Edi Prianto, Syukron Abdul Kadir, Benedictus Hestu Cipto Handoyo, Vicki dwi Purnomo
Sragen Regency has a very potential tourism area in the form of natural tourism, man-made tourism, cultural tourism, geo-tourism, eco-tourism, water tourism, religious tourism, culinary tourism and superior product tourism whose development needs to be directed in order to realize people's prosperity and welfare, encourage equal opportunity strive and gain benefits, and be able to face the challenges of changes in local, national and global life. This Regional Regulation is stipulated in order to improve services for orderliness and ease of tourism development, create a tourism business atmosphere that pays attention to religious values, customs, and views and values that live in society, then the implementation of tourism in Sragen Regency needs to training, supervision and control.
{"title":"Analysis of Regional Regulations of Sragen Regency Number 8 of 2018 concerning Tourism Organization","authors":"Edi Prianto, Syukron Abdul Kadir, Benedictus Hestu Cipto Handoyo, Vicki dwi Purnomo","doi":"10.55927/jicb.v1i2.2545","DOIUrl":"https://doi.org/10.55927/jicb.v1i2.2545","url":null,"abstract":"Sragen Regency has a very potential tourism area in the form of natural tourism, man-made tourism, cultural tourism, geo-tourism, eco-tourism, water tourism, religious tourism, culinary tourism and superior product tourism whose development needs to be directed in order to realize people's prosperity and welfare, encourage equal opportunity strive and gain benefits, and be able to face the challenges of changes in local, national and global life. This Regional Regulation is stipulated in order to improve services for orderliness and ease of tourism development, create a tourism business atmosphere that pays attention to religious values, customs, and views and values that live in society, then the implementation of tourism in Sragen Regency needs to training, supervision and control.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127737373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article will attempt to discuss the Performing Arts of Buto Birowo. As a performing art, it is part of social practice and represents the cosmology of the Lencoh community which accommodates the relationship between modern, traditional, Islamic values and Javanese spirituality. In the Buto Birowo performance, the relationship between actors and audience does not only occur on the stage. but it appears in their daily life. The unity between the performing arts and the people is seen as a beacon or a sign of a dimensional reality, as a drama in the daily lives of the Lencoh people. Stage drama arises from plays or stories that are sung in performances, while everyday drama arises from problems that occur in people's daily lives such as the problem of not being able to pay dues, being unable to participate in mutual cooperation due to illness, and so on. Buto Birowo also implies the existence of a dialectic process of religion and culture that occurs naturally and intensely in society, especially in Javanese rural communities. This phenomenon has given birth to a very varied religious attitude of the Muslim community. Starting from religion as something that is believed (value system), understood (cognition system), to be practiced (affection system). The universe of discussion in this dissertation will attempt to reveal that the performance art of Buto Birowo as a social practice is a form of social harmony and religious instincts of the Lencoh people. As a social practice, Buto Birowo accommodates community cooperation, binds people in the same communality and identity, and creates close social harmony.
