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Between Stale Stability and Dynamic Contestation 在陈旧的稳定与动态的竞争之间
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-12-28 DOI: 10.30965/18763332-47020003
Višeslav Raos
This article uses national survey data, quantitative party system indicators, as well as manifesto data to assess the proposition whether the Croatian party system is indeed one of the most stable systems among post-communist EU member states. The analysis spans three decades and focuses on changes after EU accession and confirms long-term stability of the Croatian party system. However, after the 2015 election, there was a decline in the popularity of the two major parties – Christian Democrats (hdz) and Social Democrats (sdp), and an emergence of several challenger parties – the center-right populist Bridge, which favors institutional reform and decentralization, the Eurosceptic, populist, and nationalist Homeland Movement, and We Can!, a green-left coalition of academics and environmentalists. In addition, the observed party system change was accompanied by a rise in civic referendum initiatives around bioethical issues such as sex education and same-sex marriage.
本文使用全国调查数据、定量政党制度指标以及宣言数据来评估克罗地亚政党制度是否确实是后共产主义欧盟成员国中最稳定的制度之一这一命题。分析跨越三十年,重点关注加入欧盟后的变化,证实了克罗地亚政党制度的长期稳定性。然而,在 2015 年大选之后,基督教民主党(hdz)和社会民主党(sdp)这两大政党的声望有所下降,同时出现了几个挑战者政党--主张机构改革和权力下放的中右翼民粹主义政党 Bridge,持欧洲怀疑论、民粹主义和民族主义立场的家园运动(Homeland Movement),以及由学者和环保主义者组成的绿左联盟 We Can!。此外,在观察到政党制度变化的同时,围绕性教育和同性婚姻等生物伦理问题的公民投票倡议也在增加。
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引用次数: 0
“Don’t Dig in the Graveyard”: The Cultural Representations of the Homeland War in Croatia "不要挖掘墓地":克罗地亚本土战争的文化表征
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-12-28 DOI: 10.30965/18763332-47020006
Nikolina Židek

This article fills the gap on the research of memory of the Croatian War of Independence (1991–1995) in film and theatre and demonstrates that so far the arts have been the main channel of the emancipatory narrative, challenging the mainstream collective memory of a victim and victorious nation and serving as a space of fostering debate on the country’s recent past. The article focuses on the cultural representation of the war in Croatia in the last decade, since Croatian accession to the EU, while paying special attention to the reactions of the wider audience to such works, especially the key mnemonic actors, such as the war veterans and the nationalist politicians. The results show that even though theatre and film offer counter-narratives on the Homeland War and spur and spark the debate, it is yet to be seen if they can lead to a wider discussion in the society.

本文填补了关于电影和戏剧中克罗地亚独立战争(1991-1995 年)记忆研究的空白,并表明迄今为止艺术一直是解放叙事的主要渠道,挑战了关于受害国和战胜国的主流集体记忆,并成为促进关于国家近代历史辩论的空间。文章重点关注克罗地亚加入欧盟后的十年间,克罗地亚对战争的文化表述,同时特别关注广大观众对此类作品的反应,尤其是主要的记忆参与者,如战争老兵和民族主义政治家。研究结果表明,尽管戏剧和电影提供了关于祖国战争的反叙事,刺激并引发了辩论,但它们是否能在社会上引发更广泛的讨论,还有待观察。
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引用次数: 0
Sabina Mihelj and Simon Huxtable, From Media Systems to Media Cultures: Understanding Socialist Television (Cambridge: Cambridge University Press, 2018): a Comment Sabina Mihelj和Simon Huxtable,《从媒体系统到媒体文化:理解社会主义电视》(剑桥:剑桥大学出版社,2018):评论
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010007
B. Thomass
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引用次数: 0
Sabina Mihelj and Simon Huxtable, From Media Systems to Media Cultures: Understanding Socialist Television (Cambridge: Cambridge University Press, 2018): A Comment Sabina Mihelj和Simon Huxtable,《从媒体系统到媒体文化:理解社会主义电视》(剑桥:剑桥大学出版社,2018):评论
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010006
M. Marinos
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引用次数: 0
Croatian Radical Separatism and Diaspora Terrorism During the Cold War, written by Mate Nikola Tokić 《冷战时期克罗地亚激进分离主义和散居海外的恐怖主义》,作者尼古拉·托基奇
