传统上,拜占庭一直是与罗马和所有古典事物进行不利比较的对象。专制、官僚、狡黠、缺乏独创性——所有这一切似乎都与“拜占庭”这个词联系在一起,而这一切的基础是人们始终意识到,拜占庭最终“衰落”了。在一般史学中,拜占庭要么不存在,要么介于两者之间。在许多盎格鲁-撒克逊历史系中,拜占庭被认为是一个小众的专业,而在面向普通读者的书籍中,许多最成功的书籍继续强调宫廷阴谋或对东正教的浪漫化看法。这一章接着探讨了东正教在拜占庭所扮演的角色。它也研究拜占庭文学。
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引用次数: 0
Epilogue 后记
Pub Date : 2019-09-24 DOI: 10.23943/princeton/9780691196855.003.0007
Averil M. Cameron
This epilogue addresses the question of periodization in relation to Byzantium. Several recent writers prefer to see “Byzantium” proper as beginning from ca. 600 or later, and there are good reasons why. Constantinople was formally inaugurated in AD 330, but there was not yet such an entity as “Byzantium,” distinct from the eastern Roman Empire, and it remains the case that the Byzantines thought of themselves as Romans. Nevertheless, adopting a later periodization risks obscuring the fact that what people call Byzantium had a long earlier history; it was not a new state formed only in the medieval period. The chapter then argues that Byzantium belongs to mainstream history. Moreover, Byzantine studies must be rescued from its continuing association with the competing claims of negativity and exoticism. Recent publications have set an encouraging pattern, but now the subject needs to be opened up further, and Byzantium seen against more “normal” and wider perspectives.
这篇结语论述了与拜占庭有关的分期问题。最近的一些作家更倾向于认为“拜占庭”真正开始于大约600年或更晚,这是有充分理由的。君士坦丁堡于公元330年正式落成,但当时还没有“拜占庭”这样的实体,与东罗马帝国截然不同,拜占庭人仍然认为自己是罗马人。然而,采用较晚的分期有可能掩盖人们所说的拜占庭有更早历史的事实;它不是中世纪才形成的新国家。本章认为拜占庭属于主流历史。此外,拜占庭式的研究必须从它与消极和异国情调的竞争主张的持续联系中解救出来。最近的出版物已经建立了一个令人鼓舞的模式,但现在这个主题需要进一步开放,拜占庭被视为更“正常”和更广泛的视角。
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Byzantine Matters
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