{"title":"Performing Arts of Buto Birowo, Cosmology and Religious Expression of Rural Communities","authors":"Mukhlas Alkaf","doi":"10.55927/jicb.v1i2.2365","DOIUrl":"https://doi.org/10.55927/jicb.v1i2.2365","url":null,"abstract":"This article will attempt to discuss the Performing Arts of Buto Birowo. As a performing art, it is part of social practice and represents the cosmology of the Lencoh community which accommodates the relationship between modern, traditional, Islamic values and Javanese spirituality. In the Buto Birowo performance, the relationship between actors and audience does not only occur on the stage. but it appears in their daily life. The unity between the performing arts and the people is seen as a beacon or a sign of a dimensional reality, as a drama in the daily lives of the Lencoh people. Stage drama arises from plays or stories that are sung in performances, while everyday drama arises from problems that occur in people's daily lives such as the problem of not being able to pay dues, being unable to participate in mutual cooperation due to illness, and so on. Buto Birowo also implies the existence of a dialectic process of religion and culture that occurs naturally and intensely in society, especially in Javanese rural communities. This phenomenon has given birth to a very varied religious attitude of the Muslim community. Starting from religion as something that is believed (value system), understood (cognition system), to be practiced (affection system). The universe of discussion in this dissertation will attempt to reveal that the performance art of Buto Birowo as a social practice is a form of social harmony and religious instincts of the Lencoh people. As a social practice, Buto Birowo accommodates community cooperation, binds people in the same communality and identity, and creates close social harmony.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116407301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Angguk Dance is a folk dance that is included in the Angguk Art. The Angguk dance depicts the struggle of warriors against invaders. The history of the Angguk dance cannot be separated from the history of the struggle of Prince Diponegoro. The war against the Dutch colonialists, Prince Diponegoro was supported by Nyi Ageng Serang, real name Raden Ajeng Kustiyah Wulaningsih Retno Edi, daughter of Prince Natapraja. Nyi Ageng Serang was born in 1762 AD in the Serang area (on the Grobogan-Sragen border). The name Angguk is taken from the Javanese word "mangguk", which means sentiko, ndere'aken, which means yes or understanding and carrying out orders given by the leader. This is also related to the teachings of thoriqoh, when wiridan or dhikr during the recitation of laa ilaha illa allah, the head is shaken or nodded to make it easier to concentrate while reciting. The motion of the Angguk Grobogan Dance teaches the public to be nationalistic, patriotic and religiously devout. The Angguk dance has experienced a setback due to the emergence of new entertainment in the globalization era, such as social media, which makes it easier to access interesting entertainment. Based on the background description, the researcher is interested in knowing about "The Existence of the Angguk Dance at the Angguk Putri Mekar Sari Kuncen Studio, Wates District, Kulon Progo Regency" because the researcher wants to know how the existence of the Angguk Dance from 2010 to 2022 at the Angguk Putri Mekar Sari Kuncen Studio Wates District, Kulon Progo Regency.
安国舞是安国艺术中包含的民间舞蹈。Angguk舞蹈描绘了战士与侵略者的斗争。Angguk舞蹈的历史不能与Diponegoro王子的斗争历史分开。在对抗荷兰殖民者的战争中，Diponegoro王子得到了Nyi Ageng Serang的支持，真名Raden Ajeng Kustiyah Wulaningsih Retno Edi, Natapraja王子的女儿。Nyi Ageng Serang于公元1762年出生在Serang地区(位于Grobogan-Sragen边境)。Angguk这个名字来源于爪哇语“mangguk”，意思是“同意”、“服从”、“理解”、“执行”领导的命令。这也与索里奎的教义有关，当wiridan或dhikr在背诵laa ilaha illa allah时，头部摇晃或点头，以便在背诵时更容易集中注意力。Angguk Grobogan舞蹈的动作教导公众要有民族主义、爱国主义和宗教虔诚。在全球化时代，社交媒体(sns)等新娱乐方式的出现，使人们更容易接触到有趣的娱乐内容，使国舞遭受了挫折。基于背景描述，研究者有兴趣了解“Angguk Dance at the Angguk Putri Mekar Sari Kuncen Studio, Wates District, Kulon Progo Regency”，因为研究者想知道Angguk Dance从2010年到2022年是如何在Angguk Putri Mekar Sari Kuncen Studio, Wates District, Kulon Progo Regency中存在的。
{"title":"The Existence of the Angguk Dance at the Angguk Putri Mekar Sari Kuncen Studio, Wates District, Kulon Progo Regency","authors":"Vicki Dwi Purnomo","doi":"10.55927/jicb.v1i2.2644","DOIUrl":"https://doi.org/10.55927/jicb.v1i2.2644","url":null,"abstract":"The Angguk Dance is a folk dance that is included in the Angguk Art. The Angguk dance depicts the struggle of warriors against invaders. The history of the Angguk dance cannot be separated from the history of the struggle of Prince Diponegoro. The war against the Dutch colonialists, Prince Diponegoro was supported by Nyi Ageng Serang, real name Raden Ajeng Kustiyah Wulaningsih Retno Edi, daughter of Prince Natapraja. Nyi Ageng Serang was born in 1762 AD in the Serang area (on the Grobogan-Sragen border). The name Angguk is taken from the Javanese word \"mangguk\", which means sentiko, ndere'aken, which means yes or understanding and carrying out orders given by the leader. This is