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010012
R. Yeomans
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引用次数: 0
Sabina Mihelj and Simon Huxtable, From Media Systems to Media Cultures: Understanding Socialist Television (Cambridge: Cambridge University Press, 2018): a Response to Martin Marinos and Barbara Thomass Sabina Mihelj和Simon Huxtable,《从媒体系统到媒体文化:理解社会主义电视》(剑桥:剑桥大学出版社,2018):对Martin Marinos和Barbara Thomass的回应
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010008
S. Huxtable, Sabina Mihelj
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引用次数: 0
The Bulgarian Media after 1989 1989年后的保加利亚媒体
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010005
Orlin Spassov, Nikoleta Daskalova
This article offers an overview of the most important developments in the Bulgarian media sphere after the changes of 1989. It fills a conceptual gap by analyzing the place of Bulgarian media in the context of the relationship between democracy and capitalism. The transition from socialist to private and market-oriented media, Bulgaria’s opening up to foreign media companies, the expansion of media into the internet environment, and the role of media regulation are identified as the key – and ambivalent – factors of change in the media sphere. The article argues that the tension between media democracy and media capitalism unfolded in the form of a permanent crisis in the media field. The analysis leads to the conclusion that indeterminacy and hybridity are key characteristics of the Bulgarian media system.
本文概述了1989年变革后保加利亚媒体领域最重要的发展。它通过分析保加利亚媒体在民主和资本主义关系中的地位来填补概念空白。从社会主义媒体向私营和市场化媒体的过渡、保加利亚对外国媒体公司的开放、媒体向互联网环境的扩张以及媒体监管的作用被认为是媒体领域变革的关键和矛盾因素。文章认为,媒体民主与媒体资本主义之间的紧张关系是以媒体领域永久性危机的形式展开的。分析得出的结论是,不确定性和混杂性是保加利亚媒体系统的关键特征。
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引用次数: 0
Covid-19, State-Power and Society in Europe: Focus on Western Balkans, written by Neven Andjelic 《新冠肺炎:欧洲的国家权力与社会:聚焦西巴尔干》,Neven Andjelic著
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010010
Višeslav Raos
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引用次数: 0
Front matter 前页
Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010000
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引用次数: 0
The Media in Southeastern Europe – Socialism, Transition, Capitalism 东南欧的媒体——社会主义、转型、资本主义
IF 0.2 Q1 Arts and Humanities Pub Date : 2023-07-28 DOI: 10.30965/18763332-47010001
M. Marinos, Orlin Spassov
The Introduction to this volume presents an approach rarely used in the analysis of media in Southeastern Europe. Through the interpretive framework of the theme of capitalism, it examines the advantages of applying this research paradigm to the region. After 1989, capitalism succeeded socialism in the countries in the region. To understand what happened under the new common denominator imposed by the market, this Introduction first looks at the legacy of socialism in the media sphere. Following this line of analysis, the text identifies some important typologies in the media systems of the region focusing specifically on Bulgaria, Romania, Serbia, and Croatia. The homogenizing effects imposed by capitalist-oriented globalization is discussed along with an analysis that traces the crises emerging in journalism. This profession is often practised in the zone of tensions between democracy and capitalism and the Introduction’s focus on these crises exposes the threats to media pluralism.
本卷引言介绍了一种在东南欧媒体分析中很少使用的方法。通过对资本主义主题的解释框架,考察了将这一研究范式应用于该地区的优势。1989年后,资本主义在该地区国家取代了社会主义。为了理解在市场强加的新公约数下发生了什么,本引言首先着眼于社会主义在媒体领域的遗产。根据这一分析思路,本文确定了该地区媒体系统中的一些重要类型,特别关注保加利亚、罗马尼亚、塞尔维亚和克罗地亚。本文讨论了资本主义导向的全球化所带来的同质化效应,并对新闻业出现的危机进行了分析。这一职业通常在民主和资本主义之间的紧张地带进行,引言对这些危机的关注暴露了对媒体多元化的威胁。
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引用次数: 0
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