Postmedieval-A Journal of Medieval Cultural Studies最新文献

英文中文

East Asian Palaeoanthropocenes: Responses 东亚古人类世:响应

3区社会学 Q4 CULTURAL STUDIES

Postmedieval-A Journal of Medieval Cultural Studies

Pub Date : 2023-11-13 DOI: 10.1057/s41280-023-00294-y

Simon C. Estok

引用次数: 0

Creative practice as research in Old Norse-Icelandic studies: Ancillary characters as storytellers 古挪威-冰岛研究中的创造性实践:作为故事讲述者的辅助人物

3区社会学 Q4 CULTURAL STUDIES

Postmedieval-A Journal of Medieval Cultural Studies

Pub Date : 2023-09-22 DOI: 10.1057/s41280-023-00285-z

Kári Gíslason, Lisa Bennett

Abstract This article is a discussion between two writer-academics about projects that re-imagined medieval Icelandic sagas from the perspectives of female characters in these works, and in ways that adopted conventions of interiority and point of view associated with modern creative writing. The discussion examines the potential for creative practice to form a research methodology within Old Norse-Icelandic studies. In particular, the contingent or open-ended nature of creative practice makes it a vehicle by which to raise new questions in relation to texts that have been the subject of extensive prior study. While creative practice as research is to some extent limited by its personal and often quite individual nature, it does offer methods by which imagination and the deeply engaged act of making and re-telling can form part of our understanding of Old Norse-Icelandic texts.

这篇文章是两位作家学者之间的讨论，他们从这些作品中的女性角色的角度重新想象中世纪冰岛传奇，并采用了与现代创意写作相关的内在惯例和观点。讨论探讨了创造性实践在古挪威-冰岛研究中形成研究方法的潜力。特别是，创造性实践的偶然性或开放性使其成为提出与文本相关的新问题的工具，这些文本已成为广泛研究的主题。虽然创造性实践作为研究在某种程度上受到其个人和通常相当个人的性质的限制，但它确实提供了一些方法，通过这些方法，想象力和深入参与的制作和复述行为可以构成我们对古挪威-冰岛文本的理解的一部分。

引用次数: 0

Dancing the Kleptocene 跳着盗贼舞

3区社会学 Q4 CULTURAL STUDIES

Postmedieval-A Journal of Medieval Cultural Studies

Pub Date : 2023-09-01 DOI: 10.1057/s41280-023-00279-x

VK Preston

Dance writings appear widely in early colonial documents. This essay studies danceways and land as I turn to Kyle Keeler’s neologism ‘Kleptocene’ to examine memory, extraction, and ecology with a focus on ‘New France.’ Following Bitterroot Salish scholar Tarren Andrews’ insights addressing an ‘Indigenous turn’ in medieval studies, ‘Dancing the Kleptocene’ investigates criticism of the Doctrine of Discovery in ongoing acts of protest, decolonising the arts, and history. With the notion of the danceway, I address kinesthetic practices by examining dance writing in claims made by Samuel de Champlain, the Jesuit relations, and Madame de la Peltrie, each commenting on ‘ballets’ in early seventeenth-century Turtle Island in North America. Connected to this, the article then turns to and examines the work of Aquinnah Wampanoag artist Elizabeth James-Perry on Indigenous practices of bead and memory work as well as histories of colonial violence and enslavement.

在早期殖民文献中，舞蹈文字大量出现。这篇文章研究了舞蹈方式和土地，我转向凯尔·基勒的新词“Kleptocene”来研究记忆、提取和生态，重点是“新法国”。继Bitterroot Salish学者Tarren Andrews对中世纪研究中“土著转向”的见解之后，“跳舞的Kleptocene”调查了对正在进行的抗议活动，非殖民化艺术和历史中发现主义的批评。有了舞蹈之道的概念，我通过考察塞缪尔·德·尚普兰、耶稣会关系和德拉·佩尔特里夫人所声称的舞蹈写作来解决动觉实践，他们都评论了17世纪初北美海龟岛的“芭蕾舞”。与此相关，这篇文章随后转向并检视了阿奎纳·万帕诺亚格艺术家Elizabeth James-Perry的作品，她的作品涉及原住民的头和记忆作品，以及殖民暴力和奴役的历史。

引用次数: 0

Coda: Interview with Charlotte Ewart 结尾:采访夏洛特·伊沃特