also related to the teachings of thoriqoh, when wiridan or dhikr during the recitation of laa ilaha illa allah, the head is shaken or nodded to make it easier to concentrate while reciting. The motion of the Angguk Grobogan Dance teaches the public to be nationalistic, patriotic and religiously devout. The Angguk dance has experienced a setback due to the emergence of new entertainment in the globalization era, such as social media, which makes it easier to access interesting entertainment. Based on the background description, the researcher is interested in knowing about \"The Existence of the Angguk Dance at the Angguk Putri Mekar Sari Kuncen Studio, Wates District, Kulon Progo Regency\" because the researcher wants to know how the existence of the Angguk Dance from 2010 to 2022 at the Angguk Putri Mekar Sari Kuncen Studio Wates District, Kulon Progo Regency.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122485438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The purpose of this study was to determine the value of Islamic education in traditional marriages for the community in Pattalassang Village, Kec. Pattalassang, Kab. Gowa. This research is a field research using qualitative research methods with reference to data processing both primary data and secondary data then analyzed to produce descriptive data. The results showed that the wedding procession which began with the "ajjangan-jangan" event had educational value getting to know each other with the family of the woman to be married so that a sense of affection grew between the families, then continued with the "apabbatu kana" event in which there was a value of responsibility for what was conveyed at the time of the ceremony and was agreed upon by both parties related to the doi balanja, sunrang and the time of the wedding and other offerings that took part in the celebration of the wedding. The wedding ceremony begins with the accompaniment of ganrang bulo, paduppa anggaru dance and pakkio bunting as accompaniment in enlivening the event and contains its own meaning as a tribute to both the male's family and the guests who come to hold the wedding ceremony. The rituals carried out from all these traditions with the aim that the marriage goes well and that later the husband and wife are able to foster a family to get the blessings of Allah SWT so that a family that is sakinah ma waddatan warahma is formed.
{"title":"The Value of Islamic Education on Marriage Customs for Communities in Pattallassang Village, Kec. Pattallassang Gowa Regency","authors":"Nurmila, Irwansyah Suwahyu","doi":"10.55927/jicb.v1i2.2364","DOIUrl":"https://doi.org/10.55927/jicb.v1i2.2364","url":null,"abstract":"The purpose of this study was to determine the value of Islamic education in traditional marriages for the community in Pattalassang Village, Kec. Pattalassang, Kab. Gowa. This research is a field research using qualitative research methods with reference to data processing both primary data and secondary data then analyzed to produce descriptive data. The results showed that the wedding procession which began with the \"ajjangan-jangan\" event had educational value getting to know each other with the family of the woman to be married so that a sense of affection grew between the families, then continued with the \"apabbatu kana\" event in which there was a value of responsibility for what was conveyed at the time of the ceremony and was agreed upon by both parties related to the doi balanja, sunrang and the time of the wedding and other offerings that took part in the celebration of the wedding. The wedding ceremony begins with the accompaniment of ganrang bulo, paduppa anggaru dance and pakkio bunting as accompaniment in enlivening the event and contains its own meaning as a tribute to both the male's family and the guests who come to hold the wedding ceremony. The rituals carried out from all these traditions with the aim that the marriage goes well and that later the husband and wife are able to foster a family to get the blessings of Allah SWT so that a family that is sakinah ma waddatan warahma is formed.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131773957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Corruption is a term that comes from Latin, "corruptio" from the verb "corrumpere", which means rotten, corrupted, shaken, twisted, bribed, stolen, stolen. According to the Oxford dictionary, the notion of corruption is dishonest or illegal behavior, especially by people in authority. Responsibility is human awareness of intentional or unintentional behavior or actions. Responsibility also means action as a manifestation of awareness of obligations. In this case, the author describes a series of corruption incidents, Mr. Winar Subekti who serves as the Assistant Head of the Net City Internet Learning Cafe Development Project) actions that refer to direct actions to make inappropriate choices, where here he requires other people to commit inhumane crimes, here he is not a human being who has not changed , so that here the author will discuss the analysis of Law and Moral Police Investigators in Corruption Eradication.
