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Postmedieval-A Journal of Medieval Cultural Studies最新文献

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How to make a book: Alfredian prefaces in theory and practice 如何制作一本书:阿尔弗雷迪的理论与实践前言
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1057/s41280-023-00267-1
Nia Moseley-Roberts
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引用次数: 0
Medieval sanctuary, gothic entrapment, and the fugitive self in Colson Whitehead’s The Underground Railroad 中世纪的避难所,哥特式的陷阱,以及科尔森·怀特黑德的《地下铁路》中逃亡的自我
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1057/s41280-023-00265-3
Elizabeth Allen
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引用次数: 0
Voice as talisman: Theorising sound in medieval Japanese treatises on the musical art of sutra chanting 声音作为护身符:在中世纪日本关于诵经音乐艺术的论文中对声音的理论化
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1057/s41280-023-00263-5
Charlotte Eubanks
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引用次数: 0
‘A beginning for them all’: The medieval pluriverse of Gloria Naylor’s ‘Sapphira Wade’ “他们所有人的开始”:格洛丽亚·奈勒的《莎菲拉·韦德》的中世纪多元宇宙
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-03-01 DOI: 10.1057/s41280-023-00264-4
Suzanne Edwards
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引用次数: 0
Out of sight, but not out of mind: A Middle Dutch religious allegory as guide towards the absent Christ 看不见,但不忘:中世纪荷兰的一个宗教寓言,用来指引人们找到不在的基督
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-06 DOI: 10.1057/s41280-022-00259-7
L. Smits
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引用次数: 0
Tolkien, fandom, critique, and ‘critical joy’: A conversation 托尔金、粉丝圈、评论和“批判性快乐”:一场对话
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-02-06 DOI: 10.1057/s41280-022-00262-y
Kathy Lavezzo, Mariana Rios Maldonado
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引用次数: 0
Dido and Laura in Carthage: White purity, epidermal race, and sexual violence in Petrarch’s Africa 蒂朵和劳拉在迦太基:白人的纯洁,表皮种族,和性暴力在彼特拉克的非洲
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-24 DOI: 10.1057/s41280-022-00258-8
Robert John Clines
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引用次数: 0
Derek Jarman's medieval blood: Queer devotion, affective medicine, and the AIDS Crisis. 德里克-贾曼的中世纪之血:同性恋奉献、情感医学和艾滋病危机。
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2023-01-01 Epub Date: 2023-01-24 DOI: 10.1057/s41280-022-00260-0
Eleanor Myerson

In this article I consider medieval blood imagery in the paintings, films and journals of Derek Jarman, focusing on works made between 1989-1993. Taking a transhistorical comparative approach, I analyse Jarman's images alongside his medieval sources, primarily Julian of Norwich's Revelations and Gerard of Cremona's translation of Ibn Sīnā's (Avicenna's) al-Qa'n ū n fī al-tibb (Canon of Medicine). In addition, I find my own commonalities between Jarman and the medieval, for example, juxtaposing his Queer series of paintings with MS Egerton 1821. Critics have explored the medieval as a site of historical precedent for the stigmatisation of disease, providing a reservoir of images of leprosy and plague which inform the discourse of AIDS as immoral pollution. However I follow Jarman's lead in seeking new avenues through the medieval in relation to the AIDS crisis. Refusing to accept the discourses which cast his HIV+ blood as the ultimate symbol of pollution and death, Jarman mobilised the aesthetics and imagery of medieval affective devotion as a powerful alternative. Through the deployment of these traditions, HIV+ blood becomes holy blood, the source of salvation, desire, community and healing.

在这篇文章中,我探讨了德里克-贾曼的绘画、电影和日记中的中世纪血腥图像,重点是 1989-1993 年间的作品。我采用一种跨历史的比较方法,将贾曼的图像与他的中世纪资料(主要是诺威奇的朱利安的《启示录》和克雷莫纳的杰拉德对伊本-西纳(阿维森纳)的《医典》(al-Qa'n ū n fī al-tibb)的翻译)一起进行分析。此外,我还发现了贾曼与中世纪之间的共通之处,例如,将他的 "同性恋者"(Queer)系列画作与《埃格顿1821》(MS Egerton 1821)并列。评论家们将中世纪作为疾病污名化的历史先例,提供了麻风病和瘟疫的形象库,为艾滋病作为不道德污染的论述提供了依据。然而,我跟随贾曼的脚步,通过中世纪寻求与艾滋病危机相关的新途径。贾曼拒绝接受将其艾滋病毒携带者的血液作为污染和死亡的终极象征的论述,他调动了中世纪情感奉献的美学和意象作为一种强有力的替代。通过对这些传统的运用,HIV+血液变成了圣血,成为救赎、欲望、群体和治愈的源泉。
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引用次数: 0
The simorgh and the celestial conjunction 月亮和天合
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1057/s41280-022-00245-z
T. Mir
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引用次数: 0
The Gender of Magic: Constructions of nonbinary gender categories in Sīrat Sayf ibn Dhī Yazan 魔法的性别:萨义夫·本·亚赞的非二元性别范畴的建构
IF 0.4 3区 社会学 Q1 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.1057/s41280-022-00246-y
S. Pellegrino
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引用次数: 0
期刊
Postmedieval-A Journal of Medieval Cultural Studies
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