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Clifford Gleason: The Promise of Paint by Roger Hull 克利福德·格里森:绘画的希望
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1353/ohq.2022.0023
B. Guenther
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引用次数: 0
This Is Not For You: An Activist's Journey of Resistance and Resilience by Richard Brown 《这不适合你:一个激进分子的抵抗和恢复之旅》,作者:理查德·布朗
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1353/ohq.2022.0022
P. Schechter
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引用次数: 0
Frontmatter and Backmatter Frontmatter和Backmatter
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1353/ohq.2022.0014
Abstract:Can White violence toward Indigenous peoples be perpetuated in a photograph? Between 1857 and 1861, U.S. Army officer Lorenzo Lorain photographed the people and landscapes of Fort Umpqua, an isolated military outpost on the southern Oregon coast. Stationed there to enforce the removal of regional Indians to the nearby Umpqua Reserve, Lorain's salt prints, now held by the Oregon Historical Society's research library, include thirteen portraits of Coos, Lower Umpqua, Siuslaw, Klamath, and Modoc men and women. Today, these are the earliest known photographs of Oregon's Indians. They are also the earliest photographs documenting the Army's role in the genocide and erasure of Native peoples' lifeways and communities in Oregon during the mid-nineteenth century. Viewed through Lorain's personal letters and military records, we come to understand how the photographer's beliefs in colonialism and White supremacy contributed to erasing the identities and histories of the people in his images.
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引用次数: 0
The Indians are Quiet: White Supremacy in the First Photographs of Native Peoples in Oregon 印第安人很安静:俄勒冈州原住民的第一张照片中的白人至上
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1353/ohq.2022.0015
M. Friedel
Abstract:Can White violence toward Indigenous peoples be perpetuated in a photograph? Between 1857 and 1861, U.S. Army officer Lorenzo Lorain photographed the people and landscapes of Fort Umpqua, an isolated military outpost on the southern Oregon coast. Stationed there to enforce the removal of regional Indians to the nearby Umpqua Reserve, Lorain's salt prints, now held by the Oregon Historical Society's research library, include thirteen portraits of Coos, Lower Umpqua, Siuslaw, Klamath, and Modoc men and women. Today, these are the earliest known photographs of Oregon's Indians. They are also the earliest photographs documenting the Army's role in the genocide and erasure of Native peoples' lifeways and communities in Oregon during the mid-nineteenth century. Viewed through Lorain's personal letters and military records, we come to understand how the photographer's beliefs in colonialism and White supremacy contributed to erasing the identities and histories of the people in his images.
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引用次数: 0
The Spokane River ed. by Paul Lindholdt 斯波坎河编辑:Paul Lindholdt
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1353/ohq.2022.0020
Larry Cebula
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引用次数: 0
Pyschiana Man: A Mail-Order Prophet, His Followers, and the Power of Belief in Hard Times by Brandon R. Schrand 《Pyschiana人:邮购先知、他的追随者和艰难时期的信仰力量》,布兰登·R·施兰德著
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-06-01 DOI: 10.1353/ohq.2022.0021
Katrine Barber
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引用次数: 0
Jim Bridger: Trailblazer of the American West by Jerry Enzler 吉姆·布里杰:美国西部的开拓者,杰里·恩兹勒著
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/ohq.2022.0008
R. W. Etulain
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引用次数: 0
Frontmatter
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/ohq.2022.0003
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引用次数: 0
Homewaters: A Human and Natural History of Puget Sound by David B. Williams 《故乡:普吉特湾的人类和自然史》,大卫·B·威廉姆斯著
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/ohq.2022.0010
Joseph E. Taylor
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引用次数: 0
"The Coming of the White Man," Onetime Oregon White Supremacist Icon 《白人的到来》曾是俄勒冈州白人至上主义者的偶像
IF 0.1 4区 历史学 Q2 HISTORY Pub Date : 2022-03-01 DOI: 10.1353/ohq.2022.0000
Jeffry Uecker
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引用次数: 1
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OREGON HISTORICAL QUARTERLY
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