{"title":"Legal and Moral Analysis of the Authority of Police Investigators in Eradicating Corruption Crimes in Cases of IMB Management in Net City Internet Learning Cafe","authors":"Nur Zanis, Surodjo, Vicki dwi Purnomo","doi":"10.55927/jicb.v1i2.2549","DOIUrl":"https://doi.org/10.55927/jicb.v1i2.2549","url":null,"abstract":"Corruption is a term that comes from Latin, \"corruptio\" from the verb \"corrumpere\", which means rotten, corrupted, shaken, twisted, bribed, stolen, stolen. According to the Oxford dictionary, the notion of corruption is dishonest or illegal behavior, especially by people in authority. Responsibility is human awareness of intentional or unintentional behavior or actions. Responsibility also means action as a manifestation of awareness of obligations. In this case, the author describes a series of corruption incidents, Mr. Winar Subekti who serves as the Assistant Head of the Net City Internet Learning Cafe Development Project) actions that refer to direct actions to make inappropriate choices, where here he requires other people to commit inhumane crimes, here he is not a human being who has not changed , so that here the author will discuss the analysis of Law and Moral Police Investigators in Corruption Eradication.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126772457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to increase knowledge of participants/community related to violence, especially sexual violence in university, to provide information about Permendikbud Number 30 of 2021 and its implementation, to know the views of academics and experts regarding important points in the regulation, to map challenges and hopes for the prevention of sexual violence and to make a framework based on community needs related to safe spaces, especially in educational settings. The results of the analysis have not found a decision or policy from the Universitas Slamet Riyadi Surakarta regarding sexual violence as a form of implementation of this policy regarding student behavior in the campus environment. In addition, a special committee has not been formed to enforce this policy on campus, there is only a community of students who are concerned with issues related to sexual violence and gender equality.
{"title":"The Implementation of Permendikbudristek Number 30 of 2021 Concerning Prevention and Handling of Sexual Violence in Higher Education at Universitas Slamet Riyadi Surakarta","authors":"Yokhebed Arumdika Probosambodo, Widiastuti","doi":"10.55927/jicb.v1i2.2400","DOIUrl":"https://doi.org/10.55927/jicb.v1i2.2400","url":null,"abstract":"This study aims to increase knowledge of participants/community related to violence, especially sexual violence in university, to provide information about Permendikbud Number 30 of 2021 and its implementation, to know the views of academics and experts regarding important points in the regulation, to map challenges and hopes for the prevention of sexual violence and to make a framework based on community needs related to safe spaces, especially in educational settings. The results of the analysis have not found a decision or policy from the Universitas Slamet Riyadi Surakarta regarding sexual violence as a form of implementation of this policy regarding student behavior in the campus environment. In addition, a special committee has not been formed to enforce this policy on campus, there is only a community of students who are concerned with issues related to sexual violence and gender equality.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128921474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kajian Pengelolaan Potensi Wisata Budaya Tayub sebagai daya tarik wisata, Rejosari Kabupaten Grobogan, yang memiliki keunikan dan daya tarik. Dalam penelitian ini mempunyai masalah Upaya pemerintah desa dan masyarakat mengenai pengelolaan potensi wisata budaya Tayub yang sudah menjadi tradisi sebagai daya taraik wisata budaya guna menunjang kunjungan wisata dan bertujuan untuk mengetahui pemerintah Desa dan Masyarakat dalam pengelolaan kajian potensi wisata Budaya Tayub Kabupaten Grobogan. Strategi penelitian ini menggunakan observasi langsung, metode wawancara mendalam, dengan pendekatan penelitian deskriptif kualitatif untuk penggambaran kondisi dan masalah dalam upaya kajian pengelolaan potensi wisata budaya ledek (tayub) pengembangan daya Tarik wisata. Berdasarkan hasil penelitian kajian pengelolaan Daya Tarik Wisata mununjukan bahwa budaya Tayub adalah sebuah group yang berasal dari Desa Rejosari Kabupaten Grobogan yang perlu difasilitasi sarana prasanannya oleh pemerintah dan masyarakat desa.
在Grobogan Rejosari，对Tayub潜在文化旅游管理的研究具有独特性和吸引力。该研究涉及农村和社区政府在Tayub文化旅游潜力管理方面的努力，这是传统的文化旅游资源，旨在支持旅游业，并了解农村和社区政府在格罗博根摄政(Grobogan village - Tayub文化部)管理方面的研究。本研究策略采用直接观察力、深入采访方法，以及在研究潜在文化旅游发展中对可视化情况和问题的描述性研究方法。根据区域旅游管理的研究，Tayub文化是一个由Grobogan Rejosari村衍生而来的集体文化，该组织需要由政府和农村社区提供基础设施。
{"title":"Kajian Pengelolaan Potensi Wisata Budaya Tayub sebagai Daya Tarik Wisata, Rejosari Kabupaten Grobogan","authors":"Suwarti","doi":"10.55927/jicb.v1i1.1306","DOIUrl":"https://doi.org/10.55927/jicb.v1i1.1306","url":null,"abstract":"Kajian Pengelolaan Potensi Wisata Budaya Tayub sebagai daya tarik wisata, Rejosari Kabupaten Grobogan, yang memiliki keunikan dan daya tarik. Dalam penelitian ini mempunyai masalah Upaya pemerintah desa dan masyarakat mengenai pengelolaan potensi wisata budaya Tayub yang sudah menjadi tradisi sebagai daya taraik wisata budaya guna menunjang kunjungan wisata dan bertujuan untuk mengetahui pemerintah Desa dan Masyarakat dalam pengelolaan kajian potensi wisata Budaya Tayub Kabupaten Grobogan. Strategi penelitian ini menggunakan observasi langsung, metode wawancara mendalam, dengan pendekatan penelitian deskriptif kualitatif untuk penggambaran kondisi dan masalah dalam upaya kajian pengelolaan potensi wisata budaya ledek (tayub) pengembangan daya Tarik wisata. Berdasarkan hasil penelitian kajian pengelolaan Daya Tarik Wisata mununjukan bahwa budaya Tayub adalah sebuah group yang berasal dari Desa Rejosari Kabupaten Grobogan yang perlu difasilitasi sarana prasanannya oleh pemerintah dan masyarakat desa.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121369053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Negara Indonesia merupakan negera yang kaya raya akan warisan budaya yang tersebar hampir di seluruh kepulauan. Di antara warisan budaya ini, terdapat cabar budaya yang tergolong tangible dan intangible. Sebagai bukti sejarah, warisan budaya ini adalah sumber informasi yang sangat berharga bersifat pluralistik mengenai kehidupan masa lalu nenek moyang kita. Dalam penelitian ini, kami memutuskan hanya meneliti mengenai perawatan dan perlindungan warisan budaya dan relevansinya bagi pembangunan masa depan bangsa. Menghadapi masa depan, warisan budaya ini mengandung nilai-nilai sosial-budaya yang signifikan, menjadi semakin penting untuk pembangunan masa depan bangsa kita. Mempelajari permsalahan in, penelitian ini bertujuan untuk meneliti permasalahan ini. Untuk mencapai tujuan ini, penelitian dilakukan melalui kajian pustaka yang disertai dengan pendekatan arkeologi dan SWOTS. Hasil penelitian ini menujukkan, bahwa perawatan dan perlindungan warisan budaya mempunyai hubungan relevansi yang angat penting bagi pembangunan masa depan bangsa kita.
{"title":"Perawatan Warisan Budaya: Membangun Masa Depan Bangsa Sebuah Penelitian Pendahuluan","authors":"Muhammad Ibnu Fauzi","doi":"10.55927/jicb.v1i1.1364","DOIUrl":"https://doi.org/10.55927/jicb.v1i1.1364","url":null,"abstract":"Negara Indonesia merupakan negera yang kaya raya akan warisan budaya yang tersebar hampir di seluruh kepulauan. Di antara warisan budaya ini, terdapat cabar budaya yang tergolong tangible dan intangible. Sebagai bukti sejarah, warisan budaya ini adalah sumber informasi yang sangat berharga bersifat pluralistik mengenai kehidupan masa lalu nenek moyang kita. Dalam penelitian ini, kami memutuskan hanya meneliti mengenai perawatan dan perlindungan warisan budaya dan relevansinya bagi pembangunan masa depan bangsa. Menghadapi masa depan, warisan budaya ini mengandung nilai-nilai sosial-budaya yang signifikan, menjadi semakin penting untuk pembangunan masa depan bangsa kita. Mempelajari permsalahan in, penelitian ini bertujuan untuk meneliti permasalahan ini. Untuk mencapai tujuan ini, penelitian dilakukan melalui kajian pustaka yang disertai dengan pendekatan arkeologi dan SWOTS. Hasil penelitian ini menujukkan, bahwa perawatan dan perlindungan warisan budaya mempunyai hubungan relevansi yang angat penting bagi pembangunan masa depan bangsa kita.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132053766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dalam meningkatkan pengetahuan, pemahaman tentang budaya takbenda pusaka karena banyak orang yang tidak mengerti arti dari penegasan bahasa Indonesia batik sebagai warisan budaya takbenda oleh UNESCO. Penelitian ini menggunakan penelitian kualitatif metode dengan format deskriptif. Warisan budaya takbenda berarti praktik, representasi, ekspresi, pengetahuan, keterampilan-serta instrumen, objek, artefak, dan ruang budaya yang terkait dengannya-bahwa komunitas, kelompok dan, dalam beberapa kasus, individu mengakui sebagai bagian dari warisan budaya mereka. Warisan budaya takbenda terdiri dari domain tradisi dan ekspresi lisan, termasuk bahasa sebagai wahana warisan budaya takbenda, seni pertunjukan, praktik sosial, ritual dan acara pesta, pengetahuan dan praktik tentang Alam dan alam semesta, dan kerajinan tradisional. Domain warisan budaya takbenda sesuai dengan batik Indonesia terdiri dari domain tradisi lisan dan ekspresi, termasuk bahasa sebagai wahana warisan Budaya takbenda, praktik sosial, ritual dan pesta, dan kerajinan tradisional. Hasil penelitian menunjukkan bahwa Masa depan batik sebagai warisan budaya takbenda dunia menjelang satu dekade belum mampu membangun batik Indonesia dalam program Pelestarian, Perlindungan dan Pemanfaatan. Program perlindungan melalui kurikulum untuk menjaga agar intangible dan tangible batik dapat bertahan secara turun menurun. Perlindungan dan pemanfaatan potensi tanaman penghasil bahan pewarna alami yang pernah digunakan pada batik tradisonal Indonesia.
{"title":"Pemaknaan Batik sebagai Warisan Budaya Tak Benda","authors":"Muhammad Ibnu Fauzi","doi":"10.55927/jicb.v1i1.1366","DOIUrl":"https://doi.org/10.55927/jicb.v1i1.1366","url":null,"abstract":"Dalam meningkatkan pengetahuan, pemahaman tentang budaya takbenda pusaka karena banyak orang yang tidak mengerti arti dari penegasan bahasa Indonesia batik sebagai warisan budaya takbenda oleh UNESCO. Penelitian ini menggunakan penelitian kualitatif metode dengan format deskriptif. Warisan budaya takbenda berarti praktik, representasi, ekspresi, pengetahuan, keterampilan-serta instrumen, objek, artefak, dan ruang budaya yang terkait dengannya-bahwa komunitas, kelompok dan, dalam beberapa kasus, individu mengakui sebagai bagian dari warisan budaya mereka. Warisan budaya takbenda terdiri dari domain tradisi dan ekspresi lisan, termasuk bahasa sebagai wahana warisan budaya takbenda, seni pertunjukan, praktik sosial, ritual dan acara pesta, pengetahuan dan praktik tentang Alam dan alam semesta, dan kerajinan tradisional. Domain warisan budaya takbenda sesuai dengan batik Indonesia terdiri dari domain tradisi lisan dan ekspresi, termasuk bahasa sebagai wahana warisan Budaya takbenda, praktik sosial, ritual dan pesta, dan kerajinan tradisional. Hasil penelitian menunjukkan bahwa Masa depan batik sebagai warisan budaya takbenda dunia menjelang satu dekade belum mampu membangun batik Indonesia dalam program Pelestarian, Perlindungan dan Pemanfaatan. Program perlindungan melalui kurikulum untuk menjaga agar intangible dan tangible batik dapat bertahan secara turun menurun. Perlindungan dan pemanfaatan potensi tanaman penghasil bahan pewarna alami yang pernah digunakan pada batik tradisonal Indonesia.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130542912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini mendeskripsi pelaksanaan transfer pesan persuasif guru dalam menyeru kepada siswa-siswi agar menggunakan pakaian syar’i pada Madrasah Aliyah Persiapan Negeri Besitang. Tujuan penelitian ini sebagai edukasi kepada siswa-siswi dan pembaca agar selalui menggunakan pakaian yang berdasarkan pada tuntunan agama Islam. Jenis penelitian ini adalah penelitian kualitatif yang berupaya memaparkan fenomena sosial yang sedang berkembang pada massa sekarang. Dari hasil penelitian ini telah ditemukan berupa: Pertama, membutuhkan peran orang tua peserta didik untuk memberikan nasehat kepada putra-putrinya agar selalu mengedapankan etika berpakaian. Kedua, para guru Madrasah terus memberikan edukasi kepada siswa-siswi agar menutupi auratnya ketika berada dilingkungan Madrasah maupun dilingkungan masyarakat. Ketiga komunikasi dilakukan secara humanis.
{"title":"Pelaksanaan Transfer Pesan Persuasif Guru dalam Menyeru kepada Siswa-Siswi agar Menggunakan Pakaian Syar’i pada Madrasah Aliyah Persiapan Negeri Besitang","authors":"Wahyu Ziaulhaq, Lili Handayani","doi":"10.55927/jicb.v1i1.1418","DOIUrl":"https://doi.org/10.55927/jicb.v1i1.1418","url":null,"abstract":"Penelitian ini mendeskripsi pelaksanaan transfer pesan persuasif guru dalam menyeru kepada siswa-siswi agar menggunakan pakaian syar’i pada Madrasah Aliyah Persiapan Negeri Besitang. Tujuan penelitian ini sebagai edukasi kepada siswa-siswi dan pembaca agar selalui menggunakan pakaian yang berdasarkan pada tuntunan agama Islam. Jenis penelitian ini adalah penelitian kualitatif yang berupaya memaparkan fenomena sosial yang sedang berkembang pada massa sekarang. Dari hasil penelitian ini telah ditemukan berupa: Pertama, membutuhkan peran orang tua peserta didik untuk memberikan nasehat kepada putra-putrinya agar selalu mengedapankan etika berpakaian. Kedua, para guru Madrasah terus memberikan edukasi kepada siswa-siswi agar menutupi auratnya ketika berada dilingkungan Madrasah maupun dilingkungan masyarakat. Ketiga komunikasi dilakukan secara humanis.","PeriodicalId":431634,"journal":{"name":"Journal of Indonesian Culture and Beliefs (JICB)","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127681034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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